Now, if you’ve been frequenting this site over the past three years or even over the past couple of weeks, you’ve likely seen a handful of posts featuring the Utrecht, The Netherlands-based indie trio Stillwave. Currently comprised of founding members Michael van Putten and Marcel Jongejan, along with their friend and long-time roadie Joris Keizer, the Dutch indie rock trio have developed a reputation for uncompromisingly refusing to do what their fellow countrymen have done, instead making the trip to the UK to play some of their first shows in dingy, beer soaked clubs and music venues that their influences  — namely, Radiohead, David Bowie and Slowdive — have played in before they made it. As a result of their dedication, hustle and moxie, the Dutch trio began to receive attention and praise from media outlets across the UK and the States, including Q Magazine, Speak Into My Good Eye and others.

The band had started to achieve some level of success and attention when member van Putten and Jongejan were rocked by the departure of original, founding member Adriaan Hogervost. As the band explained to me through email earlier this month, “When Adriaan quit, it felt as if we had lost a brother. We were risking our last savings for another tour in a cramped ’94 Civic, but we knew we had to continue. Stillwave had become more than just music, it became the bond that held us together. We asked our long-time roadie and childhood friend Joris [Keizer] to join us.” They go on to explain that the band’s newest member, had a deep understanding of their dedication and passion for music, knowing that the band was each individual member’s labor of love, “an almost physical place, which we can create, enter and share with those who listen to it.”

The band’s long-awaited full-length debut Sell Another Soul is slated for a November 3, 2017 release, and as the band says about the recording sessions, “When we decided to start recording our album, we had ceased to care about compromise, polish and overanalysed bullshit, which supposedly celebrates the idea of being young and carefree. We do care. For 3 sleep deprived weeks we toiled in a dilapidated structure that would soon after be swallowed by the attempt of gentrification around it. We did away with vocal comping and held onto the tracks where we fucked up. Every second was a battle, every minute a victory.”  As you may recall, I wrote about “94 Civic” earlier this month, a single that derives it name from the 94 Civic that the band drove around in for tours across Europe, and the song was a slow-burning and dreamy ballad that featured a gorgeous but minimalist arrangement of strummed guitar and gently swirling electronics paired with yearning and contemplative vocals that reminded me quite a bit of  Damon Albarn’s solo work and his work with Gorillaz.

Sell Another Soul‘s latest single “Adelaide” find the band returning a bit to the sound that first caught the attention of this site and the rest of the blogosphere — angular, David Bowie Berlin triology-influenced post-punk with similar, moody atmospherics and a rousing, larger-than-life hook and industrial clang and clatter.

The recently released video continues the band’s ongoing collaboration with former member Adriaan Hogervost. And interestingly enough, the video stars Jop Gorris, as a man, who runs around a race track with a metal ladder strapped around him. And although, the ladder is clearly a hinderance to his movement, and he grows increasingly frustrated with the ladder — until he uses it to climb up an abandoned house.