Tag: Soulive

New Video: Crushed Velvet and The Velveteers and Brother GoodLove Follow Black Lives Matters Protests in DC

Alan Evans is a songwriter, composer, multi-instrumentalist and producer, best known for being the co-founder of acclaimed jazz fusion trio and JOVM mainstays Soulive. Back in 2008, while Soulive was on a break from touring, Evans spent his time producing, recording and mixing bands from around the world in his Western Massachusetts-based recording studio. On his off days, Evans would go into the studio and play guitar, eventually recording a collection of songs that he felt didn’t quite fit with Soulive that he wanted to release on his own — Crushed Velvet and The Velveteers wound up becoming Evans’ guitar playing alter ego.

Last month, I wrote about “Good Thang,” a track that featured an All-Star cast of funk and jazz musicians that included DJ Williams’ Shots Fired‘s and Rubblebucket’s Darby Wolf (organ), The Curtis Mayflower’s Pete Aleski (guitar), Akashic Record’s and BT ALC Big Band’s Brian “BT” Thomas” (trombone), ALC Funktet’s and BT ALC Big Band’s Alex Lee-Clark (trumpet), BT ALC Big Band’s Tucker Antell (alto and tenor saxophone) BT ALC Big Band’s Jared Sims (baritone sax) and Kim Dawson (vocals), who contributed sultry vocals to a feel good, Daptone meets Muscle Shoals-like anthem.

Crushed Velvet and The Velveteers’ latest single “As Far As We Know” finds Evans collaborating with frequent collaborators Darby Wolf (piano), BT ALC Big Band’s Alex Lee-Clark (trumpet) and Brian “BT” Thomas (trombone) and Cynthia Tolson (string) on a slow-burning and gentle old-school arrangement that recalls Curtis Mayfield. Stephane Detchou, a Montreal-born and-based, Cameroonian-Canadian singer/songwriter, who writes and performs as Brother GoodLove, a soul project that finds the Cameroonian-Canadian exploring his identity and sense of self and reflecting on the world at large while pushing for a future with peace through the understanding of others contributes the song’s hopeful and uplifting lyrics and vocals. Even when things seem bleak and uncertain, we can still hold on to the hope that a new paradigm and a new world may be just around the corner — it’s just a shame that Martin Luther King, Malcolm X, John Lewis and countless other brothers and sisters, who pushed this country to live up to the ideals of its framers aren’t alive to finally see it.

“I originally wrote the music for ‘As Far As We Know’ back in May 2019 with another VLM project in mind,” Evans says of the latest Crushed Velvet and The Velveteers single. “”I knew that I wanted to have Stephane (Brother GoodLove) singing on this song from the beginning. I didn’t realize that Stephane would turn that working title into such beautiful and powerful lyrics—I was really blown away when he sent me the first demo of the vocal and couldn’t wait to get it into full production but for whatever reason, it wasn’t the right time. But once I had the idea for the new CrushedVelvet and the Velveteers album, ‘As Far As You Know’ being included was a no brainer. So during quarantine, Stephane cut the vocals and I called on my Vintage League Music family of musicians to fill out the song and the rest is history. Without a doubt, it’s one of my favorite songs I’ve ever written.”

Directed by Samuel Hall, the recently released video for “As Far As Know” follows Stephane Detchou on a stroll through Washington, DC — and while capturing daily life in DC during the COVID-19 pandemic, the video primarily is focused around the city’s Black Lives Matter protests. The song and its accompanying video manages to capture the hope  for positive change and equality for all that we hope is coming soon. And in case you forgot: BLACK LIVES MATTER! 

Alan Evans is a songwriter, composer, multi-instrumentalist and producer, best known for being the co-founder of acclaimed jazz fusion trio and JOVM mainstays Soulive. Back in 2008, while Soulive was on a break from touring, Evans spent his time producing, recording and mixing bands from around the world in his Western Massachusetts-based recording studio. On his off days, Evans would go into the studio and play guitar, eventually recording a collection of songs that he felt didn’t quite fit with Soulive that he wanted to release on his own — Crushed Velvet and The Velveteers wound up becoming Evans’ guitar playing alter ego.

Last month, I wrote about “Good Thang,” a track that featured an All-Star cast of funk and jazz musicians that included DJ Williams’ Shots Fired‘s and Rubblebucket’s Darby Wolf (organ), The Curtis Mayflower’s Pete Aleski (guitar), Akashic Record’s and BT ALC Big Band’s Brian “BT” Thomas” (trombone), ALC Funktet’s and BT ALC Big Band’s Alex Lee-Clark (trumpet), BT ALC Big Band’s Tucker Antell (alto and tenor saxophone) BT ALC Big Band’s Jared Sims (baritone sax) and Kim Dawson (vocals), who contributed sultry vocals to a feel good, Daptone meets Muscle Shoals-like anthem.

Crushed Velvet and The Velveteers’ latest single “As Far As We Know” finds Evans collaborating with frequent collaborators Darby Wolf (piano), BT ALC Big Band’s Alex Lee-Clark (trumpet) and Brian “BT” Thomas (trombone) and Cynthia Tolson (string) on a slow-burning and gentle old-school arrangement that recalls Curtis Mayfield. Stephane Detchou, a Montreal-born and-based, Cameroonian-Canadian singer/songwriter, who writes and performs as Brother GoodLove, a soul project that finds the Cameroonian-Canadian exploring his identity and sense of self and reflecting on the world at large while pushing for a future with peace through the understanding of others contributes the song’s hopeful and uplifting lyrics and vocals. Even when things seem bleak and uncertain, we can still hold on to the hope that a new paradigm and a new world may be just around the corner — it’s just a shame that Martin Luther King, Malcolm X, John Lewis and countless other brothers and sisters, who pushed this country to live up to the ideals of its framers aren’t alive to finally see it.

“I originally wrote the music for ‘As Far As We Know’ back in May 2019 with another VLM project in mind,” Evans says of the latest Crushed Velvet and The Velveteers single. “”I knew that I wanted to have Stephane (Brother GoodLove) singing on this song from the beginning. I didn’t realize that Stephane would turn that working title into such beautiful and powerful lyrics—I was really blown away when he sent me the first demo of the vocal and couldn’t wait to get it into full production but for whatever reason, it wasn’t the right time. But once I had the idea for the new CrushedVelvet and the Velveteers album, ‘As Far As You Know’ being included was a no brainer. So during quarantine, Stephane cut the vocals and I called on my Vintage League Music family of musicians to fill out the song and the rest is history. Without a doubt, it’s one of my favorite songs I’ve ever written.”

DJ Williams is a Plainfield, NJ-born, Los Angeles, CA-based singer/songwriter, composer. producer, guitarist and bandleader, who grew up in Richmond, VA. Throughout his nearly two decade career, Williams has developed and maintained a reputation for being both incredibly prolific and for being a highly sought-after collaborator: the Plainfield-born, Los Angeles-based artist is the founder of the Richmond-based band DJ Williams Projekt; the hip-hop/R&B act The Breaks; the acoustic duo Williams & Jones; and he’s probably best known for playing in the critically acclaimed, San Diego-based funk/jam-band act Karl Denson’s Tiny Universe.

Unsurprisingly, as a result of his various creative projects, Williams has toured around the planet, playing in clubs of all sizes, as well as the international festival circuit, playing some of the largest and most prestigious festivals across the US, Canada and Europe — and he’s shared stages with the likes of John Legend, Dave Matthews Band, John Oates, Warren Haynes, Ivan Neville, Big Daddy Kane, Sharon Jones & The Dap Kings, Soulive, Levon Helm, Slightly Stoopid, Robert Randolph, Slick Rick and a growing list of others.

As a singer/songwriter, composer and bandleader, Williams’ work is generally centered around compelling melody, an eclectic musical palette and deliberate and careful songwriting, revealing his desire to push new sonic and stylistic boundaries. Williams’ latest project, DJ Williams Shots Fired features members of Dave Matthews Band, Lenny Kravitz‘s backing band, Slightly Stooped, Trey Anastasio Band,Lyrics Born, Soulive, Greyboy Allstars and others — including Dan Africano (bass), Kowan Turner (drums), Joe Tatton (electric organ), Scott Flynn (trombone), Nick Gerlach (sax) and André Mali (trumpet) and a rotating cast of collaborators and associates.

DJ Williams’ Shots Fired’s debut single “She’s No Good” quickly earned regular airplay on SiriusXM during the spring of 2018 and as a result, the band was named as a “heat-seeker” and “an artist to watch.” Building upon a growing profile, the act’s forthcoming effort is a concept effort conceived as a four-part soundtrack for an imaginary movie is slated for a Fall 2020 release through Color Red Records. Last month, I wrote about EP single “Iron Fist.” The track, which features elements of psych rock, jam band rock, arena rock and funk depicts a character known as “The Samurai,” represented through Williams’ slashing guitar work. The EP’s second and latest single “Sunset Trails” is a homage to the black and white Westerns a young Williams used to watch with his father. Centered around shimmering guitar lines, four-on-the-floor drumming, soaring organ chords, an enormous and expressive horn line, the end result is a strutting, hip-hop inspired take on Ennio Morricone/Spaghetti Western soundtracks.

 

 

 

Alan Evans is a songwriter, composer, multi-instrumentalist and producer, best known for being the co-founder of acclaimed jazz fusion trio and JOVM mainstays Soulive. Back in 2008, while Soulive was on a break from touring, Evans spent his time producing, recording and mixing bands from around the world in his Western Massachusetts-based recording studio. On his days off, he would go into the studio and play guitar, recording a collection of material that he didn’t feel fit Soulive but wanted to release under his own name — Crushed Velvet and the Velveteers wound up becoming Evans’ guitar playing alter ego.

Crushed Velvet and the Velveteers’ latest single, the strutting “Good Thang” features an All-Star cast of funk and jazz musicians that includes DJ Williams’ Shots Fired‘s and Rubblebucket’s Darby Wolf (organ), The Curtis Mayflower’s Pete Aleski (guitar), Akashic Record‘s and BT ALC Big Band’s Brian “BT” Thomas” (trombone), ALC Funktet’s and BT ALC Big Band’s Alex Lee-Clark (trumpet), BT ALC Big Band’s Tucker Antell (alto and tenor saxophone) BT ALC Big Band’s Jared Sims (baritone sax) and Kim Dawson (vocals), who contributes sultry vocals to a Daptone meets Muscle Shoals-like anthem, complete with an enormous horn section and an even bigger hook.

“Crushed Velvet and the Velveteers is all about spontaneous creation for me and the very creative friends I get to call on to be a part of it. ‘Good Thang’ is a perfect example,” Evans says in press notes. “Initially I went into the studio, picked up the guitar and let whatever I was feeling come out without worrying about what kind of song it was.” He continues, “Before I knew it, I had a really great feeling bed of bass, drums and guitar laid down. From there, I asked my great friends Darby, Pete, Brian, Alex, Tucker, Jarad and Kim to take what I started and record exactly what inspired them to play. That is the best part of making music for me, creating something that will inspire people.”

Since their formation back in 2011 by founding members Alex “ALC” Lee-Clark and Brian “BT” Thomas, the Boston-based funk collective BT ALC Big Band, which also features a rotation cast of some of the Boston area’s best funk and jazz players, has developed a reputation for crafting compositions that are heavily indebted to the big bands of Duke Ellington, Count Basie, James Brown, Parliament Funkadelic and The Meters  —  but with a decidedly modern take, in what the band has dubbed Big Band Funk.

Recently, the Boston-based funk act signed to Alan Evans‘ label Vintage League Music — and their first release with their new label home,  “Bring Forth Change” features a collection of 18 credited artists, including Lettuce‘s Nigel Hall (vocals) and Eric “Benny” Bloom (trumpet) and Soulive’s Alan Evans (drums) was recorded remotely as a result of the COVID-19 pandemic. “The idea to record ‘Bring Forth Change’ was put in motion after Brian Thomas, Alex Lee-Clark and I were chatting about the possibilities of remotely tracking for a 18-piece band under the current social distancing protocol we are all following,”  Alan Evans told Relix Magazine about the single’s recording project. “They agreed that enough band members had the technological capabilities to get the job done. It’s always amazing being able to work with these amazing musicians and the addition of Nigel Hall and Eric Bloom from Lettuce was the icing on the cake!”

“Bring Forth Change” is a strutting bit of funk centered around an enormous horn line,  wah wah pedaled guitar, jazz-like drumming and a much-needed, uplifting message that brings James Brown’s “Say It Loud, I’m Black and Proud,” Sly and the Family Stone, Tower of Power and others to mind. As the song reminds us, now is our moment to go out there and collectively  change the world in a way that’s been long overdue.

“What I’m witnessing in this moment, with these protests, is unlike anything else I have ever seen before,” Alan Evans explains in press notes. “I’m 46, I’ve lived through many moments of protest in the face of police brutality—I remember when Rodney King was beat brutally by police. But what’s different today is that I see people from all walks of life out there, coming together collectively protesting that they’ve had enough, not just Black folks.

The cats on ‘Bring Forth Change’ are representative of this America I see today out in the streets—there’s Black cats, White cats, Latino cats playing together, singing this message. I’m not sure we’ll see the change we want to see without collective solidarity.”

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DJ Williams is a Plainfield, NJ-born, Los Angeles, CA-based singer/songwriter, composer. producer, guitarist and bandleader, who grew up in Richmond, VA. Throughout his nearly two decade career, Williams has developed and maintained a reputation for being both incredibly prolific and for being a highly sought-after collaborator: the Plainfield-born, Los Angeles-based artist is the founder of the Richmond-based and DJ Williams Projekt; the hip-hop/R&B act The Breaks; the acoustic duo Williams & Jones; and he’s probably best known for playing in the critically acclaimed, San Diego-based funk/jam-band act Karl Denson’s Tiny Universe.

Unsurprisingly, as a result of his various creative projects. Williams has toured around the planet, playing in clubs of all sizes, as well as the international festival circuit, playing the largest and most prestigious festivals across the US, Canada and Europe — and he’s shared stages with the likes of John Legend, Dave Matthews Band, John Oates, Warren Haynes, Ivan Neville, Big Daddy Kane, Sharon Jones & The Dap Kings, Soulive, Levon Helm, Slightly Stoopid, Robert Randolph, Slick Rick and a growing list of others.

As a singer/songwriter, composer and bandleader, Williams’ work  boasts compelling melody, an eclectic musical palette and deliberate and careful songwriting, revealing his desire to push new sonic and stylistic boundaries. His latest project, DJ Williams’ Shots Fired features members of Dave Matthews Band, Lenny Kravitz‘s backing band, Slightly Stooped, Trey Anastasio Band, Lyrics Born, Soulive, Greyboy Allstars and others — including the likes of Dan Africano (bass), Kowan Turner (drums), Joe Tatton (electric organ), Scott Flynn (trombone), Nick Gerlach (sax) and André Mali (trumpet) and a rotating cast of collaborators and associates.

DJ Williams’ Shots Fired’s debut single “She’s No Good” quickly earned regular airplay on SiriusXM during the spring of 2018 and as a result, the band was named as a “heat-seeker” and “an artist to watch.” Building upon a growing profile, the act’s newest album, a concept album conceived as the four-part soundtrack for an imaginary movie is slated for an August 2020 release through Color Red Records. Interestingly, the album’s first single “Iron Fist” depicts a character known as “The Samurai,” represented through Williams’ slashing guitar work. Centered around a looping 12 bar blues like structure, the song features a chugging two-step inducing groove, twinkling and arpeggiated organ blasts, shuffling drumming and an enormous horn line, the track is as swaggering and expansive composition that meshes elements of psych rock, jam band rock, arena rock and funk that feels as though it captures the band’s live show and energy with an uncanny and unerring accuracy.

 

 

 

 

Crowd Company is a rising, London-based acid jazz/jazz fusion/funk octet featuring core members Rob Fleming (vocals, guitar), Emil Engstrom (bass), Claudio Corona (keys), Esther Dee (vocals), Jo Marshall (vocals) and Robin Lowrey (drums) with a horn section including a rotating cast of top local players like Piers Green and Ed Benstea that specializes in sound that draws from and features elements of 1960s soul, 70s jazz fusion, contemporary funk, the blues and jam band rock: their material is centered around arrangements that feature Hammond organ, a virtuous horn section, soulful vocals and three part harmonies and funky grooves paired with razor sharp hooks.

The British octet has also built up a reputation for a powerhouse live show, while opening for an impressive list of acclaimed and legendary artists including The MetersGeorge Porter, Jr., JOVM mainstays Soulive, The New Mastersounds, Saun & Starr, James Taylor Quartet and Monophonics among others.

Earlier this year, the band released their most recent album, the Alan Evans-produced and mixed Lowdown, which The Big Takeover lauded as an album “that bursts at the sonic seams with rich, vibrant and varied compositions.”  The rising British act’s latest single “Orbital” was recorded during the Lowdown sessions at Evans’ Iron Wax Studios. And although the track sees the members of Crowd Company continuing their collaboration with Lettuce’s Ryan Zoidis and Eric “Benny” Bloom, it wasn’t included as one of Lowdown‘s album tracks. Clocking in at a little under 5:30, the funky and intergalactic composition sees the act bridging acid jazz, jazz fusion, retro-futuristic funk and psychedelia in a way that reminds me of Switzerland’s merchants of jazzy grooves L’Eclair— but with an enormous Parliament Funkadelic-like horn section.

Currently comprised of founding duo Soulive‘s Alan Evans (drums) and The New Mastersounds’ Eddie Roberts (guitar), along with Chris Spies (keys), Kevin Scott (bass), who’s a member of Jimmy Herring‘s backing band, Adyron de Leon (vocals) and Pimps of Joytime’s Kimberly Dawson, Matador! Soul Sounds can trace their origins to when Evans and Roberts were touring together with their respective main gigs, and as Roberts explains in press notes, “The idea came about one night while we were drinking wine in a bar in DC, when I turned to Alan and asked ‘can we start a band together?’ Alan obviously shared the same sentiment, as we are here today launching the debut album!”

Interestingly, the band is loosely centered around the concept of Spanish bullfighting. A common American misconception of bullfighting is that it’s the feat off one man versus one bull; but rather, bullfighting is largely a team effort in which the matter is backed by his cuadrilla, his team, his corner — and its actually much more like boxing. Additionally, the band’s name is partially a nod at Grant Green’Matador, which both Evans and Roberts had liked immensely. Sonically, Matador! Soul Sounds approach draws from its founders shared musical passions including jazz, funk and soul, but in a subtly different fashion than the individual band leader’s previous work.

The act’s latest single  “Theme for a Private Investigator” finds the act drawing from crispy, Southern fried funk, soul and blues in a way that may remind some listeners of Matthew Stubbs and the Antiguas, as Matador! Soul Sounds nods at the work of Booker T and the MG’s, as well as Muscle Shoals and The Meters while possessing an incredibly cinematic, 70s TV theme song like quality; in fact, you can probably picture the show’s protagonist and his wise-cracking sidekick strutting to their badass car, fighting bad guys, saving the girl and what not to the song, and it makes perfect sense.

The All-Star act’s full-length debut Get Ready is slated for release next week — both digitally and on vinyl, and they’ll be embarking on a national tour to support the album, which will include a March 17, 2018 stop at Brooklyn Bowl. Check out the rest of the tour dates below.
Tour Dates
3/15 @ Rex Theatre – Pittsburgh, PA – tix
3/16 @ Union Stage – Washington, DC – tix
3/17 @ [Pacifico Presents] Brooklyn Bowl – Brooklyn, NY – tix
3/18 @ Fairfield Theatre Company – Fairfield, CT – tix
3/19 @ Brighton Music Hall – Boston, MA – tix
3/21 @ The Ardmore Music Hall – Ardmore, PA – tix
3/22 @ Martyr’s – Chicago, IL – tix – tix
3/23 @ Cervantes’ Other Side – Denver, CO – tix
3/24 @ Fox Theatre – Boulder, CO – tix
3/26 @ Great American Music Hall – San Francisco, CA – tix
3/28 @ Jack London Revue – Portland, OR – tix
3/29 @ Nectar Lounge – Seattle, WA – tix