Tag: Spotify New Music Friday Playlist

Syd Silvair · The Moth

Syd Silvair is a New York-based tarot-reader by day and emerging singer/songwriter by night, who started her career behind the scenes as songwriter with Kobalt Music, penning songs and lending her vocals for songs for a variety of different artists and projects, including, Syn Cole‘s “Cool With That,” which landed on Spotify’s New Music Friday playlist last year.

Now, as you may recall, last year, Silvair stepped out into the spotlight as a solo artist with the release of her Dillon Pace-produced debut single “”Obsidian,” which quickly established her sound — a sound that seemed to draw from and mesh elements of Stevie Nicks‘ early 80s output with New Wave while prominently displaying Silvair’s gossamer vocals. Since the release of “Obsidian,” Silvair’s work has appeared in episodes of Grey’s AnatomyThe FostersBold TypeHonest Beauty and others.

Building upon a growing profile, the New York-based singer/songwriter and tarot reader’s debut EP The Reverie is slated for release this year. “My upcoming EP follows a narrative inspired by tarot cards, each song capturing the essence of a different card,” Silvair wrote to me in an email last year.  The EP’s material explores the ways in which the divine messages of the tarot card deck manifest themselves within the physical world with each track capturing the essence of a specific card, weaving the card’s meaning into the lyrics and overall mood of the song.

“The Moth,” Reverie EP‘s latest single continues a run of hook-driven slinky pop centered around disco-inspired bass lines, atmospheric synths  propulsive drumming, reverb drenched guitars paired with Silvair’s self-assured and sultry vocal delivery. The song is deeply influenced by The Magician card of the tarot deck. Thematically, the song reminds the listener that what’s perceived as a weakness can quickly be transformed into a strength while being a boldly feminist anthem.

“The nurturing aspects of femininity are often misunderstood; the ability to nurture should be treated as a strength, not an obligation,” Silvair says in press notes. “I find that my own feminine nature tends to attract people who are looking to take advantage of it. I’ve connected deeply with The Magician tarot card in an effort to take the power back, to nurture on my own terms. I wrote ‘The Moth’ as both a warning for anyone who believes a woman exists solely to mend their pain, and more importantly as an anthem of empowerment—a reminder that for every bit of our tenderness, there is an equally potent fierceness.”

 

 

New Video: The 80s Inspired Visuals for Swooning Phil Spector-like “Can’t Help The Way I Feel”

Over the past couple of months, I’ve written a bit about the Indianapolis, IN-based folk pop duo Lily & Madeleine, And as you may recall, the act, which consists of siblings Lily and Madeline Jurkiewicz can trace its origins to when the Jurkiewicz Sisters began singing together while attending high school, uploading home videos of various covers to YouTube. Those videos caught the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records.

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

Now, as you may recall, the Jurkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Grammy Award-winning production team Daniel Tashian and Ian Fitchuck, who worked on Kacey Musgraves’ Golden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.

Canterbury Girls, the Jurkiewicz Sisters’ the fourth full-length album is slated for a February 22, 2019 release through New West Records and interestingly, the Phil Spector-like “Can’t Help The Way I Feel” is centered by what may arguably be the tightest and funkiest groove on the entire album, with a razor sharp and infectious hook, handclaps, twinkling keys and the Jurkiewicz Sisters easygoing yet gorgeous harmonizing. At its core, the song’s narrator is proud and defiant, openly saying that while her friends may disapprove of her love interest, she simply can’t help how she feels — even if the relationship isn’t good for her. Somehow, I suspect that many of us can relate.

Directed by Horatio Baltz, the recently released video for “Can’t Help The Way I Feel” features the Jurkiewicz Sisters are swooning and lovestruck 80s teens. Owing a visual debt to John Hughes films, the video features some slick split screens and some dreamy glamor sequences.