Tag: Starsailor

After spending seven years traveling, Vincent Gerard returned to the Grand Est region of France in 2019 — formerly known as Alsace, Champagne-Ardenne and Lorraine — and reconnected with his childhood friends Etienne “Bob” Blanchard and Martin “CHE” Chevrier and started the French indie rock act Wildation.

Deriving their name from what they believe is a utopian balance of nature and civilization, the band’s work is inspired by Gerard’s experiences traveling — and the observations and feelings that he frequented jotted down in his journals. With their debut EP First Seeds, the band quickly established their thematic concerns with material that touched upon humanity’s constant development and its impact on nature, confronting your fears and getting out of your comfort zone and the essential things in life.

Released earlier this year, the French band’s latest single “Blow Your Mind” is a bold and decided change in sonic direction: First Seeds found the band playing acoustic indie rock in the vein of Love Is Here-era Starsailor, while “Blow Your Mind” is a brooding arena rock friendly anthem centered featuring shimmering guitars, thunderous drumming, a rousingly anthemic hook paired with earnest yet ambitious songwriting and urgent performances. The end result is a song that sonically — to my ears, at least — that reminds me of Snow Patrol.

 

New Video: Toronto’s Jiants Release an Anthemic Brit Pop-like Single

With the release of their critically applauded self-titled debut, 2016’s self-titled debut, Toronto-based Jiants — former professional skateboarder Jesse Landen (vocals, guitar), Adam Kesek (bass), John Sirdevan (drums) and the band’s newest member Joe Delfin (lead guitar) quickly established a sound that meshes 90s alt rock with sensibilities. 2018’s Taylor Knox co-produced follow-up Odd Trouble found the band meshing infectious rifts, melodic keyboard lines and Landen’s vocals to create a sound that managed to be nostalgia-inducing yet wholly theirs.

Earlier this year, the Toronto-based indie act released their latest EP, Wait Here and the EP’s latest single “Some Kind of Loser” is a decidedly Brit Pop-inspired anthem, featuring a gorgeous and cinematic string arrangement by Drew Jurecka, layers of shimmering guitars and rousingly anthemic and dryly ironic chorus paired with Landen’s plaintive and sun-cracked vocals. Sonically, the track — to my ears, least — reminds me quite a bit of Urban Hymns-era The Verve, Love Is Here-era Starsailor and Oasis. But as the Landen and company admit in press notes. “Some Kind of Loser” “is about charting your own path. These lyrics reflect on how it would ultimately be beneficial learning to work together and respect each other’s paths.”

The song was “born out of a rough day in the studio that was followed by some upcoming shows falling apart in advance,” Jiants’ Jesse Landen continues. “I was half-hoking around thinking about much time and energy I was spending obsessing over music stuff and feeling like a bit of a dork. I think everyone can relate to that in some way. But that’s when it dawned one me that sometimes you might have to just learn to enjoy the rollercoaster because I know that I was going to continue making and sharing music, regardless of the results.”

Directed by Hart Dylan Webster, the recently released visual for “Some Kind of Loser” is a cinematic ode to 120 Minutes-era MTV.

Johnny API is a mysterious and emerging singer/songwriter and multi-instrumentalist, who has written and recorded original music on his homestead. “It’s not much, but I’ve got a little studio and no one ever tells me I’m too loud,” the mysterious singer/songwriter says in press notes. “And no-one comes looking for me.”

His latest single, “Easy” is centered around strummed acoustic guitar, Johnny API’s plaintive vocals, twangy blasts of shimmering pedal steel, and a rousingly anthemic hook that reminds me a bit of Starsailor and Husky.

Ollie Trevers is an emerging London-based singer/songwriter and guitarist, who started writing and performing music when he was 14. Like countless other young people, Trevers harbored artistic aspirations from the very beginning.

While studying at Leeds College of Music, Trevers joined a band then known as The Doldrums — they’re now known as Velvit — as the band’s lead singer and rhythm guitarist. The band wound up playing gigs in and around the Leeds area but while earning a masters at ICMP, Trevers decided it was time to spent out into the limelight as a solo artist, writing and recording his solo debut, last year’s Saucy Naughty Rubbish EP, an effort that found the London-based singer/songwriter crafting a sound that drew equally from classic rock and post-punk.

Around the same time, Trevers started to receive film industry work, eventually writing period specific songs for the feature film Funny Cow and publishing music to be used in the feature film Burning MenSince then he was commissioned to write the score and the soundtrack album for the upcoming feature film Cordelia. And after completing his masters, Trevers has begun to refocus his efforts into his solo career, including recruiting a backing band, which has started to play gigs in and around London.

Trevers’ recently released, five song EP Cordelia finds the emerging British singer/songwriter and guitarist expanding upon the sound of his debut, with the new EP’s material inspired by Led Zeppelin, Ella Fitzgerald, Edith Piaf, Tim Buckley, Jeff Buckley, Pink Floyd, Queen, Jimi Hendrix, Joni Mitchell and David Bowie among others. And as a result, the material’s overall sound touches upon punk, alt rock, prog, blues, folk and psych rock. Thematically, the material touches upon heartache, melancholia, catharsis and emotional claustrophobia — and the feelings which often transcend our ability to accurately describe them. Additionally, the material finds the emerging British singer/songwriter and guitarist exploring unrequited love and its causes and effects — depression, addiction, disillusionment and longing.

The EP’s latest single is the oceanic “Can’t Make It Up.” Centered around fuzzy power chords, Trevers plaintive and expressive vocals and an enormous, arena rock friendly hook, the expansive song sonically nods at alt rock, the blues, psych rock, folk and Brit Pop in a way that reminds me of Love Is Here-era Starsailor and The Verve.  “‘Can’t Make It Up’ was written as a result of a  rather turbulent period in my life,” Trevers says in press notes. “I think a lot of people have expressed a similar despondency, and I’m really happy that I managed to find a way to share that in my music . . . especially as I sometimes find it too hard to write about things that are personal.”

 

Comprised of Alan Croft (vocals), Austin Logan (guitar), Paul Jones (bass), Steven Taylor (guitar) and Gareth Dawson (drums), the Liverpool-based quintet Cavalry have quickly caught the attention of major tastemakers such as BBC Radio 1′s […]