Tag: Suicide

The Los Angeles, CA-based desert punk act, ExSage is essentially the solo, recording project of its creative mastermind, primary songwriter, multi-instrumentalist and frontwoman Kate Clover, who throughout the project’s run has chosen local musicians as part of her touring band, although with the project’s recently released sophomore EP, Total Devotion, Clover has specifically chosen an all female backing band. As it turns out, Clover had initially overlooked being the only woman member of the project, and she believes that it’s a highly symbolic (and necessary) change, that she hopes will inspire women to pursue what they believe in — especially grabbing instruments and kicking ass.

Interestingly, the project’s sophomore EP was inspired by a midnight drive through the Los Angeles area and she was driving, she heard Suicide’s “Ghost Rider” on a left-of-the-dial radio station. Returning home, Clover feverishly wrote new material — with a deeply personal mission: to be true to herself, no matter the cost. Additionally, the material on the EP is reportedly inspired by the work of PJ HarveyLet Love In-era Nick Cave and Black Sabbath while lyrically, the material draws from French Surrealistic poetry — namely the work of Charles Baudelaire and Arthur Rimbaud. And although  “Under Your Spell,” the EP’s first single is inspired by Suicide, sonically the song to my ears, reminds me much of Only in Dreams and Too True-era Dum Dum Girls, PJ Harvey and Josh Homme’s renowned Desert Sessions compilation, thanks to a blazing psych rock meets stoner rock-like power chord-based turn towards the song’s last one-third, but the song is under-pinned by a urgent and insatiable desire.

 

Live Footage: The Kills Performing “Impossible Tracks” on “The Late Late Show with James Corden”

Ash and Ice, the duo’s latest full-length effort and first full-length effort in over 5 years was released earlier this year, and if you’ve been frequenting this site you might recall that I wrote about album singles “Heart Of A Dog” and “Siberian Nights,” two singles that reflected a thorough refinement of their sound as the duo paired enormous boom-bap drum programming, skittering beats, buzzing electronics, scorching guitar chords and anthemic hooks with Mossheart’s bluesy, cigarettes and whiskey soaked vocals to crate a swaggering and arena rock-friendly song that possesses a raw, insistent and urgent carnality.

Recently, the band performed a swaggering, boozy live version of album single “Impossible Tracks” on The Late Late Show with James Corden — and the live version maintains a fervent urgency of the album’s material.

New Video: The Darkly Surreal Visuals for The Kills “Siberian Nights”

Ash and Ice, the duo’s latest full-length effort and first full-length effort in over 5 years was released last week — and if you’ve been frequenting this site you’d know that I wrote about the album’s first single “Heart Of A Dog” earlier this year. Sonically, Ash and Ice’s first single proved to be a thorough refinement of their sound as the duo paired enormous boom-bap drum programming, skittering beats, buzzing electronics, scorching guitar chords and anthemic hook with Mossheart’s bluesy, cigarettes and whiskey soaked vocals to crate a swaggering and arena rock-friendly song that clearly draws from Delta blues but possesses a raw, insistent and urgent carnality. The album’s latest single “Siberian Nights” continues along a similar vein of the preceding single — boom bap beats, propulsive drumming, bluesy guitar chords, a sinuous bass line and subtly ominous electronics in a sleek, sensual song that shimmies and struts about with a cool self-assuredness.
The recently released music video is a stark and gorgeously surreal video that possesses a nightmarish logic; certainly as a photographer, there are sequences I absolutely envy — a scene of a horse running in slow motion and you can see every sinew and fiber flexing in unified movement; a barking husky in surreal slow motion with teeth snarled angrily and so on. In some way, the video evokes a lingering and inescapable fucked up dystopian nightmare.