Tag: Sunflower Bean Twentytwo in Blue

Off and on over the past handful of years, I’ve written a bit about the Austin, TX-based dream pop act and JOVM mainstays  Moving Panoramas.  The act is led by its incredibly accomplished founding member and creative mastermind Leslie Sisson (vocals, guitar), who has had stints in The Wooden Birds, Matt Pond PA, Western Keys, Black Lipstick, Black Forest Fire, Tanworth-in-Arden, and Aero Wave, has collaborated with The American Analog Set, Windsor for the Derby, Rhythm of Black Lines, RIDE’s Mark GardenerDan Mangan, John Wesley Coleman, Snowden, and Broken Social Scene, and has developed a reputation as a solo artist in her own right.

Now, as you may recall Moving Panoramas can trace their origins back to when  the then-Brooklyn-based Sisson returned home to Texas to be closer to the members of her previous band The Wooden Birds and to her family. She took a job teaching at School of Rock where she met Rozie Castoe (bass), who was in an 80s-themed show that Sisson directed. Interestingly, at the same time, Sisson took up a gig subbing in Black Forest Fire with Karen Skloss (drums), who was a long-time friend. When each of their various creative projects broke up, the trio started Moving Panoramas, rooted in their mutual love of shoegaze and released their full-length debut One. However, since then the band has gone through a series of lineup changes that has resulted in Sisson collaborating with a rotating cast of previous bandmates and current bandmates Cara Tillman, Jordan Rivell, Jody Suarez and Phil McJunkins.

Slated for release next Friday through Modern Outsider Records, Moving Panoramas’ sophomore album In Two was recorded with engineer Louie Lino at Resonate Studio in Austin and the album reportedly finds the band expanding upon their sound and songwriting approach. Throughout the writing and recording process, there was a concerted effort to consider diversity in rhythm, volume and instrumentation; in fact, some of the album’s material incorporates pedal steel, a first for the band. Additionally, the album will feature guest spots from Nada Surf’s Matthew Caws, A Giant Dog’s and Sweet Spirit’s Sabrina Ellis and former bandmates Karen Skloss, Jolie Flink and Laura Colwell.

Last year, I wrote album single “Baby Blues,” a decidedly anthemic track centered around shimmering power chords, a propulsive rhythm section, ethereal vocals and a soaring hook. And while bringing to mind tracks off Sunflower Bean’Twentytwo in Blue, the track possesses elements of psych rock, shoegaze and 70s arena rock, performed with the easygoing self-assuredness of old pros. Earlier this year, I wrote about album single,  “ADD Heart” and much like its predecessor, it was an infectious and anthemic track centered around jangling guitars, Sisson’s ethereal vocals, a soaring hook and steel pedal guitar, which added an alt-country vibe to the proceedings. In Two’s latest single is the shimmering and moody “In Tune,” which features Nada Surf’s Matthew Caws — and while sonically bearing a resemblance to Dum Dum Girls, the hook driven song is centered by deeply introspective, narrative lyrics that focuses on self-doubt, uncertainty and confusion in a relationship that feels a bit off to both people involved.

 

 

 

 

 

New Video: Moving Panoramas Return with Slick Visuals for Jangling and Anthemic New Single “ADD Heart”

Led by founding member and creative mastermind Leslie Sisson (vocals, guitar), who has had stints in The Wooden Birds, Matt Pond PA, Western Keys, Black Lipstick, Black Forest Fire, Tanworth-in-Arden, and Aero Wave, collaborated with The American Analog Set, Windsor for the Derby, Rhythm of Black Lines, RIDE’s Mark Gardener, Dan Mangan, John Wesley Coleman, Snowden, and Broken Social Scene, and has developed a reputation as a solo artist in her own right, the Austin, TX-based dream pop act Moving Panoramas can trace their origins to when its founding member and creative mastermind returned home to Texas to be closer to the members of her previous full-time band The Wooden Birds and her to her family. Sisson took a job teaching music at School of Rock where she met Rozie Castoe (bass),  who was in an 80s-themed show that Sisson directed. Interestingly, at the same time, Sisson took up a gig subbing in Black Forest Fire with Karen Skloss (drums), who was a long-time friend. When each of their various creative projects broke up, the trio started Moving Panoramas, rooted in their mutual love of shoegaze; however, since the band’s formation and release of their debut effort One, the band has gone through a series off lineup changes that has result in Sisson collaborating with a rotating cast of previous bandmates, as well as current bandmates Cara Tillman, Jordan Rivell, Jody Suarez and Phil McJunkins.

Moving Panoramas’ sophomore album In Two was delayed by a series of unexpected roadblocks during its production — i.e., health and timing issues — that delayed its release until February 22, 2019 through Modern Outsider Records. Recorded with engineer Louie Lino at Resonate Studio in Austin, the band’s sophomore effort reportedly finds the band expanding upon their sound and songwriting approach, as there’s a concerted effort for diversity in rhythm, volume and instrumentation, including the incorporation of pedal steel. Along with that the album features guest spots from Nada Surf‘s Matthew Caws, A Giant Dog‘s and Sweet Spirit‘s Sabrina Ellis and former bandmates Karen Skloss, Jolie Flink and Laura Colwell. Now, as you may recall, last year I wrote about album single “Baby Blues,” a decidedly anthemic track centered around shimmering power chords, a propulsive rhythm section, ethereal vocals and a soaring hook. And while bringing to mind tracks off Sunflower Bean’s Twentytwo in Blue, the track possesses elements of psych rock, shoegaze and 70s arena rock, performed with the easygoing self-assuredness of old pros; however, underneath the self-assured performances is the recognition of time rushing by, of people moving in and out of your life — without knowing why, how or even when. 

Much like its predecessor, “ADD Heart,” In Two’s latest single is an infectious slice of anthemic rock with jangling guitars, Sisson’s ethereal vocals and a soaring hook — but steel pedal guitar adds a cinematic, alt country vibe to the proceedings. Thematically, the song focuses on an inattentive and inconstant love interest, who has the song’s narrator spinning in frustration emotionally because the love interest just can’t seem to focus on one thing at any given time. It’s an accurate description of what love and dating is like in the social media age if there ever was one. 

The recently released video for the song was directed by Willi Patton, and as Patton says in press notes, “We were honored to be approached by Leslie Sisson of Moving Panoramas to do a music video for their new single, ‘ADD Heart.’ I knew immediately upon hearing the song that the energy needed to be high, and I really wanted to capture the feeling of not being able to focus, narratively as if the video itself suffers from ADD. It pushes you along in one direction, only to quickly switch course, pick up on some other thread, leaving more unanswered questions than resolutions. We’re always so grateful to musicians for letting us experiment, to treat their work as a solid canvas to splash some paint on, deconstruct and then clumsily attempt to put back together.”

New Video: Moving Panoramas Release a Mischievous Crime Caper-Like Visuals

Led by founding member and creative mastermind Leslie Sisson (vocals, guitar), who has had stints in The Wooden Birds, Matt Pond PA, Western Keys, Black Lipstick, Black Forest Fire, Tanworth-in-Arden, and Aero Wave, collaborated with The American Analog Set, Windsor for the Derby, Rhythm of Black Lines, RIDE’s Mark Gardener, Dan Mangan, John Wesley Coleman, Snowden, and Broken Social Scene, and has developed a reputation as a solo artist in her own right, the Austin, TX-based dream pop act Moving Panoramas can trace their origins to when its founding member and creative mastermind returned home to Texas to be closer to the members of her previous full-time band The Wooden Birds and her to her family. Sisson took a job teaching music at School of Rock where she met Rozie Castoe (bass),  who was in an 80s-themed show that Sisson directed. Interestingly, at the same time, Sisson took up a gig subbing in Black Forest Fire with Karen Skloss (drums), who was a long-time friend. When each of their various creative projects broke up, the trio started Moving Panoramas, rooted in their mutual love of shoegaze; however, since the band’s formation and release of their debut effort One, the band has gone through a series off lineup changes that has result in Sisson collaborating with a rotating cast of previous bandmates, as well as current bandmates Cara Tillman, Jordan Rivell, Jody Suarez and Phil McJunkins.

Moving Panoramas’ sophomore album In Two was delayed by a series of unexpected roadblocks during its production — i.e., health and timing issues — that delayed its release until February 22, 2019 through Modern Outsider Records. Recorded with engineer Louie Lino at Resonate Studio in Austin, the band’s sophomore effort reportedly finds the band expanding upon their sound and songwriting approach, as there’s a concerted effort for diversity in rhythm, volume and instrumentation, including the incorporation of pedal steel. Along with that the album features guest spots fromNada Surf‘s Matthew Caws, A Giant Dog‘s and Sweet Spirit‘s Sabrina Ellis and former bandmates Karen Skloss, Jolie Flink and Laura Colwell.

The album’s latest single “Baby Blues” is a decidedly anthemic track, centered around shimmering power chords, a propulsive rhythm section, ethereal vocals and a soaring hook that recalls Sunflower Bean’s Twentytwo in Blue as the song seems to draw from psych rock, shoegaze and 70s arena rock performed with the easygoing self-assuredness of old pros; but underneath the self-assured performance, there’s the recognition of time rushing by, of people moving in and out of your life — sometimes without even knowing why or how. As the song seems to say, “Remember friends, life is confusing and when you think you may have handle on it, life will throw a monkey wrench or two your way — and you’ll get through it somehow, some way.”

Directed by the band’s Leslie Sisson, the recently released video is part mischievous, Miami Vice-like crime caper with the members of the band smuggling a substance dubbed “Baby Blue,” and part performance video — with the band playing in a studio and on the beach. It’s goofy and yet it still manages to capture (and evoke) the song’s anthemic nature. 

Led by founding member and creative mastermind Leslie Sisson (vocals, guitar), who has had stints in The Wooden Birds, Matt Pond PA, Western Keys, Black Lipstick, Black Forest Fire, Tanworth-in-Arden, and Aero Wave, collaborated with The American Analog Set, Windsor for the Derby, Rhythm of Black Lines, RIDE’s Mark GardenerDan Mangan, John Wesley Coleman, Snowden, and Broken Social Scene, and has developed a reputation as a solo artist in her own right, the Austin, TX-based dream pop act Moving Panoramas can trace their origins to when its founding member and creative mastermind returned home to Texas to be closer to the members of her previous full-time band The Wooden Birds and her to her family. Sisson took a job teaching music at School of Rock where she met Rozie Castoe (bass),  who was in an 80s-themed show that Sisson directed. Interestingly, at the same time, Sisson took up a gig subbing in Black Forest Fire with Karen Skloss (drums), who was a long-time friend. When each of their various creative projects broke up, the trio started Moving Panoramas, rooted in their mutual love of shoegaze; however, since the band’s formation and release of their debut effort One, the band has gone through a series off lineup changes that has result in Sisson collaborating with a rotating cast of previous bandmates, as well as current bandmates Cara Tillman, Jordan Rivell, Jody Suarez and Phil McJunkins.

Moving Panoramas’ sophomore album In Two was delayed by a series of unexpected roadblocks during its production — i.e., health and timing issues — that delayed its release until February 22, 2019 through Modern Outsider Records. Recorded with engineer Louie Lino at Resonate Studio in Austin, the band’s sophomore effort reportedly finds the band expanding upon their sound and songwriting approach, as there’s a concerted effort for diversity in rhythm, volume and instrumentation, including the incorporation of pedal steel. Along with that the album features guest spots from Nada Surf‘s Matthew Caws, A Giant Dog‘s and Sweet Spirit‘s Sabrina Ellis and former bandmates Karen Skloss, Jolie Flink and Laura Colwell.

The album’s latest single “Baby Blues” is a decidedly anthemic track, centered around shimmering power chords, a propulsive rhythm section, ethereal vocals and a soaring hook that recalls Sunflower Bean’Twentytwo in Blue as the song seems to draw from psych rock, shoegaze and 70s arena rock performed with the easygoing self-assuredness of old pros; but underneath the self-assured performance, there’s the recognition of time rushing by, of people moving in and out of your life — sometimes without even knowing why or how. As the song seems to say, “Remember friends, life is confusing and when you think you may have handle on it, life will throw a monkey wrench or two your way — and you’ll get through it somehow, some way.”

 

New Video: Sunflower Bean Releases Cinematic Visuals for Shimmering, 70s Rock-Inspired Single “Twentytwo”

Over the past couple of years of this site’s history, I’ve written quite a bit about the Brooklyn-based psych rock/indie rock trio  Sunflower Bean. And as you can recall, the band, comprised of founding duo Nick Kivlen (guitar, vocals) and Jacob Faber (drums) with Julia Cumming (bass, lead vocals) can trace their origins to when they Kivlen and Faber were members of renowned, local, indie rock act Turnip King — and at the time the band’s founding duo had been spending a great deal of time away from their then-primary project jamming together, before deciding that they should start their own project. Cumming, who was then a member of Supercute! with Rachel Trachtenburg, was recruited by Kivlen, who had known her through mutual friends.

The band quickly became a buzz-worthy act with a run of attention grabbing, critically applauded sets during 2014’s CMJ Festival, which they promptly followed with a series of shows across town; but with the release of that year’s Rock & Roll Heathen EP and 2015’s Show Me Your Seven Secrets EP, which featured singles “Tame Impala” and “2013.” the band quickly rose to national and international prominence. Adding to a growing profile, the Brooklyn-based psych rock trio toured across the US and the UK both as a headliner and as an opener for  Wolf Alice, Best Coast and The Vaccines. They then completed a breakthrough and whirlwind period with the 2016 release of their Matthew Molnar-produced debut effort Human Ceremony, which was released to critical praise. 

After spending the better part of 2016 with a roughly 200 date world tour, the members of the band initially planned to take a well-earned, extended break; however by mid-December. the trio were in Faber’s Long Island basement with song ideas that eventually became their highly-anticipated Jacob Portrait and Matt Molnar-co-produced sophomore effort, Twentytwo in Blue, which is slated for a March 23, 2018 release through Mom + Pop Records, which coincidentally is 22 months after the release of their full-length but and when all of the members of the band have turned 22. 

At the end of last year, the trio released “I Was A Fool,” a single that revealed a radical change in sonic direction with the band’s sound leaning heavily towards the classic, 70s rock of Fleetwood Mac.  As the band’s Nick Kivlen explained in press notes at the time, “‘I Was A Fool’ is one of those songs that seemingly crept up from nowhere and into our practice space. it was a special moment between the three of us, Julia and I both improvised the lyrics. It feels far longer but it’s been nearly two years since ‘we’ve put new music into the world. I think this song is a good example of how we’ve grown as a band, while still staying true to the band that first played together back in high school.”

Released earlier this year, “Crisis Fest,” Twentytwo in Blue’s, first official single found the band tackling more sobering topics with the song directly focusing on the uncertain and politically volatile period in which it was written — all while nodding upon glam rock — in particular, Bay City Rollers‘ “Saturday Night” and Ace Frehley’s “Back in the New York Groove” as the song was an stomping and anthemic call to action for young people to start getting involved and making the world right — or no one will have a chance. The album’s latest single “Twentytwo” follows in the vein of “I Was A Fool,” as it’s a breezy, mid-tempo, 70s rock-inspired track that’s about fighting against society’s expectations of young women and generations of abuse by men in power, managing to be an incredibly timely track, considering the #metoo and #timesup movements; but it also focuses on the resilience and inner strength of young women. After all, while women shoulder the weight of the world, they manage to prevail. 

Directed by Olivia Bee, the recently released video for “Twentytwo” is the 29th installment of Urban Outfitter’s UO Music Video Series, and the video thematically focuses on the passing of seemingly innocent and certain youth into uncertain and ambiguous adulthood but while also subverting the expectations of young women — with  each of the video’s young women being bold, assertive.

Over the past couple of years of this site’s history, I’ve written a bit about the Brooklyn-based psych rock/indie rock trio  Sunflower Bean. Comprised of founding duo Nick Kivlen (guitar, vocals) and Jacob Faber (drums) with Julia Cumming (bass, lead vocals), the band can trace their origins back to when Kivlen and Faber were members of local indie rock act Turnip King together — and at the time, Kivlen and Faber had been spending a great deal of their time away from the band jamming together, before deciding that they should start their own project. Cumming, who was then a member of Supercute! with Rachel Trachtenburg, was recruited by Kivlen, who had known her through mutual friends.

The band quickly became a buzz-worthy act with a run of attention grabbing, critically applauded sets during 2014’s CMJ Festival, which they promptly followed with a series of shows across town; but with the release of that year’s Rock & Roll Heathen EP and 2015’s Show Me Your Seven Secrets EP, which featured singles “Tame Impala” and “2013.” the band quickly rose to national and international prominence. Adding to a growing profile, the Brooklyn-based psych rock trio toured across the US and the UK both as a headliner and as an opener for  Wolf AliceBest Coast and The Vaccines. Sunflower Bean completed a breakthrough run with the release of their  Matthew Molnar-produced debut effort Human Ceremony, which was released to critical praise back in 2016.

After spending the better part of 2016 with a roughly 200 date world tour, the members of the band initially planned to take a well-earned, extended break; however by mid-December. the trio were in Faber’s Long Island basement with song ideas that eventually became their highly-anticipated Jacob Portrait and Matt Molnar-produced  sophomore effort, Twentytwo in Blue, which is slated for a March 23, 2018 release through Mom + Pop Records, which is both 22 months after the release of their full-length debut — and coincidentally, when each member turns 22.

Now, if you’ve been frequenting this site throughout 2017, you may have come across the trio’s single “I Was A Fool,” a single that you may recall found the trio closely hewing to the late 60s psych rock and 70s classic rock that has long inspired their sound and aesthetic, but while gently pushing their sound in the direction of Fleetwood Mac. and others.  As the band’s Nick Kivlen explained in press notes at the time, “‘I Was A Fool’ is one of those songs that seemingly crept up from nowhere and into our practice space. it was a special moment between the three of us, Julia and I both improvised the lyrics. It feels far longer but it’s been nearly two years since ‘we’ve put new music into the world. I think this song is a good example of how we’ve grown as a band, while still staying true to the band that first played together back in high school.”

Interestingly, “Crisis Fest,” Twentytwo in Blue‘s first official single from the album finds the band tackling much more sobering topics with song directly discussing the uncertainty and politically volatile period in which it was written. “While writing this album, we often reflected back on the people we met while on tour. We felt a strong kinship with the audiences that came to see us all over the country, and we wanted to write a song for them — something to capture the anxieties of an uncertain future. ‘Crisis Fest’ is less about politics and more about the power of us, the young people in this country.” And as a result, the song which sonically finds the band touching upon glam rock — in particular, to my ears, a bit of Bay City Rollers‘ “Saturday Night” mixed with Ace Frehley’sBack in the New York Groove” as it’s an rousingly anthemic stomper of song, that’s indirectly a call to action that suggests that now it’s the time for young people to start getting the world right — or we won’t have a chance.

The members of the band will be embarking on a lengthy tour to support the album that includes a February 13, 2018 stop at Brooklyn Steel. Check out the rest of the tour dates below.

Tour dates

1/26 – Philadelphia, PA @ Everybody Hits
1/31 – Chicago, IL @ Metro ^
2/01 – Nashville, TN @ The Basement East ^
2/03 – Austin, TX @ Mohawk ^
2/05 – San Antonio, TX @ Paper Tiger ^
2/06 – Dallas, TX @ Granada ^
2/07 – Houston, TX @ White Oak Music Hall (Inside Downstairs) ^
2/09 – New Orleans, LA @ Republic New Orleans ^
2/10 – Athens, GA  @ 40 Watt ^
2/11 – Raleigh, NC @ Lincoln Theatre ^

2/13 – Brooklyn, NY @ Brooklyn Steel ^
2/14 – Washington, DC @ 9:30 Club ^

2/22 – London, UK @ The Jazz Cafe @
3/01 – Los Angeles, CA @ Moroccan Lounge
3/02 – San Francisco, CA @  Rickshaw Stop

3/24 – Nottingham, UK @ Rescue Rooms

3/26 – Norwich, UK @ Open Norwich

3/27 – Birmingham, UK @ Hare and Hounds

3/28 – Newcastle upon Tyne, UK @ Riverside

3/29 – Leeds, UK @ Wardrobe

3/30 – Manchester, UK @ Gorilla

3/31 – Liverpool, UK @ The Magnet

4/01 – Glasgow, UK @ Stereo

4/03 – Bristol, UK @ Thekla

4/05 – Brighton, UK @ Concorde 2

4/06 – London, UK @ Koko

4/09 – Paris, FR @ Point Ephemere

4/10 – Antwerp, Belgium @ TRIX VZW

4/11 – Amsterdam, Netherlands @ Paradiso

4/12 – Hamburg, Germany @ Molotow

4/13 – Copenhagen, Denmark @ Loppen

4/14 – Berlin, Germany @ Rosis

4/15 – Vienna, Austria @ Chelsea Club

4/17 – Lausanne, Switzerland @ Le Romandie

4/18 – Zurich, Switzerland @ Bogen F

4/19 – Cologne, Germany @ Blue Shell

5/20 – Gulf Shores, AL @ The Hangout Music Festival
^ – w/ Sleigh Bells

@ – supporting Jessie Ware