Tag: Sylvester You Make Me Feel (Mighty Real)

New Audio: Electronic Music Pioneer Patrick Cowley’s Posthumously Released, Early Experimental and Psychedelic-Tinged Electronica

Born in Buffalo, NY, the highly influential and forward-thinking electronic music producer and artist Patrick Cowley relocated to San Francisco in 1971 to study electronic music at the City College of San Francisco. By the late 70s, Cowley’s synthesizer and production techniques landed him a gig writing and producing songs for legendary, gender-bending disco superstar Sylvester, including the sultry and propulsive, smash hit “You Make Me Feel (Mighty Real).” 

Around the same time, Cowley managed to create his own brand of party music, known as Hi-NRG, which was also dubbed “The San Francisco Sound” and by 1981, he had released a string of 12″ singles as a solo artist, including “Menergy” and “Megatron Man.” Interestingly, 1981 was an incredibly busy year for the legendary electronic music producer and artist: he co-founded Megatone Records, which released his debut album Megatron Man. 

During that same year, Cowley as hospitalized and diagnosed with an unknown illness. which would later become known as AIDS. Recovering for a brief spell he went on to produce Sylvester’s smash hit “Do You Want to Funk” and Paul Parker’s “Right on Target,” as well as his sophomore album Mind Warp. Tragically. Cowley died two weeks after his 32nd birthday from an AIDS-related illness.  Since his death, Patrick Cowley has become one of electronic music’s most influential and forward-thinking artists and producers.  Perhaps unsurprisingly, his previously released work has seen posthumous re-issues, including a re-issue of Mind Warp a few years ago. 

With growing attention on the late electronic music pioneer’s work, a collection of previously unreleased material written between 1973-1980 was recently discovered. Dubbed Mechanical Fantasy Box, the 13 previous unreleased songs will be released in tandem with Cowley’s homoerotic journal of the same name, and the compilation is a collection of Cowley’s work from the years preceding his meteoric rise as a pioneer of Hi-NRG dance music. Interestingly, these songs were written and recorded  before drum machines and programmable, polyphonic digital synthesis with the material being highly experimental. Sonically, the material flows from funk to kraut to psychedelic, ambient electronics inspired by Tomita and Kraftwerk. 

Some songs were mixed from 4-track stems by Joe Tarantino and all of the compilation’s 13 songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl edition comes housed in a black and white gatefold jacket Gwenaël Rattke featuring a photograph by Susan Middleton, liner notes by bandmate Maurice Tani and an 8.5×11 insert with notes. But more important, proceeds from the compilation will be donated to the San Francisco AIDS Foundation. The San Francisco AIDS Foundation has been committed to ending the pandemic and human suffering caused by HIV sine 1982. 

Clocking in at just a smidge under 11:30, Mechanical Fantasy Box’s first single “Lumberjacks in Heat” manages to be a trippy synthesis of John Carpenter soundtracks krautrock-inspired prog rock and psychedelia as the composition is centered by layers of shimmering and fluttering bursts of synths and some propulsive and forceful drumming.   Interestingly, much like Kraftwerk’s legendary and influential work, this previously unreleased single manages to simultaneously be of its time and remarkably contemporary — as though it could have been part of the retro-futuristic wave. 

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New Video: French Electronic Music Artist Juveniles Returns with a Sensual Single Paired with Politically Conscious Visuals

Earlier this year, you may recall that I wrote about Juveniles, the now-solo recording project of French electronic music artist and producer Jean-Sylvan Le Gouic, best known as Jean Sylvain. Initially formed as a duo featuring Sylvain and former member Thibault Doray, the project’s debut EP, We Are Young, which was released through renowned French electronic music label Kitsune Records, received attention slick, hypermodern, super-computerized, dance floor-friendly productions. Building upon a rapidly growing profile among electronic music circles, the duo released their 2013 Yuksek-produced full-length debut, which expanded the then-duo’s profile across the European Union, Southeast Asia, China and South America.

Now, as I’ve not so subtly hinted at, since the release of their full-length debut, the project has gone through some significant changes — Doray left the project, leaving it solely under the helm of Sylvain and his sophomore full-length effort Without Warning, which was released earlier this year through Paradis/Capitol Records finds Sylvain releasing music on a new label after several years with Kitsune Records. Produced and recorded by Joakim at Crowdspacer Studios here in NYC, Without Warning finds the French electronic music artist going through decidedly radical changes both in sonic direction and approach as he abandons the fully computerized sound of his previously released work to embrace a much more “human” approach, featuring live instrumentation from The Juan Maclean’s, Holy Ghost!’s and Yeasayer’s Christopher Berry (drums) and Big Data’s Ben Campbell (bass), along with pre-digital and traditional mixing and production techniques.

“Someone Better,” Without Warning’s preceding single features a sinuous and propulsive bass line paired with blocks of arpeggio organ and synth chords, four-on-the-floor drumming, and Sylvain’s sensual and seductive crooning with some of the sharpest, most dance-floor friendly hooks I’ve heard in quite some time. And while arguably being one of the warmest, most soulful, the French electronic music artist has released to date, the song clearly draws from classic disco, bearing a resemblance to Cheryl Lynn’s “Got To Be Real,” Sylvester’s “You Make Me Feel (Mighty Real)” but with a subtly modern production sheen. “Love Me” continues in a similar vein, nodding at Nile Rodgers’ work with Chic, Zonoscope-era Cut Copy and DFA Records as the song features an arrangement consisting of shuffling funk guitar, a sinuous bass line, cowbell-led percussion and squiggling synths and some incredibly dance floor-friendly hooks. But just under the surface is a plaintive yearning to be desired and loved that’s innately human.

Directed by Aube Perrie and David Moerman and starring Laure Berend-Sagols and Flore Gandiol as the video’s very pregnant leads and love-struck couple, the recently released and lushly shot video pairs surrealistic and psychedelic-tinged animation and impossibly vibrant colors to evoke the leads swooning passion and desire for one another. And while placing the video’s central pair in surreal situations, the pair radiate sweetness, light and the sort of love that feels (and looks) as though they may be the only people in the entire world, if only for a moment. Certainly, in light of our current political climate in which a presidential administration is in a vicious war against women (in particular single mothers), our dear friends, lovers, colleagues and associates in the LGBQT community, non-Christians and anyone not White, Berend-Sagols and Gandiol’s dignity and decency feel powerful and revolutionary. One day love will be simply that — love.

New Video: The Sensual Visuals and Sounds of French Electro Pop Act Juveniles Latest Single “Someone Better”

With the release of their 2012 debut EP We Are Young through renowned French electronic music label Kitsune Records, the-then French electronic production and artist duo Juveniles, which featured Thibault Doray and its sole remaining member Jean-Sylvan Le Gouic, best known as Jean Sylvain quickly received attention for slick, hypermodern, super-computerized, dance floor-friendly productions. Building upon a rapidly growing profile among electronic music circles, the duo released their 2013 Yuksek-produced full-length debut, which expanded the then-duo’s profile across the European Union, Southeast Asia, China and South America.

Since the release of the project’s full-length debut, the project has gone through several significant changes — Doray left the project, leaving it solely under the helm of Sylvain and his sophomore full-length effort Without Warning, which officially was released today through Paradis/Capitol Records finds Sylvain releasing music on a new label after several years with Kitsune Records. Produced and recorded by Joakim at Crowdspacer Studios here in NYC, Without Warning finds the French electronic music artist going through a radical change in sonic direction and approach as he abandons the fully computerized sound of his previously released work to embrace a much more human approach, complete with organic instrumentation, featuring contributions from The Juan Maclean’s, Holy Ghost!’s and Yeasayer’s Christopher Berry (drums) and Big Data’s Ben Campbell (bass), along with pre-digital and traditional mixing and production techniques.

Without Warning’s latest single “Someone Better” features a sinuous and propulsive bass line paired with blocks of arpeggio organ and synth chords, four-on-the-floor drumming, and Sylvain’s sensual and seductive crooning with some of the sharpest, most dance-floor friendly hooks I’ve heard in quite some time. And while arguably being one of the warmest, most soulful, the French electronic music artist has released to date, the song clearly draws from classic disco, bearing a resemblance to Cheryl Lynn’s “Got To Be Real,” Sylvester’s “You Make Me Feel (Mighty Real)” but with a subtly modern production sheen.

Produced by Rodrigo Huarte, the recently released music video for “Someone Better” is comprised of a behind the scenes look at anti-hero cop movie in which its main character has a highly-stylized and dramatic love affair with a presumed “hooker with a heart of gold” type character and while the actors “on screen” play up a steamy relationship that they clearly don’t have — at various points, you can tell that both actors are wondering when they’re getting paid or thinking about what they’re doing once the scene is finally over — behind the scenes, two members of the crew, discretely hook up as the rest of the crew films the movie’s key love scene.