Tag: Taking Back Sunday

New Video: KID DAD Releases an Earnest and Anthemic New Single Paired with an Urgent Visual

KID DAD is an emerging Paderborn, Germany quartet —  Marius Vieth (vocals, guitar), Maximillian Alexander Zdunek (bass, backing vocals), Michael Reihle (drums) and Joshua Meinert (guitar) — that’s heavily influenced by Radiohead, Placebo, Elliott Smith, Joy Division and Pixies. During their history, the band has toured across the European Union with Taking Back Sunday, Marmozets and Fatherson among others. 

Building upon a growing national and international profile, the band’s full-lengths debut In A Box is slated for an August 21, 2020 release through Long Branch Records. Thematically addressing feelings of isolation and entrapment, In A Box was cowritten over a prolonged period of time  — and was inspired by songwriting trips to England, China, Switzerland and Berlin.  “I really enjoyed working with so many different setups. You absorb everything when you’re young – I want to take advantage of that,” KID DAD’s Marius Vieth says in press notes. 

“Limbo,” In A Box’s latest single was cowritten by acclaimed Welsh-born singer/songwriter Sarah Howells, a.k.a. Bryde during a trip that the band’s Marius Vieth took to London. Centered around an alternating quiet-loud-quiet song structure, with an enormous power-chord based hook reminiscent of Silversun Pickups paired with Vieth’s plaintive vocals. But at its core, the song deals with feeling unsafe, hassled and being abused, particularly if you’re powerless and lack agency — and desperately searching for something to hope for. 

The recently released video for “Limbo” follows a teenaged boy, as he hurriedly puts on sneakers and desperately tries to escape what’s an untenable situation for him. But at some point, the video seems to suggest that the boy quickly recognizes that he has nowhere to go and nowhere to help him. Although the video employs a relatively simple concept — thanks in part the COVID-19 based quarantine restrictions, the video reflects an all too common fear, with a surge of domestic abuse cases worldwide.  Home can be hell for those who are being abused by loved ones. 

“We address feelings of isolation and entrapment on our debut album In A Box and feel obliged to call attention to this situation. We want to raise awareness of the prevalence of domestic violence cases worldwide and encourage people to donate to SOS-Kinderdorf (GERMANY: https://www.soskinderdorf.de/portal/spenden/haeusliche-gewalt) & NSPCC: https://www.nspcc.org.uk/what-you-can-do/make-a-donation/ ) in order to support the work they are doing in preventing such violence and supporting victims,” the band says in a statement. 


Michael Desmond is a Long Island, NY-born singer/songwriter and multi-instrumentalist, who first earned attention as the frontman of orchestral indie rock act Gabriel the Marine, an act that went on national tours with Taking Back Sunday, Glassjaw, Mew, Jack’s Mannequin and The Dear Hunter. After some significant changes in his personal life that included the death of his uncle, the end of a six-year relationship and graduation from college, Desmond was inspired to reinvent himself and his career by going solo. “The only way I was able to slow my mind down was to write. I look at this body of work as a time capsule, as it represents a snapshot of life during this period of time,” Desmond recalls.

Desmond’s solo recording project, Local Nomad derives its name from several dichotomies: “Local Nomad is the resistance of sedentary life. It’s about seeking the strange and embracing the unknown. Wondering. Wandering. Young and Old. Everywhere and Nowhere. As cliche as it may sound – when I pick up a guitar and sing it’s the only time I feel at home,” Desmond says. Sonically, the project’s sound features soulful vocals, enormous hooks, atmospheric synths and lustrous beats and draws influence from the likes of Tears for Fears, Elvis Costello, and Phil Collins.

Local Nomad’s self-titled, debut EP is slated for a June 19, 2020 release, and the EP’s material found extra inspiration from the Long Island-born singer/songwriter and multi-instrumentalist borrowing his friends’ gear to implement mellotron, DX and 808s to add further texture and muscle to his attention-grabbing, anthemic sound. The self-titled EP’s latest single “Young Vampires” further establishes his remarkably self-assured and anthemic take on synth pop. Centered around a classic, alternating quiet verse, loud chorus-based song structure, an enormous, power chord-driven, arena rock friendly hook with shimmering and arpeggiated synths and Desmond’s plaintive vocals, the song reveals some ambitious songwriting bringing JOVM mainstays St. Lucia and the aforementioned Tears for Fears, among others.

“This song is about becoming the ugliest version of yourself in a relationship. You’re not necessarily trying to hurt one another, but you end up forgetting the thing that once brought you together,” the Long Island-born singer/songwriter and multi-instrumentalist explains. “‘Young Vampires’ is kind of an oxymoron because based on various films, vampires tend to live forever. They feed off of humans to survive and ultimately live a pretty reclusive lifestyle, only going out at night and sleeping all day. I think it’s comparable to being in an unhealthy relationship.”