Tag: Taleen Kali Crusher

New Audio: Taleen Kali Shares Bruising “Crossed”

JOVM mainstay Taleen Kali (she/they) is a Los Angeles-born and-based singer/songwriter, guitarist, poet, essayist, visual artist, Dum Dum Records founder and head and Dum Dum Fest founder. As a singer/songwriter and musician, Kali has made a career out of crafting Romantic punk songs that are routinely dreamy and defiant while featuring elements of shoegaze, psych rock and grunge.

The Los Angeles-based artist also has been influenced by melodies and imagery from her Armenian heritage and her parents’ birthplaces of Lebanon and Ethiopia, fusing her cultural heritage and identity with the sounds of the modern countercultures that Kali grew up embracing and eventually exploring as musician.

Kali’s career started in earnest with a stint in Los Angeles-based outfit TÜLIPS. After TÜLIPS split up, the Los Angeles-based JOVM mainstay stepped out into the spotlight as a solo artist, eventually touring across the US with Ex Hex, Alice Bag and Seth Bogart

The JOVM mainstay’s 2018  Kristin Kontrol-produced Soul Songs EP was recorded at Hollywood-based Sunset Sound Studios and found Kali’s long-held riot grrl ethos maturing into a polished, multifaceted punk-leaning sound with elements of noise pop and New Wave. The EP received praise from BUST Magazine and Stereogum, who likened her sound to a contemporary BlondieSoul Songs was also included in Pitchfork‘s Guide to Summer Albums and LA Weekly‘s Best Indie Punk Albums. 

Their 2023 Jeff Schroeder and Josiah Mazzaschi-co-produced full-length debut Flower of Life saw the JOVM mainstay firmly cementing a fuzzy and noisy take on psych punk paired with vocals that ran the range of femme punk and shoegaze siren. The album’s first two singles “Flower of Life” and “Crusher” received airplay from KEXP and KCRW respectively. KCRW’s Henry Rollins — yes, that Henry Rollins — played the album on the station literally weekly after the album’s release. And the album’s material received heavy rotation over at KEXP.

Adding to a growing national profile, Kali was interviewed by Spin. Flowers of Life was named a Bandcamp Album of the Day. Kali also supported the album with two US tours that included sets at Freakout Fest, Psyched Fest, Treefort, SXSW and their own Dum Dum Fest.

Hot on the heels of their recent appearance at this year’s Purple City Fest in Edmonton, Kali and their backing band have just embarked on a North American tour. The tour includes an October 8, 2025 stop at Purgatory. And as always, the remaining tour dates are below.

But in the meantime, the JOVM mainstay shares their latest single “Crossed,” a bruising song anchored around thunderously propulsive drumming, swirling, shoegaze-meets-garage punk fuzz and enormous, rousingly anthemic hooks and choruses paired with Kali’s seductive, commanding delivery. The song may arguably be among the hardest and grittiest songs that the JOVM mainstay has released to date, showcasing a darker sonic direction drawing from the likes of The Horrors, Ringo Deathstarr, Sextile, L.A. Witch, Tamaryn, Curve, Chapterhouse and others.

“The opening lines of the song are ‘Rose is a rose’ which is from my favorite Gertrude Stein poem ‘Sacred Emily.’ It’s meant to convey ‘it is what it is,’ or ‘things are what they are.’ I wanted to write about how matter of fact things are in life when the only choice you have is to ride the waves of grief,” the JOVM mainstay explains. “I lost my grandmother in 2023, the year we released our debut album, and the song ‘Crossed’ is a personal exploration where I’m just trying to make sense of the loss. Missing my favorite person on earth and wishing I could find a way to commune with the dead. The artwork features an Ethiopian cross that my grandmother always used to wear from her hometown of Addis Ababa, which she passed onto me.”

New Video: JOVM Mainstay Taleen Kali Shares “120 Minutes”-Era MTV-like “Crusher”

Over the past couple of years, I’ve spilled quite a bit of virtual ink covering Los Angeles-born and-based singer/songwriter, guitarist, poet, essayist, visual artist, Dum Dum Records founder, and JOVM mainstay Taleen Kali. Kail (she/they) has made a carer out of writing romantic punk songs that are simultaneously cosmic, dreamy and defiant, and informed by her Armenian heritage and her parents’ birthplaces of Lebanon and Ethiopia. But the material is underpinned by Kali’s desire to seamlessly fuse her cultural heritage and identity with the sounds of the modern countercultures she grew up embracing and exploring as a musician and singer/songwriter. 

Kali’s music career started with a stint in Los Angeles-based band TÜLIPS. After TÜLIPS closed up shop in 2016, she stepped out into the limelight as a solo artist, eventually touring across the US with Ex Hex, Alice Bag and Seth Bogart

The Los Angeles-based JOVM mainstay’s solo debut, 2018’s Kristin Kontrol-produced Soul Songs EP was recorded at Hollywood-based Sunset Sound Studios. The EP, which found Kali’s long-held riot grrl ethos maturing into a multifaceted punk sound and approach with elements of noise pop and New Wave was released to praise from BUST Magazine and Stereogum, who likened her sound to a contemporary BlondieSoul Songs was also included in Pitchfork‘s Guide to Summer Albums and LA Weekly‘s Best Indie Punk Albums. 

Kali along with her backing band followed up with an unplugged version of Soul Songsand covers of The Supremes‘ “Baby Love” and Garbage‘s “#1 Crush.” She also recorded a two-song pandemic project called Changing with her TÜLIPS-era producer Greg Katz.

Taleen Kali’s Jeff Schroeder and Josiah Mazzaschi-co-produced full-length debut Flower of Life is slated for a March 3, 2023 release through Kali’s Dum Dum Records. Sonically, the album reportedly sees the rising Los Angeles further cementing her fuzzy and noisy take on psych punk paired with vocals that run the range of femme punk and shoegaze siren. 

Over the past year or so, I’ve written about the following album singles: 

  • Album title track “Flower of Life,” a grungy psych punk ripper centered around fuzzy power chords, thunderous drumming, soaring organ chords and Kali’s sneering delivery paired with mosh pit friendly hooks and choruses that sonically was a bit of a synthesis of My Bloody Valentine and riot grrl punk. “‘Flower of Life’ was a spiritual concept I held onto for a long time before writing this song,” Kali explains in press notes. “The flower is a fractal, a cycle, ever blooming, ever decaying. 
  • Trash Talk“, a jangling Brit Pop-inspired anthem centered around a chugging motorik-like groove, fuzzy power chords, Kali’s unerring knack for rousingly anthemic hooks and a sneering “fuck off” attitude towards haters, trolls and toxic bullshit that almost anyone can relate to. 
  • Fine Line,” a Too True-era Dum Dum Girls-like confection centered around shimmering and reverb-drenched guitars, a forceful and driving rhythm section paired with Kali’s plaintive delivery and her unerring knack for well, placed, rousingly anthemic hooks. 
  • Tomorrow Girl,” a shimmering Too True-era Dum Dum Girls-meets shoegaze-like pop confection featuring shimmering and reverb-drenched guitars, Kali’s gorgeous and achingly plaintive delivery paired with a driving rhythm section and enormous hooks. Much like its predecessors, “Tomorrow Girl” is rooted in personal, lived-in experience and hard-won wisdom. 

Flower of Life‘s latest single “Crusher” is a swooning, 120 Minutes alt rock-like shoegazer them featuring swirling guitar textures, relentless four-on-the-floor and Kali’s unerring knack for enormous hooks paired with heart-proudly-worn on-sleeve earnestness and a blazing solo from Smashing Pumpkins’ Jeff Shroeder. “Crusher” manages to evoke the sweet ache of having a desperate crush. “Crusher’ is our ultimate shoegaze love song. You ever crush so hard you’ve been brought to your knees? This song is about all those impossible feelings, taking inspiration from some of the greats: Chapterhouse, Lush, Ride, and Curve,” Kali explains. “This song has always been our band favorite and it features a guitar solo from Jeff Schroeder of Smashing Pumpkins so we’ve been saving the best for last…”

Fittingly, the accompanying video for “Crusher” draws from 120 Minutes-era MTV and features romantic imagery — guitars played with roses, roses bursting into flames, shot through kaleidoscopic filters.