Tag: Tame Impala The Slow Rush

New Audio: JOVM Mainstay Tame Impala Releases a Shimmering Disco-Tinged Examination of Nostalgia

I’ve spilled quite a bit of virtual ink over the past decade — yes, decade — covering the Perth, Australia-born and-based singer/songwriter, multi-instrumentalist, producer and JOVM mainstay Kevin Parker, the creative mastermind behind the critically acclaimed and commercially successful psych pop/synth pop project Tame Impala. Now. as you may recall Parker’s third album, 2015’s Currents was a critical and commercial breakthrough. Released to overwhelming and wide-ranging critical applause across the blogosphere and elsewhere, the album was Grammy-nominated, RIAA Gold-Certified effort that reflected a decided change in direction for Parker’s songwriting and sound: the material  featured some of  his most emotionally direct lyrics paired with an nuanced and textured sound that draw from psych rock, psych pop, prog rock, synth pop and R&B. 

Slated for a February 14, 2020 release through Interscope Records, The Slow Rush reportedly conjures the feeling of a lifetime in a lightning bolt, of major milestones whizzing by you while you’re looking at your phone. Thematically, the album focuses on the rapid passing of time and the unending cycles of creation and destruction in life.  “A lot of the songs carry this idea of time passing, of seeing your life flash before your eyes, being able to see clearly your life from this point onwards. I’m being swept by this notion of time passing. There’s something really intoxicating about it,” Parker told the New York Times last year.

Last year Parker released the first batch of new Tame Impala material in over four years — “Patience,” a decidedly upbeat banger that seamlessly bridged 90s house and 70s funk while being a thoughtful meditation on the cycles and phases of life and “Borderline” a blissed out, shimmering mid-tempo track with house music flourishes and a razor sharp hook. Unofficially, those two tracks were the first two singles off Parker’s long-awaited and highly-anticipated fourth album, The Slow Rush. Parker closed out last year with the release of “It Might Be Time,” a swaggering prog rock meets psych pop banger, centered around layers of shimmering  synth arpeggios, thumping beats,  an anthemic hook and Parker’s plaintive vocals.  

The Slow Rush’s fourth and latest single “Lost in Yesterday” is a woozy and hallucinogenic  disco-tinged banger centered around a propulsive and sinuous bass line, shimmering synth arpeggios, tweeter and woofer rocking beats, a cathartic and soaring hook and Parker’s plaintive vocals. While sonically the song seems to continue a run of glistening and decidedly 80s inspired synth bangers, the song thematically finds Parker exploring time’s distorting effect on memories. Given enough time, nostalgia gives even the most embittering times in your life a bit of a rosy tinge, and a sense of purpose and meaning that you didn’t feel while experiencing it. At it s core, the song is a plea to break the urge to look back with rose colored glasses and live in the here and now.   

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Throughout the bulk of this site’s nine-plus year history, I’ve written quite a bit about the Perth, Australia-born and-based singer/songwriter, multi-instrumentalist, producer and JOVM mainstay Kevin Parker, best known for his acclaimed psych pop/synth pop recording project Tame Impala. Now, as you may recall Parker’s third full-length album, 2015’s Currents was a critical and commercial breakthrough: released to wide-ranging critical applause, the album was a Grammy-nominated, RIAA Gold-Certified effort that reflected a decided change in songwriting and approach that featured emotionally direct lyrics paired with an increasingly nuanced and textures sound that drew from psych rock, psych pop, synth pop, prog rock and R&B.

Earlier this year, Parker released the first bit of new Tame Impala material in over four years — “Patience,” a decidedly upbeat banger that seamlessly bridged 90s house and 70s funk while being a thoughtful meditation on the cycles and phases of life and “Borderline” a blissed out, shimmering mid-tempo track with house music flourishes and a razor sharp hook. These two tracks were unofficially the first two singles off Parker’s long-awaited and highly-anticipated fourth album, The Slow Rush. Slated for a February 14, 2020 release through Interscope RecordsThe Slow Rush reportedly conjures the feeling of a lifetime in a lightning bolt, of major milestones whizzing by you while you’re looking at your phone. Thematically, the album focuses on the rapid passing of time and the unending cycles of creation and destruction in life.  “A lot of the songs carry this idea of time passing, of seeing your life flash before your eyes, being able to see clearly your life from this point onwards. I’m being swept by this notion of time passing. There’s something really intoxicating about it,” Parker told the New York Times earlier this year.

“It Might Be Time,” the album’s latest single is centered around layers of shimmering synth arpeggios, thumping beats, a rousingly anthemic hook and Parker’s plaintive falsetto. And while being a swaggering prog rock meets psych pop banger, the song possesses an underlying sweaty paranoia about getting older and being forced to accept a sad and fateful inevitability — that you’ve lost it and not as cool as you used to be, and that maybe you were never really cool in the first place. If you haven’t had this moment yet, you will. Trust me.