Late last year, saw the band tackling two songs — — Poliça‘s “Fake Like” and Still Corners “Downtown” — that seemed perfect for the band’s unique take on them.
The JOVM mainstays will celebrate their 40th anniversary this year with a monthlong tour with Mercury Rev that includes an April 30, 2026 stop at Webster Hall. Tour dates are below. You can visit https://linktr.ee/theafghanwhigsfor more information, including tickets.
“40 years later, I still get to do the thing I love the most. Writing songs and performing them with my friends all over the world,” The Afghan Whigs’ co-founder and frontman Greg Dulli says. “I truly have to pinch myself.”
But in the meantime, the JOVM mainstays just shared “House of I,” the first bit of original material from the band since the release of How Do You Burn?Anchored around propulsive and pounding drums and churning guitar roar, “House of I” is a bit of return to grittier, nastier sound of the band’s early days paired with Greg Dulli’s imitable vocal singing lyrics are simultaneously caustic yet full of aching desire and swaggering ego.
Produced and mixed by the band’s Greg Dulli and Christopher Thorn, “House of I” was recorded at New Orleans-based Marigny Studios with additional recording and mixing at Joshua Tree, CA-based Fireside Sound. “Laid this one down in New Orleans last summer,” Dulli said. “Was looking for an up tempo banger and feel like we found one here.”
The acclaimed JOVM mainstays first bit of new material since How Do You Burn sees the band tackling two songs — Poliça‘s “Fake Like” and Still Corners “Downtown” — that seem tailor-made for the Whigs treatment. “Poliça’s “Fake Lake” strikes me as being a breezy synthesis of synth pop, Laurel Canyon and blue-eyed soul, featuring twinkling keys and a broodingly cinematic string arrangement serving as a lush bed for Channy Leaneagh’s yearning delivery. The Afghan Whigs pull out the blue-eyed soul-inspired element of the original and give it a swaggering and anthemic rock ballad vibe, while retaining the cinematic string section. The result is a song that emphasizes the smoldering lust and aching need at the heart of the song.
Now, as you may recall, the London-based duo Still Corners are among one of this site’s oldest mainstay acts. “Downtown,” which appears on 2016’s Dead Blue is an brooding and icy track, featuring shimmering, motiorik pulse and a gorgeous Greg Hughes Country/Western-meets-Johnny Marr styled guitar solo serving as a lush soundscape for Tessa Murray’s yearning vocal. The Afghan Whigs take turns the song into a brooding, piano-driven tune that’s a steady in tension and delayed release that would have fit perfectly on 2017’s In Spades.
“Both of these songs were born out of soundcheck jams. Each song holds a particular resonance for me and I really felt the lyrics, so they both flowed freely and felt good to sing,” the band’s Greg Dulli explains.
Both songs are available on all major DSP. And a limited 45 RPM single has been created and will be sold by Cincinnati’s Shake It Records.
Since their formation in Cincinnati back in 1986, The Afghan Whigs — currently Greg Dulli (vocals, guitar), John Curley (bass), Patrick Keeler (drums), multi-instrumentalist Rick Nelson and the band’s newest member, Blind Melon’s Christopher Thorn (guitar) — have a long-held reputation for refusing to play by convention: During the flannel and plaid of the early 90s grunge era, the members of The Afghan Whigs stood apart from their contemporaries for wearing suits and for being more likely to slide into a soulful groove than a power chord-driven riff.
Reuniting after an 11 year hiatus in 2012, the JOVM mainstays released two critically applauded albums, 2014’s Do to the Beast and 2017’s In Spades, that found the band writing and recording music that furthered their story together, while pushing their sound in new directions.
Slated for a September 9, 2022 release through Royal Cream/BMG, the JOVM mainstays’ ninth album — and first in five years — the Christopher Thorn co-produced How Do You Burn? reportedly picks up on the sound and appraoch of 2014’s Do to the Beast and 2017’s In Spades and pushes it even further. With the pandemic forcing Greg Dulli to abandon plans to support his critically applauded solo album Random Desire, the band began working on How Do You Burn? in September 2020 and continued over the next 14 months in remote recording sessions: Dulli, Thorn and Keeler in California; Curley, Jon Skibic (guitar) and Nelson laying down and engineering their own parts in Cincinnati, New Jersey and New Orleans respectively. “Once we got the system down, we started flying,” Greg Dulli says.
The album features guest spots from a collection of frequent and longtime collaborators including — the late Mark Lanegan, a collaborator of Dulli’s in The Twilight Singers and The Gutter Twins, as well as a close friend. Lanengan sung backup vocals on two album tracks. “It was Mark who named the album,” Dulli says in press notes. Susan Marshall, who contributed to 1998’s 1965 contributes vocals on album track “Catch A Colt.” Van Hunt,who toured with the band in 2012 and contributed to 2014’s Do to the Beast, contributes vocals on “Jyla” and “Take Me There.” And last but definitely not least, Marcy Mays, lead vocalist on Gentlemen‘s “My Curse” contributes vocals to “Domino and Jimmy,” a song that Dulli had specifically written with Mays in mind.
So far I’ve written about two of the album’s singles:
“I’ll Make You See God,” which is arguably one of the hardest and aggressive songs they’ve written and recorded in close to 30 years.
“The Getaway,” a widescreen ballad that pairs Dulli’s whiskey and cigarette-like croon with a gorgeous string arrangement, twinkling keys and Dulli’s unerring knack for crafting earnest, lived-in material with enormous, arena rock friendly hooks.
How Do You Burn?’s third and latest single “A Line of Shots,” a woozy yet anthemic ballad featuring heavily distorted and delay pedaled guitars, Greg Dulli’s imitable croon paired with a slow-burning groove and the band’s unerring knack for rousing, fist-up-in-the-air choruses. Perhaps unsurprisingly, “A Line of Shots” was so much of a crowd favorite during the JOVM mainstays’ May 2022 US tour that the band decided that the song needed its own moment in the sun.
The JOVM mainstays are about to embark on a UK and European Union tour that starts on July 23, 2022 and ends on August 10, 2022. The band will take a few weeks off and then go on a month-long US tour that includes a September 15, 2022 stop at Brooklyn Steel. They’ll cap a big year with a return to European Union and UK. Tour dates are below.
