Tag: The Echo

New Video: Oliver Future Returns After 14 Year Hiatus to Release a Brooding Fever Dream

Split between Austin and Los Angeles, psych rock outfit Oliver Future — currently founding members Noah Lit (guitar, vocals), Josh Lit (vocals, keys), Sam Raver (guitar), Jesse Ingalls — was founded in Austin, back in 2002 featuring a lineup of Noah Lit, Josh Lit, Raver, Ingalls and Jordan Richardson (drums). While in Austin, the band wrote and recorded several albums before their management company relocated the band to Los Angeles in 2005.

The management company (and their stipends) disappeared quickly, and the band was stuck in Los Angeles, too broke to get back home. Luckily, they met producer and engineer Adam Lasus, who has worked with a who’s who list of contemporary indie rock acts, including recording a hit record with Clap Your Hands Say Yeah, had just relocated to Los Angeles.

Lasus worked with the band on 2007’s Pax Futura, an effort that was released to widespread critical praise and received airplay on KCRW and NPR Music. The band, who were by then a fixture at Spaceland and The Echo, supported the album with several national tours, as well as stops at Austin City Limits Festival, SXSW, Sunset Junction Music Festival — and a live set on Morning Becomes Eclectic.

Just as the members of Oliver Future started working on Pax Futura‘s follow-up, a famous touring artist hired the band’s rhythm section. Ingalls and Richardson wound up touring the world and winning a Grammy while the remaining members of the band went on to write and record 2008’s In Event of Moon Disaster. Shortly, after In Event of Moon Disaster‘s release, the band broke up. Josh Lit, Noah Lit and Sam Raver returned to Austin.

Shortly after returning home, Noah Lit and Josh Lit became co-owners of popular East Austin craft beer and kolaches bakery, Batch Craft Beer and Kolaches. The successful brothers and business partners were still eager to create new music, and in 2019, they asked Jesse if he wanted to return to Austin to play what was intended to be a one-off, goodbye show at The Continental Club. The show was sold out, and although it was meant to close the book on the band, the fun of playing together was undeniable.

As the drudgery of lockdowns continues into last summer, Josh Lit, Noah Lit and Raver started regularly getting together to jam in their studio. The music instantly sounded like Oliver Future. They contacted Richardson, who remembered two of the songs they were working on before their initial breakup “Phases of the Moon” and “I Can’t Take It.” The rest of the material, which would eventually comprise their forthcoming album A Year at Home was written remotely between Austin and Los Angeles over the past year with the band sending tracks and ideas back and forth through text and email. Studio pro Jimmy Paxson played drums on the album.

The band describes the A Year at Home sessions as “the most effortless recordings they ever got to do.” The final touch was that the band recruited Adam Lasus to mix the record. Although the album is the first album from the psych rock outfit in over 14 years, the album’s material sees the band seemingly continuing where they left off.

“Phases of the Moon,” A Year at Home‘s first single is a slow-burning and brooding song, centered around glistening synth arpeggios, the Lits’ ethereal harmonies, shimmering guitars and a steady yet hypnotic groove. Sonically, “Phases of the Moon” will most likely draw comparisons to Dark Side of the Moon era Pink Floyd and Young Narrator in the Breakers era Pavo Pavo — it’s anachronistic take on retro futurism, which seems to reveal the rot, anxiety, and unease just underneath,

The recently released video for “Phases of the Moon” is an eerie yet gorgeous fever dream inspired by modern life in quarantine doldrums: evil phantasms are everywhere, so the video’s protagonist is left at home trying to hold on to the old normal, and to entertain herself — but she eventually she goes mad.

New Audio: Venice, Italy’s New Candys Release a Dark and Brooding Single

Formed back in 2008, the Venice-based post punk/shoegazer act New Candys — currently Fernando Nuti (vocals, guitar), Andrea Volpato (guitar, vocals), Alessandro Boschiero (bass) and Dario Lucchesi (drums, sample) — developed a sound that they’ve dubbed dark, modern rock ‘n’ roll as it combines noisy, brooding sounds with distinct melodies. Additionally, they’ve managed to display a dynamic and symbiotic connection between their music and their visual aesthetic.

2012 saw the release of the Italian post punk/shoegazer outfit’s full-length debut, Stars Reach The Abyss, which they supported with a tour of the UK and Italy. Adding to a rapidly growing international profile, album single “Meltdown Corp.” was included on that year’s The Reverb Conspiracy compilation released by Fuzz Club and The Reverberation Appreciation Society. Their sophomore album 2015’s As Medicine was released through Picture In My Ear and Fuzz Club — and distributed by The Committee To Keep Music Evil. Over the next two years, the members of New Candys toured across Europe three times, playing at Secret Garden Party and Liverpool Psych Fest.

Their third album, 2017’s Bleeding Magenta was released by Fuzz Club and re-pressed in the US by Little Cloud Records. The Italian act supported the album with a European tour and a stop at SpaceFest in GdaƄsk, Poland. 2018 began an extremely busy period for the band: they toured Australia, headlining Sydney Psych Fest, now and Melbourne Psych Fest now known as Bad Vibrations, as well as a set at Adelaide Fringe Festival. Then they went on a US-Mexico tour, which included a stop at Seattle’s KEXP for a live session. In 2018 they went on and completed a back-to-back tour of 50 shows across Europe, the US and Canada with stops at Desert Stars Festival, Milwaukee Psych Fest, Los Angeles’ The Echo, Austin, TX’s Hotel Vegas and The Mercury Lounge. And they ended the year with a full European tour with The Warlocks and The Dandy Warhols that also included a stop at Levitation France. And just before the pandemic wrecked havoc across the world, New Candys went on their first tour of the Balkans.Adding to a growing international profile, New Candys have had songs appear on several episodes of Showtime’s Shameless.

The band’s fourth and latest album Vyvyd officially dropped today through Little Cloud Records and Dischi Sotterranei with a exclusive vinyl edition through Fuzz Club — and the album, which was recorded at Venice’s Fox Studio by the band’s Andrea Volpato is the first recorded output with their current lineup. Thematically, the album finds the band exploring and toying with the idea of duality throughout its ten songs. And to celebrate the release of the album, the and released two singles, including “Factice.” Centered around a densely layered and sculpted soundscape featuring thunderous drumming, shimmering guitars, crunchy bass lines within an expansive song structure, the song sonically bears a resemblance to My Bloody Valentine, Cocteau Twins and the like, while detailing its narrator’s desperate attempts to escape a slow-burning descent into madness.