Tag: The F16s My Baby’s Beak

New Video: Chennai India’s The F16s Return with Feverish and Sensual Visuals for Doo-Wop Inspired “My Baby’s Beak”

Earlier this week, I wrote about the up-and-coming Chennai, India-based indie rock act The F16s, and as you may recall, the act which is currently comprised of Abhinav Krishnaswamy (guitar), Harshan Radhakrishnan (keys), Joshua Fernandez (vocals, guitar) and Sashank Manohar (bass) can trace their origins to when its founding trio met while attending college in 2002. With the release of their debut EP Kaleidoscope, the Chennai-based indie rock quartet received national attention — with the band being named one of Rolling Stone India‘s Artist to Watch For. Since then, the act has released another EP and their full-length debut, 2016’s Triggerpunkte both of which have helped expand their profile nationally and internationally; in fact, the band has managed to play at some of their homeland’s biggest festivals — and recently, they’ve made strides into Southeast Asia with a growing six city tour across Singapore, Cambodia, Vietnam and Thailand.

The up-and-coming Indian indie rock act recently signed to Oxford, MS-based indie label House Arrest, who will be releasing the band’s WKND FRNDS EP later this week. ”We were fascinated to discover The F16s writing and performing such relatable pop-rock songs so many miles away. We had to reach out to see what their story is, which eventually led to us working together, ” the label says in press notes. “Their new EP WKND FRNDS is a big step for The F16s and we’re excited to see the reaction in both India and over here in the US.”

“Amber,” the EP’s previous single was centered around glistening synths, Fernandez’s plaintive and ethereal vocals, shimmering and jangling guitars and a soaring hook — and sonically, the song found the band seamlessly meshing elements of dream pop, bedroom pop and indie rock with a swooning yearning for a complicated and uneasy love that’s just ended. “My Baby’s Beak,” WKND FRNDS latest single is a slow-burning, doo-wop meets Beach Boy-era psych pop-like “My Baby’s Beak,” which continues a run of swooning yet deceptively uneasy love songs; in this case, the song details a contradictory and confusing push and pull between two especially damaged partners. Comprised of hazy stock footage, the recently released video is an ecstatic fever dream that manages to be both trippy and sensual, evoking a desperate and urgent longing.