With the release of last year’s critically applauded, self-titled debut, the Los Angeles-based indie rock act Starcrawler, comprised of Arrow de Wilde (vocals), Henri Cash (guitar), Austin Smith (drums) and Tim Franco (bass) quickly emerged into the national and international scene for a sound that is indebted to 90s alt rock — and for a feral live show. Since the release of their full-length debut, the Los Angeles-based quartet have been busy with a busy touring schedule that has seen them play at some of the world’s major festivals including Primavera Sound, Rock Am Ring, Download Festival, Voodoo Festival, FujiRock Festival, Reading Festival, Leeds Festival, SXSW and others; in fact, the band won last year’s SXSW Grulke Prize for best US act, after consistently kicking ass over the course of 9 shows in a grueling 4 or 5 day period.

Adding to a rising profile, the band opened for the likes of Foo Fighters, MC50 and Morrissey — and they were included as part of last year’s incredibly diverse crop of Vevo DSCVR artists; however, they were the only ones to have Garbage‘s Shirley Manson praise the band and their frontperson in a video testimonial. 2019 may arguably be an even bigger year for the up-and-coming band: their first single of this year “Hollywood Ending” received praise from NPR and Rolling Stone, and as a result, the track spent several weeks at #1 on speciality radio charts — and they’ll spend a good portion of this year opening for the likes of Beck, Cage The Elephant, Spoon and The Distillers to support their forthcoming, highly-anticipated sophomore album.

“She Gets Around,” the second single of the year from the buzzworthy, Los Angeles-based quartet will further cement the band’s reputation for crafting material that’s clearly indebted to 90s alt rock as the track is centered around scuzzy, distortion pedal-fed power chords, thunderous drumming, heavily down-tuned yet propulsive bass lines, snarled vocals and a rousingly anthemic, mosh pit friendly hook delivered with a ass-kicking, name-taking self-assuredness and an unhinged fury. 

The incredibly cinematic and lush black and white shot video directed by Gilbert Trejo features de Wilde in an enormous parachute struggling to get get free and as a suspended angel — while her bandmates perform the song. As Trejo and de Wilde say of the song and video ““It’s about building someone up in your own head, deifying them, only to have that mental image destroyed in seconds. Not everyone is actually an angel, and sometimes we have to destroy our own marble, saccharine image of them in order to move on. Crow bars and baseball bats make it easier.”