Tag: The Joy of Violent Movement: Video Review: Boogarins Tempo

New Video: The Harsh and Haunting Sounds and Visuals for Boogarins “Cuerdo”

Much like the album’s previously release single “Tempo,” the album’s latest single “Cuerdo” is a deeply contemplative song; however, the dreamy new single sounds as though it draws from Kid A and Amnesiac-era Radiohead and Dark Side of the Moon-era Pink Floyd as reverb-heavy guitar chords, a subtle yet gorgeous horn arrangement with the vocals at times feeling peacefully submerged, almost entombed within the dreamy and slow-burning mix. Interestingly, as the band’s guitarist Benke Ferraz notes, the song focuses on the feeling of not belonging and being in a situation in which you can’t express yourself — perhaps out of danger if you’re part of a minority group.

Directed by Ricardo Spencer, the recently released video for “Cuerdo” reveals the haunting and harsh beauty of nature as it depicts a group of buzzards descending upon a dead cow at various angles — a cinematic wide screen which has every figure involved look like microscopic dots before quickly panning in to see the vultures eating the dead cow in super slow motion. As the band’s Ferraz expressed in press notes, the vultures seemed to represent quite a bit for anyone who feels for minorities of any stripe and how our especially conservative — and seemingly sadistic — societies and media outlets deal with them.

New Video: Boogarins Returns with Yet Another Breezy and Contemplative Song, and Gorgeous Visuals

Boogarins latest single “Tempo” is an contemplative song with an expansive song structure consisting of alternating dreamy and moody section with a loud, anthemic section featuring buzzing guitar chords and feedback — and much like the album’s previously released singles the latest single sounds as thought it draws from Pink Floyd, 60s garage psych, Tropicalia and jazz, which gives the song a breeziness that belies its thoughtful and psychedelic nature. According to press notes, the song’s lyrics speak about stopping time and freeing yourself from the everyday grind of work, school and obligations and escaping from the pressures of daily life.

Interestingly, the members of the band reached out to their fans on social media and asked them to shoot footage of two different moods: the first being “man’s world,” a world full of soul-crushing and demeaning imagery of urban life — commuting and rushing about, working, studying and starting at computer screens; and the second being images of sanctuary and safe places — friends, being out in nature, music, art and anything that would make you feel open, free and whole. As a result of their open call, the band received hundreds of submissions, which were then edited and crafted into a gorgeous, surreal and coherent whole by Cobrandit Films’ Owen Mack.