Miten’s recently released Temple At Midnight is his first solo English language work in over a decade and in many ways the album finds him returning to his musical roots while writing deeply personal material inspired and influenced by his own journey to renewal, faith and love. And interestingly, the album’s latest single is an elegantly simple cover of The Beatles’ “Norwegian Wood” in which Miten’s soulful and wizened vocals are paired with a sparse arrangement that has Miten accompanying himself with guitar, a bit of piano here and there, a mournful string arrangement and some backing vocals from his partner and collaborator Deva Premal. And while radiating a quiet assuredness and tranquility, Miten’s cover also possesses the same wistfulness of the original.
Arguably best known for her Oscar nominated and Golden Globe nominated role in Martin Scorsese‘s 1991 remake of Cape Fear, and for her roles in a number of major motion pictures including What’s Eating Gilbert Grape, Natural Born Killers, Strange Days, The Evening Star, Kalifornia, From Dusk till Dawn and The Other Sister, Juliette Lewis initially launched a recording career in 2004 with her punk rock-leaning band Juliette and the Licks before going completely solo in 2009.
After an eight year hiatus from music and touring, 2016 has proven to be a very busy year as earlier this year, she released “Hello Hero,” a single cowritten and produced by Florence and the Machine‘s Isabella Summers before reuniting her backing band and embarking on successful and extensive tours of Europe and North America. Lewis’ second and latest single of this year “Any Way You Want” was co-written and produced by Cage the Elephant‘s Brad Shultz, Jared Champion and Matthan Minister, and the single according to Lewis is a “60s garage rock, hyped up, sexual banger inspired by The Animals, The Kinks and The Zombies,” complete with a larger-than-life cocksure, swaggering braggadocio and a ton of mischievous sexual innuendo and the open acknowledgement of the fact that the ladies want sex as much as the dudes and can seek it with a similar urgency. But perhaps most important it’s a fun and modern take on a beloved sound, led by a fearless, ass-kicking lady, who knows what she wants while also nodding at The Stooges‘ “I Wanna Be Your Dog” among others.
Montreal, QC-based psych rock trio Elephant Stone — comprised of Rishi Dihr (lead vocals, sitar, bass), Jean-Gabriel Lambert (drums, backing vocals), and Miles Dupire (drums, backing vocals) — have developed a national profile across their native Canada and Stateside for a vintage psych rock sound reminiscent of The Beatles, The Kinks and severals as the Canadian trio’s earliest material paired elements of Eastern instrumentation — mainly, the sitar — with Western songwriting, arrangements and instrumentation. And rather unsurprisingly, over the past few years the Montreal-based trio have also become a JOVM mainstay artist.
With the 2014 release of Elephant Stone’s third full-length effort, The Three Poisons, the Canadian trio went through a major and rather decided change of songwriting approach and sonic direction in which sitar was pushed back to the background — and when it was employed, it was seemingly used to add additional texture and color. Since then, the Canadian trio have released a batch of singles including “The Devil’s Shelter,” which was released at the end of last year. That single, which featured a guest spot from The Black Angels‘ Alex Maas was yet another example of the trio experimenting with their sound as tense, undulating synths, shimmering sitar and guitar chords and a driving motorik-like rhythm were paired with Dihr’s and Mass’ alternating vocals to create an ominous and murky sound that channeled The Black Angels “Don’t Play With Guns.”
Early last month, the trio released “Where I’m Going” a single that continued the band’s most recent sonic experimentations while suggesting that the band may have been listening to Evil Heat-era Primal Scream — in particular, I think of “Autobahn 66” and “Detroit” as Dihr’s ethereal cooing is paired with shimmering guitar chords, a tight and propulsive, motorik groove, four-on-the-floor drumming and layers of shimmering and undulating synths in what may arguably be the most dance-floor ready songs that they’ve released to date. “Andromeda,” the band’s latest single sounds like a return to the vintage psych rock sound that first caught the blogosphere’s attention as shimmering guitar chords and a propulsive and driving rhythm are paired with Dihr’s plaintive cooing about the nature of the universe; however, swirling synths and a brief burst of tribal drumming manage to reveal a band that’s relentlessly experimenting and attempting new ways to expand upon their sound while retaining familiar elements.
The band will be on tour throughout March, and it includes an NYC date. Check out the tour dates below.
Comprised of Rishi Dihr (lead vocals, sitar, bass), Jean-Gabriel Lambert (drums, backing vocals), and Miles Dupire (drums, backing vocals), Montreal, QC-based psych rock trio Elephant Stone have developed a national profile across their native Canada, as well as a profile Stateside for a vintage psych rock sound reminiscent of The Beatles, The Kinks and others, as it the Canadian trio’s material employed elements of traditional Eastern instrumentation — i.e., the sitar — with Western songwriting. And as a result, over the past few years, Elephant Stone has become a JOVM mainstay artist.
The 2014 release of the Canadian trio’s third full-length effort, The Three Poisons, revealed a band that was in the process of a major change in sonic direction. Unlike the band’s first two albums, the material on Three Poisons pushed sitar to the background — and when it was employed, it was mainly to add texture and color. Now, if you were frequenting this site towards the end of last year, you may recall that I wrote about “The Devil’s Shelter,” a song that featured a guest spot from The Black Angels‘ Alex Maas. The members of Elephant Stone pair tense, undulating synths, shimmering sitar and guitar chords, and propulsive rhythm with Dihr’s vocals for the song’s verses and Maas’ vocals to craft a song that feels (and sounds) ominous and murky, while channelling The Black Angels “Don’t Play With Guns.”
The Montreal-based trio’s latest single “Where I’m Going” continues where the trio’s experimentation left off — while suggesting that the band’s newest sonic direction has been inspired by the likes of Primal Scream (in particular, I think of “Autobahn 66” and
“Detroit” as Dihr’s ethereal cooing with shimmering guitar chords, a tight and propulsive, motorik groove, four-on-the-floor drumming and layers of shimmering and undulating synths in what may arguably be the most dance-floor ready songs that they’ve released to date — all while remaining as psychedelic as ever. Interestingly, the band have been working on their fourth full-length effort, and if the last two singles they’ve released are indicative of its sound, the members of Elephant Stone are set to push their sound — and in turn, psych rock — in new directions.
The band will be on tour throughout March, and it includes an NYC date. Check out the tour dates below.
Comprised of Vincent Davies (vocals, guitar and bass), Ranald MacDonald (vocals, keys, guitar and bass), Josh Lewis (guitar and bass) and Oscar Robertson (drums), the London-based quartet Hidden Charms formed last year and with the release of their double A single “Dreaming Of Another Girl”/”Long Way Down,” the London-based quartet quickly received attention nationally as the the single received extensive airplay from the likes of radio personalities Zane Lowe of Beats 1, Annie Mac and Huw Stephens of BBC Radio 1 and John Kennedy of XFM (aka Radio X). And of course, as a result of their growing national profile, the band has opened for Benjamin Booker, Hanni El Khatib and X Ambassadors and had a four-week Club NME Koko residency.
Building on their rapidly growing the British quartet’s latest single “Love You ‘Cause You’re There” consists of buzzing and bluesy guitar chords, propulsive drumming, anthemic hooks and howled vocals in a song that sounds as though it were directly influenced by The Black Keys and 60s mod rock (think of early The Who, The Kinks and The Animals) — and possesses a similar self-assuredness that belies their youth. Of course, at its core is an aching longing — the sort of longing that comes up from lonely nights drinking in shitty dive bars, reminiscing over someone who may not be right for you and yet you need.
Elephant Stone, a Montreal, QC-based psych rock trio comprised of Rishi Dihr (lead vocals, sitar, bass), Jean-Gabriel Lambert (drums, backing vocals), and Miles Dupire (drums, backing vocals) have become something of a mainstay on this site, as […]
Fronted by primary songwriter David Childs, the Philadelphia, PA-based rock band Manwomanchild can trace their origins to when the band originally formed in Rhode Island, back in 2008. With a lineup comprised of David Child (vocals, guitar and synths), Mason Neely (drums) and Craig Gifford (bass), the trio recorded their self-titled debut EP in February 2010, and they received international attention after the release of “Chile, La Roja,”a song specifically written to show support for Chile’s Men’s National Soccer team during the 2010 World Cup; in fact, the song was featured in 4 national newspapers and 2 national TV stations across Chile.
A couple of years after the release of their self-titled full-length debut at the end of 2010, the band relocated to Philadelphia, and since their relocation the band wrote and recorded the soundtrack for Decidedly’s mobile game, Floyd’s Worthwhile Endeavor — and the band’s last single “The Difficult Years” was released to praise from the music blog Surviving the Golden Age.
The band’s latest single “Return to Ithaca” sounds as though it were inspired by early 60s mod-era British rock — in particular, think of The Kinks — as the song pairs a pretty and hummable little melody with a bubblegum pop-leaning wistful hook reminiscent of “Video Killed the Radio Star” and The Kinks’ “I Go To Sleep” but somehow a little bit breezier. At the song’s core is the sort of wistful nostalgia that should be familiar to most of us — a familiar and beloved part of our lives and pasts getting torn down in the face of relentless progress. But the song also suggests that all things must pass and that life does as it always does — push you forward.
More important, “Return to Ithaca” is an time-specific example of finely crafted pop, complete with vivid novelistic imagery — you can practically picture yourself walking along the Charles River in Cambridge, MA with the same observations and thoughts of the song’s wistful narrator.
Comprised of Jess Wolfe (lead vocals and synth), Holly Laessig (lead vocals and keys), Dan Molad (drums and vocals), Peter Lalish (guitar and vocals) and Andrew Burri (guitar, drums, vocals), the Brooklyn-based quintet of Lucius have been praised […]
La Femme’s debut EP, Le Podium #1 landed on the Honorary Mentions portion of the Best of 2011 List for their unique take on surfer rock – after all, for most people, surfer rock is something that’s […]
As a singer/songwriter Bart Davenport has seen many eras – he’s been a Mod, a a bluesman and a soft rock troubadour, and his forthcoming effort Physical World slated for a March 4th release digitally […]