Tag: The Money War

With the release of 2018’s full-length debut album Thick Skin, Mackay, Australia-born, Brisbane, Australia-based singer/songwriter Tia Gostelow exploded into the national and international scenes. Album single “Strangers” received over 10 million Spotify streams — and adding to a breakthrough year, Gostelow opened for the likes of Ball Park Music, Frightened Rabbit, The Rubens and Gomez and played sets across the international festival circuit, including Falls Festival and SXSW. Thick Skin also landed a Triple J album feature, which may have led to her appearing on the station’s covers series Like A Version.

Last year, Gostelow went on her first national headlining tour, which she followed up with tours across the States, the UK and the European Union. During that same period of time, the rising Aussie artist started work on her Oscar Dawson-produced sophomore album, an effort that will reportedly see Gostelow moving away from the guitar-based indie and folk sound of her debut and towards a lush synth pop soundscape. The album’s third single, The Money War-written “Always” sees Gostelow and Dawson collaborating with Dawson’s Holy Holy bandmate Tim Carroll, who contributes vocals to the song.

Centered around atmospheric electronics, shimmering synth arpeggios, a disco inspired bass line, a soaring hook and alternating boy-girl verses sung by Carroll and Gostelow, the song is a swooning and earnest declaration of love and devotion through a difficult and confusing time for both parties. Of all the things we claim to understand about the workings of world, the one we can’t quite grasp is love. Love simply doesn’t make sense. The song manages to capture something that should feel familiar to most — if not, all — of us: that tiny fluttering aches and sighs of a new love/new crush/new situationship and the creeping fear that because of your past relationships and your baggage that you might screw it all up. “I really wanted to have a big 80’s synth-pop, big drums kind of sound that everybody wants to dance to,” Gostelow says. “It kind of reminds me of an 80’s prom in a rom-com movie.”

Adds Gostelow, “I really connected with it lyrically straight away, when I first heard it I had the feeling it was about being in love with someone but not physically being able to be with them and also pushing through all of the hard parts in a relationship because you know the good outweighs the bad. It just fit perfectly within the record as I’ve really highlighted my feelings about being away from my loved ones, feeling lonely and I guess just trying to figure out who I am as a 20-year old woman.”

 

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New Video: Perth Australia’s The Money War Release an Intimate, Behind the Scenes, Life on the Road-like Video for “Hey Now”

Earlier this year, I wrote about the Perth, Australia-based dream pop/indie pop/indie rock duo The Money War, and as you may recall, the act which is comprised of Rainy Day Women’s Dylan Ollivierre and  Warning Birds’ Carmen Pepper can trace its origins to a road trip that the pair took across the US in late 2015. Inspired by the trip, they recorded a ton of iPhone demos. And as the story goes, after a chance meeting with producers Thom Monahan and Arne Frager in a San Francisco dive bar, the duo were convinced of the value of their demos together, and began working on an album.

Last year saw the release of their debut EP and to support the effort, they spent the better part of that year touring with Holy Holy and Meg Mac, and then went on a headlining national tour during December. EP single “Recall,” was the fifth most played song on Triple J Radio, and as result they had received a growing national profile in their homeland; but interestingly enough, they also received attention Stateside with airplay on SiriusXM, KEXP, CJAM FM, KXRN, WLKK and college radio. The duo’s highly-anticipated full-length debut is slated for release early next year, and the album’s first single was the Still Corners-like “Hollywood,” was a moody and cinematic track inspired by a difficult year the duo had in which someone close to each individual had died. “There’s a hospital in Perth called Hollywood, and I was pondered its ironic name,” Olliviere says in press notes. “We were in LA when I got the news that a family member was passing away, and the lyrics started forming from there. We wanted the song to sound like a moving and we took production cues from that idea.”

“Hey Now,” the second and latest single off the up-and-coming Australian duo’s debut album is a breezy and cinematic track that recalls 120 Minutes-era MTV alt rock — but with an infectiously anthemic hook that makes the song sound as though it would be the perfect addition to anyone’s road trip playlist. And while further cementing their reputation for crafting breezy, hook driven indie rock, the song has an underlying bittersweet quality.  As the band’s Dylan Olliviere explains “is about making a commitment to someone and being ecstatic about it but also realising that you’re in a very different position to where you thought you’d be when you reached that milestone. Life usually takes a different course than you anticipated and doesn’t always match the set of ideals you once held. I like how the line ‘time is coming for us baby’ can be interpreted in different ways depending on how you look at it. It’s kind of a romantic yet bittersweet sentiment.” 

Shot and edited by the members of The Money War, the recently released video for “Hey Now” is an an intimate “life on the road of a touring band” styled video that’s split between the band playing in front of audiences in Los Angeles, Arizona, New Mexico and Texas, goofing off and traveling around the world with stops that include a bridge crossing at Tasmania’s Cataract Gorge, beach huts in Fremantle, Australian Rules Football on a Perth beach, and riding in a van, crossing the American West. 

New Video: Introducing the Atmospheric Dream Pop of Perth Australia’s The Money War

The Money War is a Perth, Australia-based dream pop/indie pop/indie rock duo comprised of Dylan Ollivierre, a member of Rainy Day Women and Carmen Pepper, a member of Warning Birds, and the project can trace its origins to a road trip that the duo took across the US in late 2015. Inspired by the trip, they recorded a ton of iPhone demos — and as the story goes, after a chance meeting with producers Thom Monahan, who’s worked with Fruit Bats and Little Joy and Arne Frager, who’s worked with Prince and Paul McCartney in a San Francisco dive bar, the duo were convinced of the value of their demos together, and began working on an album. 

The Perth-based dream pop/indie pop/indie rock duo released their debut EP early last year, and they spent the year touring with Holy Holy and Meg Mac, before headlining a national time in December. Interestingly, “Recall,” off their debut EP was the 5th most played song on Triple J Radio last year — and as a result, they had seen a growing national and international profile, with the duo gaining attention Stateside as they’ve received airplay on SiriusXM, KEXP, CJAM FM, KXRN, WLKK and college radio. 

“Hollywood,” the duo’s latest single off their full-length debut is a moody and atmospheric track that immediately brings JOVM mainstays Still Corners, as the track is centered around Pepper’s ethereal vocals, twinkling synths, strummed acoustic guitar, piano and a sinuous hook — and while possessing a subtly cinematic vibe, the song as the duo’s Dylan Ollivierre explains was written and inspired by a difficult year the duo had in which people close to each individual member had died. “There’s a hospital in Perth called Hollywood, and I was pondered its ironic name,” Olliviere says in press notes. “We were in LA when I got the news that a family member was passing away, and the lyrics started forming from there. We wanted the song to sound like a moving and we took production cues from that idea.” 

The recently released video cuts between daily life footage of Hollywood that captures the bitter irony as its core — while some do manage to obtain massive success, a fair number of people wind up down and out; and footage of the two in the studio performing the song