Tag: The Murlocs

New Video: The Murlocs Release a Surreal Visual for Melancholy “Bittersweet Demons”

With the release of their first four albums, The Murlocs  — King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith and Cook Craig with Cal Shortal, Matt Mlach and Tim Karmouche — have released four albums of fuzzy and distorted psychedelic blues. which they’ve supported as an opener for the likes of Gary Clark, Jr., Mac DeMarco, Ty Segall, Thee Oh Sees, Pixies, Stephen Malkmus and The Jicks, Wavves and of course, Kenny-Smith’s and Craig’s primary gig, King Gizzard and the Lizard Wizard — and as a headlining act, as well.

The Aussie psych blues outfit’s fifth album. the Tim Dunn-produced Bittersweet Demons is slated for a June 25, 2021 release through their longtime label home ATO Records. Recorded at Button Pushers Studio, the 11-song album finds the band lovingly reflecting on the people, who have left a profound imprint on their lives, the saviors, the hell raisers and other assorted mystifying and complex characters. Arguably, the most personal and complex batch of material they’ve written to date, the album reportedly finds the band bouncing around and between sunny pop, blues punk and wide-eyed psychedelia informed by John Lennon‘s Plastic Ono Band and Harry Nilsson‘s Lennon-produced Pussy Cats. 

In the buildup to the album’s release, I’ve managed to write about two of Bittersweet Demons’ singles:

The Tim Karmouche penned “Francesca,” a rousingly upbeat, hook-driven ripper with a subtle New Wave polish written for Kenny-Smith’s mother, who found a new lease on life through newfound love. 
“Eating At You,” a slow-burning and melancholic sing-a-long that subtly recalls “I Got Friends in Low Places,” with the song being an ode to those deeply troubled friends and erstwhile n’er-do-wells of life that you can’t help but love.

Bittersweet Demons’ third and latest single is the mid-tempo, piano-driven, jangling blues and album title track “Bittersweet Demons.” And unlike its immediate predecessor, the song is one of those melancholy, pour some of your booze out for the dead homies jam that becomes sadly all too common when you get older.

“I was messing around with the tune on the piano for a while but never knew where to take it lyrically,” The Murlocs’ Kenny-Smith recalls in press notes. “Over time the bones of the song sat away in the back of my mind waiting for the right time to come back out and be pieced together properly. Whilst we were on tour in America in 2019 one of my sweetest and dearest friends Keegan Walker passed away. His presence was unlike any other I have ever experienced. That kind of person that’s forever filling you up with joyous excitement. Someone that always took the time and effort to be in your life and support you through the thick and thin no matter what. Every time I came home from tour he was always the first to contact me and come by with some croissants and a handful of lavender that he’d pick from my front garden. Keegan was always there for his friends. A few days after the funeral I sat back down to play at the piano and the words started to come out and feel right. I reckon Keegan would’ve loved this song, he loved this kind of soppy stuff cause he’s a softie just like me.”

Directed and edited by Guy Tyzack, the recently released video for “Bittersweet Demons” was shot on grainy Super 8 Film and follows the adventures and memories of a lonely house that misses his human friends — and at one point is looking for a human to inhabit it.

New Video: The Murlocs Release a Slow-burning and Bluesy Ode to Troubled Friends

With the release of their first four albums, The Murlocs  — King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith and Cook Craig with Cal Shortal, Matt Mlach and Tim Karmouche — have released four albums of fuzzy and distorted psychedelic blues. which they’ve supported both as an opener for the likes of Gary Clark, Jr., Mac DeMarco, Ty Segall, Thee Oh Sees, Pixies, Stephen Malkmus and The Jicks, Wavves and of course, Kenny-Smith’s and Craig’s primary gig, King Gizzard and the Lizard Wizard and as a headliner. 

The Aussie psych blues outfit’s fifth album. the Tim Dunn-produced Bittersweet Demons is slated for a June 25, 2021 release through their longtime label home ATO Records. Recorded at Button Pushers Studio, the 11-song album finds the band lovingly reflecting on the people, who have left a profound imprint on their lives, the saviors, the hell raisers and other assorted mystifying characters. Arguably, the most personal and complex batch of material they’ve written to date, the album reportedly finds the band bouncing around and between sunny pop, blues punk and wide-eyed psychedelia informed by John Lennon‘s Plastic Ono Band and Harry Nilsson‘s Lennon-produced Pussy Cats. 

Last month, I wrote about Bittersweet Demons first single, the Tim Karmouche penned “Francesca,” a rousingly upbeat, hook-driven ripper with a subtle New Wave polish written for Kenny-Smith’s mother, who found a new lease on life through newfound love. Bittersweet Demons’ second and latest single “Eating At You” is a slow-burning and melancholic sing-a-long centered around wailing harmonica, shuffling rhythms, some shimmering pedal steel, Kenny-Smith’s most plaintive and earnest delivery of his career. In some way, “Eating At You” is The Murlocs’ “I Got Friends in Low Places,” as a rousingly anthemic ode to those deeply troubled friends and erstwhile n’er-do-wells of life. “it’s an ode to all the lovable train wrecks out there that have gone off the rails and keep going back for more,” The Murlocs’ Ambrose Kenny-Smith explains. “The never-ending vortex cycle. Some seem to never learn their lesson even when it smacks them right in the face constantly. It’s important to address these issues before disaster strikes and it’s too late. Never give up on your loved ones when they’re in need of a helping hand.”

 Directed, edited and shot by John Angus Stewart, the recently released video for “Eating At You” begins with someone spray-painting “Eating At U” on Kenny-Smith’s orange sweatshirt. We then follow Kenny-Smith getting fucked up with a collection of homies in an abandoned and graffiti covered public bathroom but as the video continues we see the night slide into anarchic chaos and despair. And throughout, there’s something a bit menacing but off-kilter.

New Video: The Murlocs Release a Feel-Good 80s Inspired Ode to Ambrose Kenny-Smith’s Mom

The Murlocs  — King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith and Cook Craig with Cal Shortal, Matt Mlach and Tim Karmouche — have released four albums of fuzzy and distorted psychedelic blues that the band has supported both as an opener for the likes of Gary Clark, Jr., Mac DeMarco, Ty Segall, Thee Oh Sees, Pixies, Stephen Malkmus and The Jicks, Wavves and of course, Kenny-Smith’s and Craig’s primary gig,. King Gizzard and the Lizard Wizard and as a headliner.

The Aussie psych blues outfit’s fifth album. the Tim Dunn-produced Bittersweet Demons is slated for a June 25, 2021 release through their longtime label home ATO Records. Recorded at Button Pushers Studio, the 11-song album finds the band lovingly reflecting on the people, who have left a profound imprint on their lives, the saviors, the hell racists and other assorted mystifying characters. Arguably, the most personal and complex batch of material they’ve written to date, the album reportedly finds the band bouncing around and between sunny pop, blues punk and wide-eyed psychedelia informed by John Lennon’s Plastic Ono Band and Harry Nilsson’s Lennon-produced Pussy Cats.

Bittersweet Demons first single “Francesca” was written by the band’s Tim Karmouche — and sonically, finds the band crafting a rousingly upbeat, hook-driven ripper that subtly adds a New Wave polish to the fuzzy psych rock barnburners that have won them national and international attention. To my ears, the members of The Murlocs have managed to write a road trip anthem that’s arena rock friendly. “The song is about my mother, and show she had been lost for love since the separation from my father, when I was, 10,” Kenny-Smith explains in press notes. “In the last year and a half or so, she’s found love again, with a very close family friend of ours, someone, who has always been a godfather and mentor to me in many ways. This has changed her spirit immensely for the better. You can really see the pop in her step as this enormous weight has been lifted off her shoulders.”

Kenny-Smith mentions that some of his favorite songs are odes to impressive women — i.e. Van Morrison’s “Gloria” — and says, “Francesca is my mother’s middle name and I’ve always loved it so much.” The Murlocs frontman adds “It’s probably the most positive, feel-good song we’ve ever done. It’s also the closest we’ve ever come to having an 80’s phase.”

Directed by Alex Mclaren, the recently released video for “Francesca” was shot last April. Melbourne was coming out of its first pandemic-related lockdown and restrictions were eased for a short period of time. The band and director quickly jumped on the opportunity to shoot while they had the chance, presumably recognizing that they may not get another chance. And for such an 80’s-like anthem, the video features the titular Francesca, Kenny-Smith and the band driving around in a convertible and rocking out, as well as 80’s computerized graphics and fade outs. The car footage was shot on Melbourne’s Ivanhoe Blvd., near where Kenny-Smith’s mom grew up. That part of the footage was informed by the video for Randy Newman’s “I Love LA.”

New Video: JOVM Mainstays King Gizzard and The Lizard Wizard Release a Bonkers Visual for “Organ Farmer”

2017 saw the Melbourne, Australia-based psych rock septet and JOVM mainstays King Gizzard and The Lizard Wizard release five albums — with each album managing to be in a completely different genre and style, all of which further cemented the band’s reputation for being both restlessly experimental and prolific.

Now, for a band that has managed to be as wildly productive and prolific as the Melbourne-based JOVM mainstays, not releasing new material last year was an extremely odd; however, during that same period, they were busy with a number of other things including — a relentless tour schedule that featured a headlining set at Desert Daze and three sold out-dates at Brooklyn Steel, the largest venue they’ve played in the States to date. The band also re-issued their first five albums on vinyl for the first time ever — and it created such a frenzied demand that the Flightless Records website crashed from the traffic.

Earlier this year, King Gizzard and The Wizard Lizard released their 14th album Fishing for Fishies earlier this year, and the album’s material found the band creating a sonic world in which the organic met the automated; where the rustic met the robotic; where the past and future collide in the beautiful present. But at the end of the day, the material was essentially boogie blues that strutted, shimmied and stomped through several different moods and terrains,. “We tried to make a blues record,” says frontman Stu Mackenzie. “A blues-boogie-shuffle-kinda-thing, but the songs kept fighting it – or maybe it was us fighting them. Ultimately though we let the songs guide us this time; we let them have their own personalities and forge their own path. Paths of light, paths of darkness. This is a collection of songs that went on wild journeys of transformation.”

2019 find site Aussie JOVM mainstays returning to the prolificacy that their fans and the blogosphere knows them for. In fact, the band’s 15th album, Infest The Rats’ Nest is slated for an August 16, 2019 release through ATO Records here in the States. While the members of the band have long enjoyed a fluid creative approach, the recording sessions for Infest The Rats’ Nest featured a pared down lineup featuring Stu McKenzie (vocals,. guitar, bass) Joey Walker (guitar, bass) and Michael Cavanaugh (drums). This stemmed from other commitments — including Cook Craig (guitar) and Ambrose Kenny-Smith (keys, harmonica) being busy with their side project The Murlocs; Lucas Skinner (drums) taking time off to spend time with his newborn; and Eric Moore (drums) being busy running their label Flightless Records. 

Naturally, the pared down set allows for much tighter arrangements and blistering velocity — and as a result, the new album’s material finds them scratching a long-held thrash metal itch. “In fourth grade there was an older kid who was into Rammstein” explains Stu of his early discovery of metal’s extremities. “I made friends with him and we put together a performance at our school assembly where we headbanged to ‘Du Hast’. I got whiplash, which I thought was pretty cool. That was my introduction to heavy metal, and soon Rammstein led to Metallica, Metallica led to Slayer, Slayer led to Kreator and Sodom. The German bands really kicked my ass and scared the hell out of me too. Later on, when I picked up a guitar I realized that shit was too hard to play, so I got into rock ‘n’ roll and garage. That was liberating.”

“Organ Farmer,” Infest The Rats’ Nest latest single is blistering, balls-to-the-walls thrash metal, complete with shrieking guitar solos, howled lyrics, thunderous drumming, and rapid fire tempo changes. And naturally, the track brings Kill Them All and Ride the Lightning-era Metallica to mind — in other words, the song which seethes with disgust and fury, is a straightforward headbanger. 

Directed by John Angus Stewart, the recently released video for “Organ Farmer” features the members of the band, shirtless with the words “Organ Farmer” and others scrawled on their skin. The first portion of the video sees them smashing a car up with hammers — but by the end, the zombie-like members of the band are moshing in a sweaty and packed basement. It’s an insane and intense visual for an equally insane and intense song. 

New Video: The Murlocs Strutting Glam Rock-like Take on Psych Blues

Led by King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith and featuring Kenny-Smith’s bandmate Cook Craig, as well as Cal Shortal, Matt Blach and Tim Karmouche, The Murlocs specialize in a fuzzy and distorted psych blues. In their native Australia, they’ve played across their homeland’s festival circuit and have opened for the likes of internationally acclaimed acts like Gary Clark, Jr., Mac DeMarco, Ty Segall, Thee Oh Sees, Pixies, Stephen Malkmus and The Jicks, Wavves and King Gizzard and the Lizard Wizard. 

Building upon a growing profile, the Aussie quintet’s forthcoming Stu Mackenzie-produced third full-length effort, Manic Candid Episode is slated for a March 22, 2019 release through Flightless Records. The album’s second and latest single “Withstand” is a swaggering and strutting blues ripper that nods at classic glam rock, complete with rousingly anthemic, shout-along worthy hooks, explosive blasts of harmonica and big, distortion-filled power chords. Sonically, the track — to my ears, at least — brings T. Rex, Ziggy Stardust-era Bowie and King Bee-era Muddy Waters to my mind but with a lysergic haze. Fittingly, the Alex McLaren-created video for the song draws from classic 60s and 70s rock promotional videos, as it features the members of The Murlocs performing the song in front of a psychedelic backdrop.