Tag: The Satellite

Little Galaxies is an up-and-coming Venice Beach, CA indie rock quartet, currently comprised of founding members Jeanna Fournier (vocals, guitar) and Amir Eshraghi (guitar, theremin) along with Andreas Kvinge Sandes (bass) and Christian Johnson (drums), and the band can trace its origins to when Fournier and Eshraghi met and fell inn love. With the release of their full-length debut 2013’s Patterns, the quartet quickly established a textured sound that draws from psych rock, pop, folk and soul. 

The Venice Beach indie quartet has received praise across a number of renowned sites across the blogosphere including Earmilk, Buzzbands LA , The Bay Bridged and print publications like OC Weekly, and The Deli Magazine; in fact, the band won The Deli Magazine‘s Emerging Los Angeles Artist of the Year Award, which led to a feature in that publication’s SXSW print edition. Building upon a growing profile. the band also won KSCR‘s Best Music Video and Best Feel Good Video award for “Tonight.” Building upon a growing regional and national profile, the band has played shows and festivals across Southern California, toured up and down the West Coast, eventually making their way as far east to Austin, TX. Most recently, the band was commissioned by the Mayor of Salton Sea’s West Shores to compose the closing song for the documentary SOS: The Salton Sea Walk.

After a three year hiatus in which Fournier recovered from incurring injuries in a car accident, the band returned the stage last year with shows at the Townhouse, The Satellite, The Viper Room and others with those shows featured the band’s new rhythm section — Johnson (drums) and Sandnes (bass), both of whom have been instrumental in the band further expanding upon the sound that won them attention. 

Little Galaxies are currently working on the finishing touches on their forthcoming sophomore full-length album, and the album’s first official single “It’s Natural” is centered around towering layers of shimmering guitars fed through delay and other effects pedals, a regal horn arrangement, a propulsive rhythm section and Fournier’s sultry and languid vocals. And while bearing an uncanny resemblance to JOVM mainstay Oddneese, the song as the band explains in press notes, “is about letting nature take its course when thing are out of our control and in dire circumstances, allowing oneself to become enlightened through these experiences. We wrote the song during the band’s hiatus while our singer was healing from injuries from a car accident. After watching our world collapse around us, we learned that we have the power to shift our perspectives and look at these pitfalls in a positive light. We took three years to rebuild what we had lost, and now see that this experience helped us to grow and come back stronger. This song is a call to embrace the natural ebb and flow of life and find the ‘diamonds in despair.'”

 

 

 

 

 

 

 

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Raised in the Atlanta suburbs by Chinese immigrants, the Los Angeles-based electro pop producer, multi-instrumentalist and singer/songwriter Kenny Zhao studied classical piano and composition before he relocated to Southern California. Largely inspired by M83, Charlift, RHYE, Miguel, Washed Out, and Gorillaz, Zhao through his solo recording project, the aptly named Zhao had a breakthrough year last year, with tracks landing on Spotify‘s “Fresh Finds” and “Summer Heat” playlists, eventually reaching #9 on the Hype Machine charts. Adding to a growing profile, Zhao has contributed vocals on tracks by Eric Sharp, Armand Van Helden and Black Coffee — and he’s played at a number of venues across the Los Angeles area, including The Moroccan Lounge, The Satellite and at LA Chinatown’s Lunar New Year Festival.  And while his sound is evolving, he has generally taken a dance floor friendly path.

Building upon a growing profile, Zhao’s latest single is the summery “Feeling Today” will further cement his developing reputation for crafting breezy and funky synth pop, as the track is centered around a sinuous bass line, twinkling keys, shimmering and arpeggiated synths and Zhao’s sultry and soulful vocals. Sonically, the song is a slick amalgamation of 90s neo soul and 80s synth funk that manages to nod at some of Zhao’s influences; but thematically, the song touches upon treating every situation in life as valuable and necessary and putting aside fears of being taken advantage of and processing the idea that all people deserve love. That’s the message – that kindness will set you free. That resentment and fear put you in a cage, and the solution is to forgive yourself, forgive others and move on. There’s also an element of reassuring myself that whatever happens, the best thing I can do is operate within what I can control – honing my craft, and checking in with people I care about”, explains the Zhao.  “I’ve always viewed my songwriting process like a form of self-psychoanalysis…like finding out what I’ve really been thinking about.”