Tag: The Sound You Need Festival


 

 

Mark Dobson, the creative mastermind behind the British electronic music sensation Ambassadeurs has developed a reputation as a producer and electronic music artist for a sound that employs the use of samples that have been processed beyond recognition and that’s informed by dub, hip-hop, jazz, and drum ‘n’ bass. And as result of his signature sound and production style, Dobson has also become a go-to producer as he’s done work for a number of renowned labels including Tru Thoughts, Ninja Tune, Moshi Moshi, Fat Cat, Wah Wah 45s, Universal, and Rough Trade — all while heading his own label, Lost Tribe Records and releasing a number of free singles for his rapidly growing fanbase. (He currently has 35,000 followers and his singles on SoundCloud have exceeded over 7 million plays.)

Dobson has received airplay from several BBC Radio 1 personalities,  as well as praise from the likes of The Fader, Mixmag, Vice, i-D, Clash, XLR8R and others, and as a result he has opened for the likes of renowned artists such as  ODESZA, Machinedrum, The Gas Lamp Killer, Danny Brown, Gold Panda, Daedelus and Kelpe, had a 15 date co-headline tour across North America with Daktyl and played at festivals such as Hard Day Of The Dead, Brooklyn Electronic Music Festival, and The Sound You Need Festival.

2015 has been a rather busy and prolific year for the London-based electronic music artist and producer as his debut effort Patterns was released to critical praise earlier this year, along with a number of EPs. Building up on the increasing buzz and serving as a teaser for his forthcoming 2016 efforts, Dobson recently released his latest single “Halos,” which was written and recorded during a vacation in the country — and in some way that vacation has influenced the single’s sound as it is reportedly much more organic than his previously released work as layers of staccato synths are paired with skittering drum programming, swirling electronics and soulful vocal samples with warm bursts of strings and twinkling keys. Sonically, the song seems to be equally influenced by Peter Gabriel (think of “Shock the Monkey” and “Biko“) as it is by house music; as I listened to the song I was reminded of Octo Octa‘s Between Two Selves. In other words, the material manages to be atmospheric and melodic, while possessing a cinematic quality.

 

 

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