Tag: Ulrika Spacek Strawberry Glue

Video by William Ruben Helms

New Video: Ulrika Spacek Returns with Labyrinthine and Ethereal “Square Root of None”

Formed back in 2014, London-based art rock outfit and JOVM mainstays Ulrika Spacek — founding members Rhys Edwards (vocals, guitar) and Rhys Williams (guitar) , alongside Joseph Stone (guitar, keys), Callum Brown (drums), Syd Kemp (bass) — can trace their origins back to a night the band’s founding duo spent in Berlin, where the pair conceptualized the project around their mutually held passions and influences — in particular, Television, Pavement, Sonic Youth and krautrock. 

Upon the duo’s return to the UK, they began working on the material that would eventually comprise their full-length debut, 2016’s The Album Paranoia, which featured album tracks “She’s A Cult,” and “Strawberry Glue.”

Since then, the project which started out as a duo, expanded to quintet with the addition of Stone, Callum, Brown and Kemp – and then released 2017’s critically applauded sophomore album, Modern English Decoration, an album that saw the band pushing their sound into a more textured territory. Their third and latest album, last year’s Compact Trauma channeled the anxiety and dislocation of the modernize age through a prismatic haze of guitars, loops and elliptical lyrics. 

The British art rock outfit’s highly-anticipated fourth album EXPO is slated for a February 6, 2026 release through Full Time Hobby. Unlike its predecessors, which looked within, EXPO reportedly holds a mirror up to the world and captures a warped reflection. The material was deeply informed by the band’s most recent American tour and was written while the band’s Rhys Edwards was awaiting the birth of his daughter, and started to wonder what kind of future world she’d inherit. 

Although their foundations have long been in art rock, they’ve been increasingly drawing from electronic elements. But as a band, they’re interested in the glitchy space that exists between the two. And as a result, their most recent work reckons with human warmth and digital isolation, while being welcoming and alienating, exploring the uneasy tension of modern life as we know it. “Our music has always been a collage – a bit patchwork, sonically – but what makes this album a landmark for us is that we went one step further and made our own sound bank and essentially sampled ourselves,” the band says. 

The band creates their own doppelgängers in a world of almost-real, where the band appears as if they’re in a funhouse hall of mirrors. Digital drums are sampled and layered over real drums and the like, creating an eerie, spectral vibe. Sonically, album’s material grapples with the organic and the digital while dancing across musical languages. 

The album will feature the previously released, “Build a Box, Then Break It,” a track that serves as a de-facto album mission statement that sees the JOVM mainstays actively pushing their sound into a new liminal space, while seemingly channeling Geoff Barrow‘s work with Portishead and Beak>, Radiohead‘s Amnesiac and The Orielles‘ The Goyt Method EP.

EXPO’s second and latest single “Square Root of None,” is an expansive, labyrinthine track that twists, turns and morphs in weird, prismatic directions seemingly at will. Featuring a looping and shimming guitar figure, bursts squealing feedback and a krautrock-like rhythm section, anchored around angular percussive attack, “Square Root of None” further establishes the album’s overall aesthetic while lyrically drawing from the language of math and coding, giving the entire affair a chilly, clinical vibe. The track, as the band says is about “throwing ideas at a wall” during a particularly cold Stockholm winter; one of the rare opportunities that the members of the band were in the same room together.

Directed by Katya Ganfeld, the accompanying video for “Square Root of None,” features the band performing in a studio with computer code, mathematical equations and computer screens superimposed on and around them.

Video by William Ruben Helms

New Video: Ulrika Spacek Shares Eerily Atmospheric “Build a box Then Break It”

Formed back in 2014, London-based art rock outfit Ulrika Spacek — founding members Rhys Edwards (vocals, guitar) and Rhys Williams (guitar) , alongside Joseph Stone (guitar, keys), Callum Brown (drums), Syd Kemp (bass) — can trace their origins back to a night the band’s founding duo spent in Berlin, where the pair conceptualized the project around their mutually held passions and influences — in particular, Television, Pavement, Sonic Youth and krautrock.

Upon the duo’s return to the UK, they began working on the material that would eventually comprise their full-length debut, 2016’s The Album Paranoia, which featured album tracks “She’s A Cult,” and “Strawberry Glue.”

Since then, the project which started out as a duo, expanded to quintet with the addition of Stone, Callum, Brown and Kemp – and then released 2017’s critically applauded sophomore album, Modern English Decoration, an album that saw the band pushing their sound into a more textured territory. Their third and latest album, last year’s Compact Trauma channeled the anxiety and dislocation of the modernize age through a prismatic haze of guitars, loops and elliptical lyrics.

The British art rock outfit’s highly-anticipated fourth album EXPO is slated for a February 6, 2026 release through Full Time Hobby. Unlike its predecessors, which looked within EXPO reportedly holds a mirror up to the world and captures a warped reflection. The material was deeply informed by the band’s most recent American tour and was written while the band’s Rhys Edwards was awaiting the birth of his daughter, and started to wonder what kind of future world she’d inherit.

Although their foundations have long been in art rock, they’ve been increasingly drawing from electronic elements. But as a band, they’re interested in the glitchy space that exists between the two. And as a result, their most recent work reckons with human warmth and digital isolation, while being welcoming and alienating, exploring the uneasy tension of modern life as we know it. “Our music has always been a collage – a bit patchwork, sonically – but what makes this album a landmark for us is that we went one step further and made our own sound bank and essentially sampled ourselves,” the band says.

The band creates their own doppelgängers in a world of almost-real, where the band appears as if they’re in a funhouse hall of mirrors. Digital drums are sampled and layered over real drums and the like, creating an eerie, spectral vibe. Sonically, album’s material grapples with the organic and the digital while dancing across musical languages.

EXPO‘s first single “Build a Box Then Break It” serves a de-facto album mission statement that sees the band actively pushing their sound into a new, liminal space. Seemingly channeling Geoff Barrow‘s work with Portishead and Beak>, Radiohead‘s Amnesiac and The Orielles‘ The Goyt Method EP, “Build a Box Then Break It,” features sampled upon sampled breakbeats, eerily atmospheric synths and squiggling guitars serving as a broodingly uneasy bed for Rhys Edwards’ plaintive and uncannily Thom Yorke-like delivery. The new single evokes our fractured experience of reality, reflected not through our eyes but through various screens.

The accompanying video was edited by Low Limit Vision and features live footage shot by Pedro Soler interspersed with title cards, math equations and other ephemeral imagery.

Video by William Ruben Helms

Live Footage: Ulrika Spacek Performs “Mimi Pretend” at Tapetown Studios

Now, if you’ve been frequenting this site for bit, you’ve likely come across a handful of posts featuring Ulrika Spacek, and as you may recall the act, which is comprised of long-time friends and collaborators Rhys Edwards and Rhys Williams can trace their origins to a night in Berlin, when the duo conceptualized the project’s sound and aesthetic around their mutual love for Television, Pavement, Sonic Youth and krautrock. When the duo returned to their hometown of Homerton, they began working on their full-length debut, The Album Paranoia, which featured the 120 Minutes-era  MTV-like single “She’s A Cult,” and the shoegazer-like “Strawberry Glue.”

While on a tour across the European Union, the members of the band stopped by Aarhus, Denmark-based Tapetown Studios to participate in the Live at Tapetown Series, in which Sound of Aarhus and the recording studio invite touring bands to come in and do a live session; but along with the touring bands during their downtime would get a unique taste of Aarhus beyond the typical touring routines of load-ins, sound checks, tear downs, pack ups and van rides.

Last month, Sound of Aarhus released footage of the JOVM mainstays performing their  A Storm in Heaven and  A Northern Soul-era The Verve and The Bends-era Radiohead-like single “Everything, All The Time.” The second video from the live session is the shimmering and jangling shoegazer track “Mimi Pretend,” and much like its predecessor from the sessions, the video will further cement their reputation for crafting 90s alt rock/shoegazer songs but with a subtly modern sheen. 

Video by William Ruben Helms

New Video: The 120-Minutes Channeling Sounds and Visuals of Ulrika Spacek

  Last November, I wrote about indie rock project Ulrika Spacek. Comprised of long-time friends Rhys Edwards and Rhys Williams, the duo conceptualized the project during a single night in Berlin based around their mutual influences —Television, Pavement, Sonic […]