Montréal-based duo Diamond Day features two highly acclaimed musicians in their own right:

• Vermont-born Béatrix Méthé was raised with the traditional music of rural Québec. Her family moved to Canada when she was baby, and she grew up acquiring Lanaudiere’s regional repertoire from her father, the founder of legendary folk-trad group Le Rêve du Diable. Her mother, a singer-songwriter and fine arts graduate versed in early digital media, inspired Méthé’s own aesthetic. After spending some time venturing deeper into visual art, Béthé moved to Montréal to study filmmaking, but wound up discovering indie and psychedelic folk music along the way. She cut her studies short in 2015 to pursue music full-time, fronting acclaimed outfit Rosier. Rosier’s unique fusion of Québécois folk and indie rock garnered multiple nominations and awards — and lead them to tour across 15 countries with stops at SXSW, NPR’s Mountain Stage and the BBC.
• Western Canada-born Quinn Bachand grew up in a home where art was omnipresent and the family’s 40-year-old record collection was on an omnipresent loop. As the son of a luthier, Bachand began playing guitars handmade by his father and was touring internationally by the time he turned 12. After graduating from Berklee College of Music back in 2019 on a presidential scholarship, the Western Canadian-born multi-instrumentalist spent time in the Grammy-nominated band Kittel & Co. His involvement in the US folk scene prompted collaborations with a number of like-minded artists, including Chris Thile. In 2019, Bachand began collaborating with Méthé and Rosier, quickly establishing himself as an influential, genre-bending producer.

That initial successful collaboration together led to the duo’s forthcoming full-length debut as Diamond Day, Connect the Dots. Connect the Dots is slated for a Fall 2023 release and reportedly sees the Montréal-based duo crafting a sound that weaves elements of folk, indie rock, electronica, shoegaze and dream pop into a unique take on alt-pop.

Connect the Dots‘ first single, “Noisemaker” is built around tape-saturated organ echo, fluttering synths, blown out beats, a sinuous bass line and lush, painterly shoegazer textured guitars paired with Méthé’s gorgeous vocal. Sonically, the song reminds me a bit of a mix of Beach House and Souvlaki-era Slowdive with a subtle amount of glitchiness.

Directed by Natan B. Foisy, the accompanying video captures the angst, frustration and boredom of rural Québéc with an uncanny, lived-in specificity. “Our friend Natan B. Foisy directed the music video. He grew up in Joliette, Québec, close to me,” Diamond Day’s Béatrix Méthé says. “When we were teenagers, the ‘cool’ thing to do in the winter was ‘drifting’ – ‘faire de la drift’ we call it in French. Natan heard those floating synths and imagined cars drifting in a high school parking lot, at least the slightly trashy Québec version. . . ” Diamond Day’s Quinn Bachand adds “It’s actually illegal, so they had to be pretty low profile when filming it all.” “The video is based around that type of rural angst. And so is the song, in some ways,” Méthé adds. “It’s about detecting parts and patterns in yourself that are ‘not fine.'”