Over the course of their first three albums, 2012’s Creatures of an Hour, 2013’s Strange Pleasures and 2016’s Dead Blue, the London-based duo Still Corners, comprised of vocalist Tessa Murray and multi-instrumentalist, producer and songwriter Greg Hughes, have developed a reputation for crafting incredibly atmospheric and moody dream pop/synth pop centered around Murray’s smoky vocals and shimmering atmospherics.
Deriving its name from the sultry Texas summer days and nights and slated for an August 17, 2018 release through their own Wrecking Light label, the duo’s fourth album Slow Air was written in Austin, TX, and the album reportedly finds the band making a decided return to early form, as the band leans heavily towards arrangements that emphasize both eclectic and acoustic guitars, live drumming and a minimal use of synthesizers. Recorded in a new studio designed by Hughes, the recorded sessions inspired a minimalist and fluid approach in which they used a variety of old and new microphones while making sure that they didn’t overthink the process; in fact, they’ve managed to keep the inevitable mistakes on the album to remind the listener of the material’s emotionality — and the fact that living, breathing, feeling humans made it. Interestingly, the band recorded and mixed the album in three months, the fastest they’ve ever done, and as you’ll hear on the “Black Lagoon,” the song possesses a previously unheard urgency while retaining the shimmering and moody atmospherics that they’ve been known for. As Tessa Murray says of the album in press notes, “we wanted to hear beautiful guitar and drums and an otherworldliness, something about indefinable, along with a classic songwriting vibe. We’re always trying to get the sound we hear inside of ourselves, so we moved fast to avoid our brains getting in the way too much. The name Slow Air evokes the feel of the album to me, steady, eerie and beautiful.”
Directed and filmed by the members of Still Corners on a small handheld cinema camera, the recently released and stunningly cinematic video follows Murray and Hughes as they they travel across the deserts of Texas, Arizona and California to the ocean in a classic, white convertible Mustang. And goddamn it, is it gorgeous.