Tag: Yola Walk Through Fire

New Video: JOVM Mainstay Yola Releases a Rousing, Feminist Anthem

With the release of her critically applauded, Dan Auerbach-produced full-length debut, 2019’s Walk Through Fire, the Bristol, UK-born, Nashville-based singer/songwriter, guitarist and JOVM mainstay Yola had a breakthrough year with a series of career-defining highlights including:

making her New York debut at Rockwood Music Hall
playing a buzz-worthy, breakout performance at that year’s SXSW
opening for a list of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates that featured stops at Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, and Lincoln Center Out of Doors
playing a YouTube session at YouTube Space New York
making her nationally televised debut on CBS This Morning: Saturday Sessions
receiving a Grammy nomination for Best Artist, along with fellow JOVM mainstays The Black Pumas
making her late night national television debut on Jimmy Kimmel Live! 
releasing a soulful cover of Elton John‘s “Goodbye Yellow Brick Road,”that not only quickly became a staple of her live sets — but caught the attention of Sir Elton John, who praised her and her cover

Last year, the JOVM mainstay had hopes to build upon the momentum of the previous year with a handful of opportunities that came her way that many artists across the world would kill for: Early in the year, it was announced that she was going to play blues and rock ‘n’ roll pioneer Sister Rosetta Tharpe in Baz Luhrmann’s musical drama Elvis alongside Austin Butler in the title role, Tom Hanks as Colonel Tom Parker and Maggie Gyllenhaal as Presley’s mother. Unfortunately, much like with everyone else,the COVID-19 pandemic threw a series of monkey wrenches into her hopes and plans: Tom Hanks wound up contracting COVID-19 while filming in Australia and because of pandemic-related lockdowns and restrictions, filming was delayed. During breaks in the filming schedule, she was supposed to open for a handful of dates for country superstar Chris Stapleton and Grammy Award-winning acts  The Black Keys and Brandi Carlile — with one of those shows being at Madison Square Garden, which also got postponed until later on this year. (More on that below.)

However, Yola was able to finish her first Stateside headlining tour, a tour that included a stop at Music Hall of Williamsburg, a few weeks before the world went into lockdown.  In lieu of touring, the Bristol-born, Nashville-based artist wound up making virtual stops across the domestic, late night television show circuit: She played album bonus track “I Don’t Want to Lie” on The Late Late Show with James Corden — and she played a gospel-tinged cover of Nina Simone‘s classic and beloved “To Be Young, Gifted and Black” filmed at The Ryman Auditorium for Late Night with Seth Meyers. 

The Bristol-born, Nashville-based JOVM mainstay used the unexpected gift of time and space to ground herself physically and mentally as she began to write the material that would eventually become her highly-anticipated sophomore album Stand For Myself. Some of the album’s material was written several years previously and inspired by deeply personal moments, like her mother’s funeral. Other songs were written during pandemic isolation, and as a result they reflect on her personal and collective moments of longing and awakening — inspired and informed by Black Lives Matter and other movements.

Tracks were also cowritten with Ruby Amanfu, John Bettis, Pat McLaughlin, Natalie Hemby, Joy Oladokun, Paul Overstreet, Liz Rose, Aaron Lee Tasjan, Hannah Vasanth and Bobby Wood. But importantly, the album’s material will most likely make a connection with anyone who has experienced feeling as though they were an “other” while urging the listener to challenge the biases and assumptions that fuel bigotry, inequality and tokenism — all of which have impacted her personal life and career.

“It’s a collection of stories of allyship, black feminine strength through vulnerability, and loving connection from the sexual to the social. All celebrating a change in thinking and paradigm shift at their core.” Yola says in press note, adding, “It is an album not blindly positive and it does not simply plead for everyone to come together. It instead explores ways that we need to stand for ourselves throughout our lives, what limits our connection as humans and declares that real change will come when we challenge our thinking and acknowledge our true complexity.” Ultimately, the JOVM mainstay’s hope is that the album will encourage both empathy and self actualization, all while returning to where she started, to the real Yola. “I kind of got talked out of being me, and now I’m here. This is who I’ve always been in music and in life. There was a little hiatus where I got brainwashed out of my own majesty, but a bitch is back.”

Continuing her ongoing collaboration with acclaimed producer, singer/songwriter, musician and label head Dan Auerbach, the album which was recorded late last year at Easy Eye Sound is inspired by the seminal albums she initially discovered through her mother’s record collection, as well as the eclectic mixtapes she created while listening to British radio that featured neo soul, R&B, Brit Pop and others. Featuring a backing band that includes Nick Movshon (bass), best known for his work with Amy Winehouse and Bruno Mars alongside Aaron Frazier (drums), a rising solo artist in his own right, the album is sonically is a noticeable shift from her debut, with the album’s aesthetic meshing symphonic soul and classic pop while occasionally hinting at the country soul of her critically applauded debut.

Earlier this year, I wrote about Stand For Myself’s first single, “Diamond Studded Shoes,” a woozy yet seamless synthesis of densely layered Phil Spector-like Wall of Sound pop, country, 70s singer/songwriter pop and late 60s/early 70s Motown soul centered around the JOVM mainstay’s powerhouse vocals and some of the most incisive sociopolitical commentary of her growing catalog. “This song explores the false divides created to distract us from those few who are in charge of the majority of the world’s wealth and use the ‘divide and conquer’ tactic to keep it,” Yola explained in press notes. “This song calls on us to unite and turn our focus to those with a stranglehold on humanity.”

Interestingly, Stand For Myself’s second and latest single is the album title track “Stand For Myself.” Centered around a rousing, shout-along worthy hook, Yola’s powerhouse vocals and a clean, pop-leaning take on the Nashville sound, the song was cowritten by Yola, Dan Auerbach and Hannah Vasanth — and features The McCrary Sisters contributing backing vocals. The track manages to be a bold and proudly feminist anthem written from the perspective of a survivor, who wants to thrive and be wholly herself — at all costs. And yet much like its immediate predecessor, there’s incisive social commentary underpinning the whole affair: Essentially, the track reflects on the JOVM mainstays’ belief in the possibility of paradigm shift beyond the mental programming that creates both tokenism and bigotry.  “The song’s protagonist ‘token,’ has been shrinking themselves to fit into the narrative of another’s making, but it becomes clear that shrinking is pointless,” Yola explains. She adds “This song is about a celebration of being awake from the nightmare supremacist paradigm. Truly alive, awake and eyes finally wide open and trained on your path to self actualisation. You are thinking freely and working on undoing the mental programming that has made you live in fear. It is about standing for ourselves throughout our lives and real change coming when we challenge our thinking. This is who I’ve always been in music and in life.”

Directed by Allister Ann, the recently released video visually is indebted to Missy Elliott’s classic videos of the ’90s and ’00s but with strobe lights and a motorcycle to symbolize, the JOVM mainstay’s escape — and freedom — from those forces that have been oppressing her. And most importantly, depicting a much more nuanced definition of Black female strength — a strength thats balanced with vulnerability. r”My school years were during the 90s and 00s, and Missy Elliott’s videos were always aesthetically superior to me,” Yola says of the video. “I feel that the video is set in the antechamber to freedom. The feeling of escaping something truly oppressive and heading towards an unknown with a sense of hope and choice you haven’t felt in a long time. We all have the capacity to go through this process in our own minds, I kinda look like a superhero at times, but I’m not. I’m just a person trying to be free.”

New Video: JOVM Mainstay Yola Releases a Surreal and Hilarious Visual for Her Most Politically Charged Song to Date

With the 2019 release of her critically applauded, Dan Auerbach-produced full-length debut, last year’s  Walk Through Fire, the Bristol, UK-born, Nashville-based singer/songwriter, guitarist and JOVM mainstay Yola had a breakthrough year with a series of career-defining highlights including:

making her New York debut at Rockwood Music Hall
playing a buzz-worthy, breakout performance at that year’s SXSW
opening for a list of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates that featured stops at Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, and Lincoln Center Out of Doors
playing a YouTube session at YouTube Space New York
making her nationally televised debut on CBS This Morning: Saturday Sessions
receiving a Grammy nomination for Best Artist, along with fellow JOVM mainstays The Black Pumas.
making her late night national television debut on Jimmy Kimmel Live! 
releasing a soulful cover of Elton John‘s “Goodbye Yellow Brick Road,”that not only quickly became a staple of her live sets — but caught the attention of Sir Elton John, who praised her and her cover

Understandably, last year, the JOVM mainstay had hopes to build upon the momentum of the previous year with a handful of opportunities that came her way that many artists across the world would kill for: Early last year, it was announced that she was cited to play blues and rock ‘n’ roll pioneer Sister Rosetta Tharpe in Baz Luhrmann’s musical drama Elvis alongside Austin Butler in the title role, Tom Hanks as Colonel Tom Parker and Maggie Gyllenhaal as Presley’s mother. Unfortunately, the COVID-19 pandemic threw a series of monkey wrenches into her hopes and plans: Tom Hanks wound up contracting COVID-19 while filming in Australia and the rest of the shooting schedule was delayed for the better part of a year. In between filming, she was supposed to play a series of dates opening for country superstar Chris Stapleton and Grammy Award-winning acts  The Black Keys and Brandi Carlile — with one of those shows being at Madison Square Garden, which also got postponed indefinitely as a result of the pandemic.

However, Yola was able to finish her first Stateside headlining tour, a tour that included a stop at Music Hall of Williamsburg, a few weeks before the world went into lockdown.  In lieu of touring, the Bristol-born, Nashville-based artist wound up making virtual stops across the domestic, late night television show circuit: She played album bonus track “I Don’t Want to Lie” on The Late Late Show with James Corden — and she played a gospel-tinged cover of Nina Simone‘s classic and beloved “To Be Young, Gifted and Black” filmed at The Ryman Auditorium for Late Night with Seth Meyers. 

The Bristol-born, Nashville-based JOVM mainstay used the unexpected gift of time and space to ground herself physically and mentally as she began to write the material that would eventually become her highly-anticipated sophomore album Stand For Myself. Some of the album’s material was written several years previously and inspired by deeply personal moments, like her mother’s funeral. Other songs were written during pandemic isolation, and as a result they reflect on her personal and collective moments of longing and awakening. Tracks were also cowritten with Ruby Amanfu, John Bettis, Pat McLaughlin, Natalie Hemby, Joy Oladokun, Paul Overstreet, Liz Rose, Aaron Lee Tasjan, Hannah Vasanth and Bobby Wood. The album’s material will likely make a connection with anyone who has experienced feeling as though they were an “other” while urging the listener to challenge the biases that fuel bigotry, inequality and tokenism, which have deeply impacted her personal life and career.

“It’s a collection of stories of allyship, black feminine strength through vulnerability, and loving connection from the sexual to the social. All celebrating a change in thinking and paradigm shift at their core.” Yola says in press note, adding, “It is an album not blindly positive and it does not simply plead for everyone to come together. It instead explores ways that we need to stand for ourselves throughout our lives, what limits our connection as humans and declares that real change will come when we challenge our thinking and acknowledge our true complexity.” Ultimately, the JOVM mainstay’s hope is that the album will encourage both empathy and self actualization, all while returning to where she started, to the real Yola. “I kind of got talked out of being me, and now I’m here. This is who I’ve always been in music and in life. There was a little hiatus where I got brainwashed out of my own majesty, but a bitch is back.”

Continuing her ongoing collaboration with acclaimed producer, singer/songwriter, musician and label head Dan Auerbach, the album which was recorded late last year at Easy Eye Sound is inspired by the seminal albums she discovered through her mother’s record collection, as well as the eclectic mixtapes she created while listening to British radio that featured neo soul, R&B, Brit Pop and others. Featuring a backing band that includes Nick Movshon (bass), best known for his work with Amy Winehouse and Bruno Mars alongside Aaron Frazier (drums), a rising solo artist in his own right, the album is sonically is a noticeable shift from her debut, with the album’s aesthetic meshing symphonic soul, classic pop.

“Diamond Studded Shoes,” Stand For Myself’s first single is a woozy yet seamless synthesis of densely layered Phil Spector-like Wall of Sound pop, jangling and twanging country soul, 70s singer/songwriter pop and late 60s/early 70s Motown soul centered around the JOVM mainstay’s powerhouse vocals and some of the most incisive sociopolitical commentary of her growing catalog, as it focuses on the powerful, who have beaten down and cheated folks, who are desperate to survive with their dignity intact. “This song explores the false divides created to distract us from those few who are in charge of the majority of the world’s wealth and use the ‘divide and conquer’ tactic to keep it,” Yola explains. “This song calls on us to unite and turn our focus to those with a stranglehold on humanity.”

Directed by Kwaku Otchere, the recently released video for “Diamond Studded Shoes” places the JOVM mainstay into a brightly colored, surreal world in which the mundane, the fantastic, the shitty and the flat-out terrible all meet to often hilarious results. And of course, throughout Yola’s larger-than-life personality, sense of humor and decency can’t be denied.

“The video is in part inspired by The Truman Show and is about being trapped in a false construct,” Yola explains. “It is supposedly perfect, but you’re trapped in a life that wasn’t meant for you. I wanted to convey the feeling that everything you know to be true is not quite working the way it’s supposed to. The island at the end is a paradigm of mental conditioning, we are all trapped on an island of our own thinking, until we change it.”

Stand For Myself is slated for a June 30, 2021 release through Easy Eye Sound. Along with the album announcement and video, Yola announced a series of tour dates that included spots at Newport Folk and Newport Jazz Festivals, making her one of the few to play both in the same year. She’ll be opening for Chris Stapleton on his rescheduled 2021 tour. She’ll also play a headlining show at The Ryman Auditorium next year. Of course, you can find those dates and ticket information at her website: https://www.iamyola.com.

New Audio: JOVM Mainstay Yola Releases an Uplifting Tune for Young Black Women

With the release of her critically applauded, Dan Auerbach-produced full-length debut, last year’s Walk Through Fire, the Bristol, UK-born, Nashville-based singer/songwriter, guitarist and JOVM mainstay Yola had a highlight-filled, breakthrough year. Some of those major highlights included:

playing a breakout performance at SXSW
making her New York debut at Rockwood Music Hall
playing a live session for YouTube at YouTube Space New York
opening for a list of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates that featured stops at Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors
making her nationally televised debut on CBS This Morning: Saturday Sessions
receiving a Grammy nomination for Best Artist, along with fellow JOVM mainstays The Black Pumas.
making her late night national television debut on Jimmy Kimmel Live!
releasing a soulful cover of Elton John‘s “Goodbye Yellow Brick Road,” that’s not only a staple of her live sets — but caught the attention of Sir Elton John himself, who praised the rapidly rising artist and her cover.

The British-born JOVM mainstay had hopes to build upon the incredibly momentum of 2019 with a handful of opportunities that many artists across the world would probably kill someone for: Earlier this year, it was announced that she was preparing to play blues and rock ‘n’ roll pioneer Sister Rosetta Tharpe in Baz Luhrmann’s musical drama Elvis alongside Austin Butler in the title role, Tom Hanks as Colonel Tom Parker and Maggie Gyllenhaal as Presley’s mother. Unfortunately, the film wound up being delayed as a result of pandemic-related shutdowns- and infamously, Tom Hanks contracting COVID-19 while filming in Australia.

The Bristol-born, Nashville-based JOVM mainstay finished her first Stateside headlining tour, which included a Music Hall of Williamsburg show in February, right before pandemic-related shutdowns put the entire known world on pause. In between filming, she was supposed to play a series of dates opening for country superstar Chris Stapleton and Grammy Award-winning acts The Black Keys and Brandi Carlile — with one of those shows being at Madison Square Garden. The best laid plans of mice and men, indeed.

In the meantime, Yola has made her rounds across the domestic, late night television show circuit: Earlier this year she performed, album bonus track “I Don’t Want to Lie” on The Late Late Show with James Corden — and recently, Yola was on Late Night with Seth Meyers with a soulful, gospel-tinged cover of Nina Simone‘s classic and beloved “To Be Young, Gifted and Black” filmed at The Ryman Auditorium.

Her latest single, the Dave Cobb-produced “Hold On” is the first bit of original material from the JOVM mainstay since the release of Walk Through Fire and the track features an All-Star cast backing her including The Highwomen bandmates Brandi Carlile (backing vocals) and Natalie Hemby (backing vocals), Sheryl Crow (piano) and Jason Isbell (guitar). The Yola penned song was recorded during The Highwomen self-titled debut sessions at RCA Studio A — and the track is an uplifting, gospel-tinged track with a warm yet spacious country soul arrangement and that incredibly soulful powerhouse vocal range. The sister can flat out sang, as they say. And along with the aforementioned cover of “To Be Young Gifted and Black,” “Hold On” comes from a rather personal, lived in place.

Inspired by many of the conversations and lessons Yola’s mother gave her about the racism, colorism and systemic unconscious bias she would later experience as a woman, the song finds its narrator imploring the listener — young, Black women, in particular — to be brash and bold, to stand up and take up place, and to to show the entire world that being young, gifted and black is where it’s at, as Nina once sang. Fuck yes, to all of this — and all the goddamn time, too.

“‘Hold On’ is a conversation between me and the next generation of young black girls,” Yola explains. “My mother’s advice would always stress caution, that all that glitters isn’t gold, and that my black female role models on TV are probably having a hard time. She warned me that I should rethink my calling to be a writer and a singer…. but to me that was all the more reason I should take up this space. ‘Hold On’ is asking the next gen to take up space, to be visible and to show what it looks to be young, gifted and black.”

A proportion of the profiles from sales of the track will be donated to MusicCares and National Bailout Collective. She also launched an accompanying line of merch with a proportion of proceeds from those sales also benefiting the same organizations. Check out the following:

https://www,iamyola.com/store

Live Footage: Yola Performs “I Don’t Want to Lie” on “The Late Late Show with James Corden”

With the release of her critically applauded, Grammy Award-nominated, Dan Auerbach-produced full-length debut Walk Through Fire, the Bristol, UK-born, London-based singer/songwriter, guitarist and JOVM mainstay Yola had a highlight-filled, breakthrough year last year. Some of those highlights included: 

playing a breakout performance at this year’s SXSW
making her New York debutat Rockwood Music Hall
playing a live session for YouTube at YouTube Space New York
opening for a list of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates that featured stops at Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors
making her nationally televised debut on CBS This Morning: Saturday Sessions
receiving a Grammy nomination for Best Artist, along with fellow JOVM mainstays The Black Pumas.
making her late night national television debut on Jimmy Kimmel Live! 
releasing a soulful cover of Elton John‘s “Goodbye Yellow Brick Road,” that’s not only a staple of her live sets — but caught the attention of Sir Elton John himself, who praised the rapidly rising artist and her cover. 
2020 looks to be an even bigger year for the JOVM mainstay. It was recently announced that she’ll be playing blues and rock ‘n’ roll pioneer Sister Rosetta Tharpe in Baz Luhrmann’s musical drama Elvis alongside Austin Butler in the title role Tom Hanks as Colonel Tom Parker and Maggie Gyllenhaal as Presley’s mother. Earlier this week, the Bristol-born, London-based JOVM mainstay finished her first Stateside headlining tour.  Adding to a busy year, Yola will be opening for country superstar Chris Stapleton during through a run of arena shows that includes an October 10, 2020 stop at Madison Square Garden. She’ll also be opening for the Black Keys during their summer amphitheater tour, which includes an August 26, 2020 stop at Northwell Health at Jones Beach Theater, out in Wantagh, NY. Additionally, she’ll be playing Echoes Through the Canyon with  Brandi Carlile. Along with that, she’ll be making festival appearances in Australia and at this year’s Bonnaroo. (Check out the tour dates below.)

Earlier this week, Yola made an appearance on The Late Late Show with James Corden, where she played album bonus track “I Don’t Want to Lie,” which managed to be a perfect showcase of her seemingly effortlessly soulful and powerhouse vocals. 

Live Footage: Marcus King Teams Up with Dan Auerbach on a Live Acoustic Rendition of “Break” at Easy Eye Studio

Over the last handful of months, I’ve managed to write a bit about the rapidly rising Greenville, SC-born, Nashville-based singer/songwriter and guitarist, Marcus King. King is a fourth generation musician, who has followed in his family’s footsteps by becoming a musician and singer/songwriter of note itself.  Playing professionally since he was 11, King was discovered after a video of him performing at Norman’s Rare Guitars went viral. Now 23, King  has been performing for the past 15 years, establishing himself as a world class guitarist, vocalist and highly sought-after session player.

Since 2015, King has been relentlessly touring with his backing band The Marcus King Band — Jack Ryan (drums), Stephen Campbell (bass), Justin Johnson (trumpet, trombone) and Dean Mitchell (sax, still guitar) — playing 140 dates live shows last year alone. Adding to a breakthrough year, King and his backing band have played on The Late Show with Stephen Colbert, made his debut at The Grand Ole Opry — and he opened for Chris Stapleton during his last US arena tour, playing in front of 17,000 people every night.

King’s Dan Auerbach-produced full-length debut El Dorado was released earlier this month through Fantasy Records. And as you may recall, King’s debut continues his successful (and ongoing) collaboration with Auberach, which began with “How Long.” El Dorado was cowritten with the acclaimed singer/songwriter, guitarist and producer over three days at his Nashville-based Easy Eye Sound Studio. Much like Grammy Award-nominated, JOVM mainstay Yola’s Walk Through Fire, King’s debut is a contemporary sonic exploration of classic rock, blues, southern R&B and country soul.

“Marcus is known by so many as a phenom guitar player, and rightfully so,” Dan Auerbach says of his time working with Marcus King. “He’s regularly the best player in the room, hands down. I was equally blown away by the way he can sing — so effortless, so soulful, straight to the heart. He’s a naturally gifted writer too, which was clear right away. Everything for him is so innate — that’s why he can always go right to the heart of a song and connect in a deeper way. He’s really one of a king and I’m proud I got to work alongside him on this record.”

Last year, I wrote about three of El Dorado‘s singles: the slow-burning, one part Muscle Shoals soul, one part Southern rock, one part R&B, one part classic blues “Wildflowers and Wine,” the Slowhand-era Eric Clapton and Texas Flood-era Stevie Ray Vaughan-like “Say You Will,” and the Curtis Mayfield and 70s Motown-like “One Day She’s Here.” And earlier this month, I wrote about a gorgeous, live acoustic session of album single “Beautiful Stranger,” a drinking and love song centered around a familiar and age-old tale: lost and lonely souls in a dimly lit bar, desperately hoping to find that beautiful stranger before last call.

The latest footage from that live session is a slow-burning acoustic version of album single “Break.” As King explains the song tells a story about two dysfunctional and hurting people in a dysfunctional relationship in which they don’t know how to love — and worse, yet, in which one person knows they’ll do something to hurt the other, and the second person knows that they’ll be devastated by the actions of their lover. As a result, the song — and in turn, it’s narrator — are achingly self-aware and bittersweet, as its centered around a darkly ironic desire and acknowledgement: that if your heart was going to be broken anyway, at least let it be me. Much like its immediate predecessor, the song manages to portrait a familiar scenario with an unflinching honesty and empathy. 

Live Footage: Yola on “Jimmy Kimmel Live!”

Throughout the course of the past year, I’ve written quite a bit about the Grammy Award-nominated Bristol, UK-born, London-based singer/songwriter, guitarist and JOVM mainstay Yola. The Grammy Award-nominated JOVM mainstay has led a remarkable life — the sort that I’ve long thought should be made into an inspiring biopic, like What’s Love Got To Do With It: She grew up extremely poor — and fascinated by her mother’s record collection. And by the time she turned four, she knew she wanted to be a performer. Unfortunately, she was banned from making music, until she left home. She has also overcome being in an abusive and dysfunctional relationship, stress-induced voice loss and literally walking through fire, as a result of a house fire. All of this inspired and informed her Dan Auerbach-produced full-length debut Walk Through Fire, which was released earlier this year through Easy Eye Sound.

2019 has been a breakthrough year for the Bristol-born, London-based JOVM mainstay with an incredible array of career highlights that included:

playing a breakout performance at this year’s SXSW
making her New York debut earlier this year at Rockwood Music Hall
playing a live session for YouTube at YouTube Space New York 
opening for a list of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates that featured stops at Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors 
making her nationally televised debut on CBS This Morning: Saturday Sessions
and of course, as I mentioned earlier, the JOVM mainstay recently received a Grammy nomination for Best Artist, along with fellow JOVM mainstays The Black Pumas. 
Adding to a big year, Yola made her late night national television debut last night, performing the swooning and gorgeous album single “Faraway Look” on Jimmy Kimmel Live!  Interestingly, over the past year, the country soul singer/songwriter has made a soulful — and just flat out amazing — cover of Elton John’s “Goodbye Yellow Brick Road,” one of my favorite Elton John songs, a staple of her live show. Yola performed that as well. I think the live footage will serve as a great taste of her live show. 

Live Footage: JOVM Mainstay Yola Performs “It Ain’t Easier” at YouTube Space NYC

Throughout the bulk of this past year, I’ve written quite a bit about the rising Bristol, UK-born, London-based singer/songwriter and guitarist Yola. And as you may recall, the JOVM mainstay’s extraordinary personal life have inspired her Dan Auerbach-produced full-length debut Walk Through Fire, which was released   earlier this year through Easy Eye Sound.

2019 has been a breakthrough year for the Bristol-born, London-based singer/songwriter and JOVM mainstay: she made her New York debut earlier this year at Rockwood Music Hall, played an attention-grabbing SXSW set and has opened for Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates, which has included stops at the Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors and Brandi Carlile’s Girls Just Wanna Weekend in Mexico. She played Mavis Staples’ traveling, 80th birthday celebration tour — and made her national TV debut on CBS This Morning: Saturday Sessions performing several songs off Walk Through Fire. 

Additionally, the JOVM mainstay performed an intimate set at YouTube Space, which was simultaneously filmed for later distribution across the internet. During that set, she played one of my favorite track off the album, “It Ain’t Easier,” a carefully crafted and earnest love song centered around the concept that love always takes effort and care to survive. 

Live Footage: JOVM Mainstay Yola Performs “Faraway Look” on “CBS This Morning: Saturday Sessions”

Over the past few months, I’ve written a bit about the rising Bristol, UK-born, London-based singer/songwriter and guitarist Yola. And as you may recall, the JOVM mainstay has led a rather remarkable life; the sort of life that I think should eventually be made into an inspiring biopic: Yola grew up extremely poor; but she was fascinated by her mother’s record collection, and by the time she was 4, she knew she wanted to be a performer. Unfortunately, she was actually banned from making music, until she left home. Additionally, she has overcome being in an abusive relationship, stress-induced voice loss and literally being engulfed in flames in house fire, all of which have inspired her Dan Auerbach-produced full-length debut Walk Through Fire, which was released earlier this year through Easy Eye Sound.

The up-and-coming British singer/songwriter has received praise from a number of media outlets both nationally and internationally, including NPR, Rolling Stone, Wall Street Journal, The Tennessean, Refinery 29, Billboard, American Songwriter, BrooklynVegan, Nashville Scene, Paste and Stereogum. But perhaps much more interesting she has opened for James Brown and joined renowned trip hop act Massive Attack before traveling to Nashville to work with Auerbach and a backing band that features musicians, who have worked with Elvis and Aretha Franklin.  

Now, as you may recall, album single “Ride Out in the Country” was a Muscle Shoals-like take on honky tonk country that to my ears recalled Sandra Rhodes’ under-appreciated Where’s Your Love Been. Centered around twangy guitar chords, lap steel guitar, some Rhodes electric organ, a soaring hook and Yola’s easy-going and soulful vocals, the song is an achingly sad breakup song, written from the perspective of someone reeling from a devastating breakup, complete with the recognition that your former lover has moved on and that maybe you should be doing so too — even if it’s profoundly difficult for you. Walk Through Fire‘s latest single is the slow-burning, swooning, Phil Spector Wall of Sound, meets classic Motown Records-like “Faraway Look.” Centered around an old-school arrangement and a soaring hook, the song is roomy enough for Yola’s incredible vocal range to shine. Interestingly, the song is about that precise yet profound and deeply awkward moment when it’s so obvious that you’ve fallen in love with someone that everyone else notices, including your object of affection. And in that peculiar moment, it’s now or never. 

So far this year has been a huge year for the rising Bristol-born, London-based singer/songwriter: she made her New York debut earlier this year at Rockwood Music Hall, played a breakout performance at this year’s SXSW — and she’ll be opening for a number of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates, which will include performances Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors and Brandi Carlile’s Girls Just Wanna Weekend in Mexico. She also made an appearance for Mavis Staples rotating birthday celebration tour. And earlier this year, she made an appearance on CBS This Morning: Saturday Sessions, where the rising JOVM mainstay and her backing band performed a gorgeous live version of “Faraway Look.”

New Video: Up-and-Coming British Singer-Songwriter Yola Celebrates the Hard-Working Little Person with Big Dreams

Over the past few months, I’ve written a bit about the up-and-coming London-based singer/songwriter Yola, and as you may recall she’s led a rather remarkable life — the sort that should eventually be made into an inspiring biopic: She grew up extremely poor and as a child was actually banned from making music. As an adult, she has overcome homelessness, being an abusive relationship, stress-induced voice loss and literally being engulfed in flames in a house fire, and all of those things inspired her Dan Auerbach-proudced full-length debut Walk Through Fire, slated for a February 22, 2019 release through Easy Eye Sound. 

So far, the up-and-coming British singer/songwriter has received praise from a number of major media outlets both nationally and internationally including NPR, Rolling Stone, Wall Street Journal, The Tennessean, Refinery 29, Billboard, American Songwriter, BrooklynVegan, Nashville Scene, Paste and Stereogum. But perhaps much more interesting for you reader, listener and viewer, Yola has had a lengthy career as a backing vocalist, songwriter and guest vocalist on a number of pop hits — and she has opened for James Brown and briefly was a member of the renowned trip hop act Massive Attack before traveling to Nashville to work with Auerbach and a backing band that features musicians, who have worked with Elvis and Aretha Franklin.  

Walk Through Fire’s first single “Ride Out in the Country” was a Muscle Shoals-like take on honky tonk country that to my ears recalled Sandra Rhodes’ under-appreciated Where’s Your Love Been. Centered around twangy guitar chords, lap steel guitar, some Rhodes electric organ, a soaring hook and Yola’s easy-going and soulful vocals, the song is an achingly sad breakup song, written from the perspective of someone reeling from a devastating breakup, complete with the recognition that your former lover has moved on and that maybe you should be doing so too — even if it’s profoundly difficult for you. “Faraway Look,Faraway Look,” the album’s second single was a slow-burning and swooning, Phil Spector Wall of Sound, meets classic Motown Records track that was centered around a soulful, old school arrangement and a soaring hook while being roomy enough for Yola’s incredible vocal range to shine in a well-written and well-crafted song. 

Walk Through Fire’s third and latest single “Love All Night (Work All Day)” is a slick and soulful amalgamation of Motown and Muscle Shoals soul, with a dash of Nashville country and 70s AM rock  and it’s a perfect vehicle for Yola’s warm and effortlessly soulful vocals. Much like the preceding singles, “Love All Night (Work All Day)” comes from hard-fought and hard-earned experience, which gives the material a wisdom and honesty that can be so rare in contemporary pop songs. In this case, the song’s narrator details a  life of working multiple jobs to scrape by, having big dreams and at some point taking an enormous risk to achieve them. And what makes the song remarkable, beyond its well-crafted and well-written nature, is the fact that the song is a celebration of the little person, who’s out there busting their ass to get by, trying to maintain their dignity and sanity in the rat race. Keep on dreaming and keep on hustling. 

Directed by Dan Teef, the recently released video for “Love All Night (Work All Day)” was shot in a South London bar and is centered around a beautiful young, working couple with big dreams. “My new video for ‘Love All Night (Work All Day)’ was shot in a stunning pub in Peckham, South London,” Yola says of the video for her latest single. “I’ve lived all over London (including on the streets in East London at one time) but before that I lived in a shared house in South London and I think the area will always feel like my London home. The song celebrates a way of life. It’s a life I used to live, growing up in Bristol and working multiple jobs to get by as I started out in music. I love listening to music from people who’ve not just been on a conveyor belt to the big time and I think it is important to hear more music from the working class again.  People who, at some point, had no choice but to work all day long and maybe take a risk in pursuit of what they love.”