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Throwback: Black History Month: Parliament Funkadelic

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Today is the 22nd day of Black History Month. Because the current administration is racist, fascist and wants to deny the existence and histories of anyone that isn’t cis-het and white, there are some important things everyone should remember during this month — and every single month: 

As we go through the month, I’m going to talk about a collection of Black artists. It’ll be fairly comprehensive and eclectic list — although it won’t be a complete list. Of course, there are some important Black artists, who were also born during Black History Month. 

So far, I’ve talked about the following, extraordinary artists:

Led by their equally legendary frontman George Clinton, Parliament Funkadelic is a collective of rotating musicians that created a distinctive take on funk that drew on psychedelic culture, sci-fi, surrealist humor and outlandish fashion. The outfit’s 1970s output would have a towering influence on the funk, post-punk, hip-hop and techno artists of the ’80s and ’90s. (Parliament Funkadelic’s influence on early hip-hop is massive — especially on West Coast hip-hop.) 

1971’s Maggot Brain, 1975’s Mothership Connection, 1978’s One Nation Under a Groovewere among a list of their critically applauded and commercially successful material: Between 1967-1983, the outfit had 13 Top 10 hits on the American R&B music charts, including six #1 hits. The band’s collective mythology — along with that of Sun Ra — would help pioneer the Afrofuturisim movement. 

And I can’t possibly forget that the world famous Mothership is in the Smithsonian’s National Museum of African American History & Culture. 

Yes, they’re that important. And we can’t talk about Black History and Black art without mentioning them.

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