Formed back in 2010, the acclaimed, genre-defying Aussie psych rock and JOVM mainstays King Gizzard and The Lizard Wizard have maintained a long-held reputation for being a restlessly prolific act has released boundary pushing material that frequently draws from psych rock, heavy metal, thrash metal, thrash punk, Turkish pop, prog rock, and more.
2016’s Nonagon Infinity began an enviable and insanely prolific run of material that found the Aussie act doubling their overall output in only a handful of years. Released to major critical praise internationally from the likes of NPR, who hailed it as “masterfully bizarro” and Pitchfork who wrote that the album yielded “some of the most outrageous, exhilarating rock ‘n’ roll in recent memory.” The album was also a commercial success in their native Australia, wining an ARIA Award for Best Hard Rock/Heavy Metal album. Interestingly, as a result of the album’s critical and commercial success, Nonagon Infinity has proven to be a major career turning point for the band with the band’s live show quickly moving from more intimate settings — 500 or so capacity joints to 2,500-5,000 capacity clubs and amphitheaters.
Written and recorded over a two year period, Nonagon Infinity is a drastic departure from its immediate predecessor, 2015’s Paper Maché Dream Machine with the band taking a bold creative leap in its structure and arrangements. “I wanted to have an album where all these riffs and grooves just kept coming in and out the whole time, so a song wasn’t just a song, it was part of a loop, part of this whole experience where it feels like it doesn’t end and doesn’t need to end,” King Gizzard and The Lizard Wizard’s Stu Mackenzie explained in 2016. The album is the world’s first infinity looping album, which each track flowing seamlessly into the next with the album’s closing track linking back to the album’s opener. The band tears through the album’s set of material with a furious intensity — and without ever breaking. For the band and the listener, its meant to induce a joyful and feverish delirium.
The Aussie psych rock JOVM mainstays just released a live double LP album Live in San Francisco ’16. Recorded during a tour stop at San Francisco’s The Independent, the live album captures the band’s infamously explosive live shows — and the sweaty and intense intimacy of the 500 capacity room. With nearly half of that tour’s setlist made up of Nonagon Infinity tracks, the live album unfolds with furious yet controlled sense of chaos while capturing the band at arguably their tightest ever. “2016 was peak tightness for Gizz,” Stu Mackenzie recalls in press notes. “Around this time we were really into tightly composed sets, and the show was like one long song—everything linked, everything planned. We threw that idea out the window later on, but this live record is a great document of that moment in our collective psyche.”
Along with the live album, the Aussie JOVM released a live concert film — from that same live recording. As a taste of both the album and the live concert film, King Gizzard and The Lizard Wizard released footage of an explosive performance of Nonagon Infinity album track “Evil Death Roll” that will further cement the band’s reputation for being one of the world’s best live acts.
You can purchase the Concert Film here: https://vimeo.com/ondemand/liveinsanfrancisco16