JOVM’s William Ruben Helms celebrates Nas’ 53rd birthday.
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Throwback: Happy 43rd Birthday, Amy Winehouse!
JOVM’s William Ruben Helms celebrates the 43rd anniversary of the birth of Amy Winehouse.
New Audio: These Girls Are Electric Share Broodingly Atmospheric “Ghost In The Bottle”
Indie electronic music duo These Girls Are Electric — Harris (vocals, organ, piano, synths, guitar, bass and sound design) and Zeno (vocals. guitars. bass, synths and sound design) — can trace the origins of their project back several decades: The longtime friends from Stuttgart began recording music in their bedrooms as teenagers in the 1980s. The duo cut their teeth in the local underground scene, playing in several bands in their youth including My Nature, First Approach, The B’Captains and Die Frohe Bootsfahrt among others. T
Their early sound can be described as a melancholic blend of New Wave, synth pop, and underground music that was strange but frequently catchy. And over the years. they worked closely with several local musical heroes.
For the better part of the past two decades, the pair would meet at Musikladen Studio — a place packed with vintage synths, dusty guitars and humming computers, where time seemed to fold in on itself. During improvised sessions that they’ve dubbed “magnetic sessions,” the German duo would create raw, intuitive song sketches. Then they would start production: Selected material is reassembled without losing the original feel. Recordings from their “magnetic sessions” are re-edited, sorted and integrated into thee songs to preserve as much of the studio session feeling as possible.
As These Girls Are Electric, the German duo’s sound is a blend of electronica, lo-fi pop, post-punk and experimental soundscapes. Lyrically, the duo’s work revolve around love, hate, space, philosophy and the search for a lost universe — or a paradise that may have never existed. In their world, artificial intelligences meet broken hearts, cyborgs conjure childhood memories and stardust cigarette light tells stories of humanity in transition. Each song within their catalog is part of a multi-voiced narrative about life in a posthuman world and the search for meaning, connection and renewal.
Their latest single “Ghost In The Bottle” is a broodingly atmospheric tune that sounds a bit like if The National had released a remarkably cinematic and post-apocalyptic synthwave album. At its core. is a bittersweet longing for something just out of reach — or for something that may have only existed in the narrator’s head.
New Audio: George Aletras Returns with Breakneck and Confrontational “ΔΕΝ ΕΧΕΙΣ ΠΙΑ ΑΞΙΑ (You Have No Value Anymore)”
George Aletras is a Greek singer/songwriter and musician, whose work sees him moving between indie rock, post rock and cinematic soundscapes, frequently blurring the boundaries between them. At times, his work leans into experimental territories, not as a statement of style, but a a natural consequence of exploration, where form isn’t followed but discovered.
Over the past year, Aletras has released a handful of singles that have caught my attention, including “Τώρα,” “Όπως Παλιά” (“Like the Old Times”), “Γιορτή”(“Celebration”) and “Υπνοβάτες (Sleepwalkers).”
The Greek artist’s latest single “ΔΕΝ ΕΧΕΙΣ ΠΙΑ ΑΞΙΑ” (You Have No Value Anymore)” is a breakneck and urgent bit of post punk that channels Japanese Whispers-era The Cure and Heaven Up Here-era Echo and the Bunnymen that further cements his unerring knack for pairing razor sharp, catchy hooks with seemingly lived-in lyricism that tackles both the personal and the sociopolitical. But it may arguably be one of the more direct and confrontational songs of his growing catalog.
Aletras explains that “ΔΕΝ ΕΧΕΙΣ ΠΙΑ ΑΞΙΑ” (You Have No Value Anymore)” “speaks about the moment you walk away from manipulation, lies and relationship built on what others can take from you. But freedom comes with a cost: loneliness, rejection, indifference, and the painful realization that, once you stop being useful to someone, you may become invisible to them. Everything you lose when you choose to be free becomes the price you pay for no longer belonging to someone else. Musically, the track turns that idea into urgency — a relentless bassline, sharp guitars, punchy drums, atmospheric synths and an intense vocal delivery create a cold, hypnotic and confrontational atmosphere. The repetitive lyric becomes almost mantra-like, giving the song the raw immediacy of classic post-punk while maintaining a modern underground edge. “ΔΕΝ ΕΧΕΙΣ ΠΙΑ ΑΞΙΑ” continues that direction darker, sharper and more direct.”
New Audio: Colbourne & Sankey Share Shimmering and Yearning “See Your Face”
Nottinghamshire, UK-based indie pop duo Colbourne & Sankey — Steve Colbourne and Mitch Sankey — released their fourth and latest album, Down the Lines earlier this year. Drive by a pure, lifelong dedication to their craft, the British duo operate with no pretensions, focusing on the raw emotional power of their music. Sonically. their material frequently paris driving bass lines, shimmering retro-inspired synths with relatable and lived-in lyricism.
Since their formation, the duo have had a straightforward yet ambitious mission: they simply want to “write and record music forever” while continuously “searching for the perfect melody” to share with music lovers everywhere.
“See Your Face,” Down the Lines’ latest single is a shimmering and deliberately crated blend of blue-eyed/Northern soul, 60s and 70s pop, dream pop and New Zealand-styled jangle that showcases the duo’s uncanny knack for catchy hooks paired with earnest, lived-in lyricism. In the case of “See Your Face,” the song is a mid-tempo, old-timey ballad, the sort that’s especially rare these days.
“With ‘See Your Face’ and the wider album, we really wanted to capture something timeless,” the duo says. “We want to cast our spells over the world with these songs, while simultaneously building brides into industry to write for other artists, who can bring our melodies to new stages.”
New Audio: Kiefer Teams up with Shibo and Planet Giza on Strutting and Soulful “BusyForYa”
Los Angeles-based acclaimed pianist and producer Kiefer Shackelford, a.k.a. Kiefer was raised in San Diego by parents, who were both aerospace engineers and keen pianists, who both influenced him in their own way: His mother taught him at a very young age how to read music and play piano, starting with simple Bach minuets. His father was a huge jazz head, and a fan big fan of Blue Note Records in particular. who released albums by Sonny Clark and Gene Harris.
Shacklelord would endlessly listen to Kind of Blue and after reading Miles Davis‘ biography when he was 13, he knew that he wanted to become a jazz musician. During high school, he studied jazz piano with a local teacher and went to attend UCLA, where Blue Note recording artist and legendary guitarist Kenny Burrell, who was head of the school’s jazz program, became one of his tutors throughout his studies.
After completing his studies, Shackelford signed to Stones Throw Records, where he quickly established his musical identity and gained attention with a series of releases including 2018’s Happysad, 2021’s Between Days and 2023’s It’s Okay B U. Adding to a growing profile, he has collaborated with Dr. Dre, De La Soul, Pete Rock, Anderson .Paak, Terrace Martin and a growing list of others. He’s also a member of the collective FATHERS with Ben “CARRTOONS” Carr, Nate Smith and producer Kenneth Blume, who released their self-titled debut on Blue Note earlier this year.
2026 is a busy year for the acclaimed pianist: His fourth album, and Blue Note Records debut, the Kiefer, Shibo, and CARRTOONS co-produced Memory Bomb is slated for a September 25, 2026 release. The album will feature guest spots from Tony Stone, Erick The Architect, CARRTOONS, Nate Smith, Walter Smith III, Cisco Swank, Relyae, Rae Khalil, Moonchild‘s Amber Navarn, Planet Giza, and more.
Long considered one of Los Angeles’ best kept musical secrets, Kiefer has been described as a musician, who doesn’t just play keys with his fingers, but his soul. He’s a truly gifted artist, who has actively redefined that sweet spot between jazz improvisation and hip-hop beat making through a distinctive musical style, which he calls “Over The Breaks,” which reaches new heights of creativity on Memory Bomb.
The acclaimed Los Angeles-based artist is a believer in embracing new inferences and new styles through collaboration with others — and that’s where the journey to his first Blue Note bandleader album began. His first priority was to get his two best friends — CARRTOONS and Shibo — to co-produce the album with him, as they completely understood his sound, his harmonic sensibility and both are extremely adept at drum programming. The innovation through collaboration mindset extended to the inclusion of a talented cast of vocalist, rappers and musicians in interesting combinations, The result was something new and exciting while still sounding like a Kiefer-led project.
The album’s title, Memory Bomb is a poetic and metaphoric way of saying a dream. For Keifer, there are three types of dreams/memory bombs, the sort you experience when you sleep, the wishful longing type and the ambitious type — and those themes populate the direction of many of the album’s songs. Throughout the album’s runtime, there is a lyrical feel with the album’s material telling a story. It’s wistful, poetic and groove-driven, centered around the sensation of being in a dreamscape. And because of the material’s improvisational moments, the story changes every time the listener listens to it.
The album will include the previously released “NewLevels NewDevils” feat. Tony Stony, Erick The Architect and CARRTOONS, album title track “Memory Bomb” feat. Walter Smith III, Flanafi, and Shibo,” and the album’s third and latest single “BusyForYa” feat. Planet Giza and Shibo. “BusyForYa” is a soulful blend of neo-soul, R&B and pop and hip-hop built around the acclaimed pianist’s strutting and twinkling keys, a strutting bass line and swaggering hip-hop beats beneath soulful crooning and a thoughtful, conscious verse.
Throwback: Happy 72nd Birthday, Steve Kilbey!
JOVM’s William Ruben Helms celebrates The Church and Isidore frontman Steve Kilbey’s 72nd birthday.
Throwback: Happy 52nd Birthday, Keith Murray!
JOVM’s William Ruben Helms celebrates Keith Murray’s 52nd birthday.
Throwback: Happy Belated 49th Birthday, Ludacris!
JOVM’s William Ruben Helms belatedly celebrates Ludacris’ 49th birthday.
Throwback: Happy 82nd Birthday, Barry White!
JOVM’s William Ruben Helms celebrates the 82nd anniversary of the birth of Barry White.
Throwback: Happy 74th Birthday, Neil Peart!
JOVM’s William Ruben Helms celebrates the 74th anniversary of the birth of Rush drummer’s Neil Peart.
New Audio: Van Horton’s Woozy and Glistening Take on Michael Jackson’s “Human Nature”
Van Horton is a North Carolina music scene veteran: He started his career in earnest as a resident DJ and production manager at North Carolina State University‘s WKNC back in 2003. Since then, he won an Emmy Award in 2006 while firmly establishing a unique retrowave sound through the release of six albums that have earned critical acclaim globally. The North Carolina-based DJ’s sets are immersive and hypnotic wall of sounds that are warm and enduring.
His latest single “Human Nature (Synthwave Version)” is a hook-driven and club banging take on one of my favorite Micheal Jackson tunes “Human Nature” derived from roughly two bars of the 1983 smash hit, paired with dense layers of glistening synth oscillations, woozily arpeggiated synths and skittering beats. The result is a bold, fresh, Giorgio Moroder-meets-Tweekend-era The Crystal Method-and Come with Us-era The Chemical Brothers-like take on a beloved oft-covered and oft-referenced song.
Live Footage: Leon Bridges Performs “Happiness Anytime” Medley on “The Tonight Show Starring Jimmy Fallon”
Leon Bridges performs “Happiness Anytime” medley on “The Tonight Show Starring Jimmy Fallon.”
Throwback: Happy 53rd Birthday, Richard Ashcroft!
JOVM’s William Ruben Helms celebrates The Verve frontman Richard Ashcroft’s 53rd birthday.
Throwback: John Coltrane’s “A Love Supreme”
The annual JOVM tradition: John Coltrane’s “A Love Supreme” on September 11.
