JOVM’s William Ruben Helms celebrates R.E.M. co-founder Mike Mills’ 67th birthday.
Category: Alt-rock
New Audio: The Afghan Whigs Share Covers of Poliça and Still Corners
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JOVM mainstays The Afghan Whigs — currently Greg Dulli (vocals, guitar), John Curley (bass), Patrick Keeler (drums), multi-instrumentalist Rick Nelson and the band’s newest member, Blind Melon’s Christopher Thorn (guitar) — released their ninth album, 2022’s How Do You Burn? to widespread critical acclaim from Rolling Stone, Pitchfork, Los Angeles Times, Spin, Stereogum, Billboard and others.
The acclaimed JOVM mainstays first bit of new material since How Do You Burn sees the band tackling two songs — Poliça‘s “Fake Like” and Still Corners “Downtown” — that seem tailor-made for the Whigs treatment. “Poliça’s “Fake Lake” strikes me as being a breezy synthesis of synth pop, Laurel Canyon and blue-eyed soul, featuring twinkling keys and a broodingly cinematic string arrangement serving as a lush bed for Channy Leaneagh’s yearning delivery. The Afghan Whigs pull out the blue-eyed soul-inspired element of the original and give it a swaggering and anthemic rock ballad vibe, while retaining the cinematic string section. The result is a song that emphasizes the smoldering lust and aching need at the heart of the song.
Now, as you may recall, the London-based duo Still Corners are among one of this site’s oldest mainstay acts. “Downtown,” which appears on 2016’s Dead Blue is an brooding and icy track, featuring shimmering, motiorik pulse and a gorgeous Greg Hughes Country/Western-meets-Johnny Marr styled guitar solo serving as a lush soundscape for Tessa Murray’s yearning vocal. The Afghan Whigs take turns the song into a brooding, piano-driven tune that’s a steady in tension and delayed release that would have fit perfectly on 2017’s In Spades.
“Both of these songs were born out of soundcheck jams. Each song holds a particular resonance for me and I really felt the lyrics, so they both flowed freely and felt good to sing,” the band’s Greg Dulli explains.
Both songs are available on all major DSP. And a limited 45 RPM single has been created and will be sold by Cincinnati’s Shake It Records.
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