Category: dark wave

Earlier this month, I wrote about Calgary, AB-based indie rock/darkwave/New Wave/post-punk trio Ultrviolence. Comprised of Nate J. (vocals, bass), Ali Abbas (guitar) and Kirk Power (drums), the Canadian trio have quickly developed a reputation for a moody post-punk sound that’s reminiscent of contemporary acts like Interpol, Viet Cong and others, and for adhering to DIY principles as they’ve played in countless basements and tiny clubs across the continent, using battered instruments and battered instruments and ignoring the cliches and dictates of the recording industry machine. Now you might recall that i wrote about “Better Learn How to Swim,” a moody yet swooningly Romantic song off their forthcoming Black Sea EP that manages to be reminiscent of Turn On The Bright Lights-era Interpol — in particular, I think of “Untitled,” “NYC” and “Stella Was a Diver and She Was Always Down” — as the band pairs a sinuous bass line, angular and shimmering guitar chords and an dramatic, anthemic hook with Nate J’s aching baritone.

Black Sea‘s latest and single ” Radiation” will further cement the Canadian trio’s burgeoning reputation for crating dark and moody post-punk/New Wave/darkwave-leaning rock while gently expanding upon the sound that initially captured my attention — the band pairs Nate J’s expressive and yearning baritone with ethereal synths, shimmering guitar chords played through copious reverb, and a driving rhythm consisting of four-on-the-floor drumming and propulsive bass chords. Sonically, the new single manages to clearly draw influence from the likes of the aforementioned Turn On The Bright Lights-era Interpol, Joy Division and New Order — but with as subtle twist on a familiar sound.

Comprised of John Gill (vocals, bass, guitar and synth), Greg Tebbano (lead guitar, lead synth and backing vocals), David Octal (bass), and Ben Patten (drums), the Saratoga Springs, NY-based post punk quartet The Black Ships derive their name from the Western vessels that sailed to Japan during the 16th to 19th centuries. And with the forthcoming release of their latest effort, Dead Empires, slated for a December 4 release, the Upstate New York-based quartet hope to prove that Saratoga Springs is the home of a burgeoning wave music scene  — in particular, a burgeoning shoegaze/dark wave/chill wave scene — as the town is best known as the home of blogosphere darlings Phantogram.

Dead Empires‘ latest single album title track “Dead Empires” sounds as though it owes a major sonic debt to Joy Division, The Cure and 4AD Records —  while also channeling contemporaries like The Harrow, Dead Leaf Echo and others, as the song is comprised of atmospheric synths, slashing, angular bass and shimmering guitar chords and four-on-the-floor drumming paired ethereal vocals. If you’re a child of the 80s as I am, the Saratoga Springs-based quartet’s sound will be familiar — it’s a darkly seductive and danceable sound. But interestingly enough, what will set the band apart from their contemporaries is the fact that the band’s frontman John Gill is a self-proclaimed avid history buff, and Dead Empires lyrics concern themselves with how history’s course and flow affects and influences everything. And as Gill explains in press notes “Looking back on historical events of the past adds a romantic tinge to things and a certain yearning for past times and traditions.” In some way, it gives the material a swooning Romanticism that belies its brooding nature.