JOVM’s William Ruben Helms belatedly celebrates Gary Numan’s 68th birthday.
Category: Electro Pop
New Video: TOMORA Shares Euphoric “SOMEWHERE ELSE”
TOMORA is a new collaborative project featuring:
- The Chemical Brothers‘ Tom Rowlands: As one-half of The Chemical Brothers, Rowlands has produced and recorded six widely acclaimed UK #1 albums and won six Grammy Awards.
- Norwegian artist AURORA: AURORA has released four studio albums and has quickly become one of Norway’s most influential and globally recognized contemporary artists. Her single “Runaway” has amassed over one-billion Spotify streams to date.
TOMORA builds upon a creative relationship that can be traced to the recording sessions for The Chemical Brothers’ 2019 album No Geography. AURORA contributed vocals to three tracks, including “Eve of Destruction.” Rowlands then went on to contribute to AURORA’s 2024 effort, What Happened to the Heart?, which landed on the UK Top 10.
Initially, speculation was rife as to who — or what — the then-mysterious TOMORA was or could be, after the name appeared on Coachella’s 2026 Festival lineup post without any additional information last year. Last December, the duo released their debut single “Ring The Alarm,” which received praise from Spin, BrooklynVegan, Stereogum and DJ Mag. “Ring The Alarm” also received DJ support from Erol Alkan, ¥ØU$UK€ ¥UK1MAT$U and a long list of others.
The duo’s TOMORA debut single was then released on a very limited and collectible white label vinyl, alongside B-side “The Thing,” which showcase a glimpse of the tender and hauntingly beautiful downtempo tracks that will appear on the duo’s full-length debut, COME CLOSER.
Slated for an April 17, 2026 release through Capitol Records, COME CLOSER was written and produced jointly by Rowlands and AURORA. The 12-song album sees the duo pairing the Norwegian artist’s distinctive vocal with the acclaimed British producer’s unparalleled studio expertise. While the album sees the duo creating their own unique space, somewhere they can produce the kind of magic that comes from flicking through a perfect record collection, flowing from wigged-out 1960s psychedelia to the hyper-futurism of sounds imagined for the 2060s.
Ultimately though, the album is less about two separate and distinct artists finding a fertile middle ground and more the sound of two tenacious individuals connecting in the studio and hitting massive creative peaks together.
“This is our album COME CLOSER, it is everything we dreamt of. We made it without obligation or expectation, just a joy in creation,” the duo says. “It’s the sound where we meet, the landing zone of our musical escape pods. It is a special place to us. We hope you dig it as much as we do.”
Last month, I wrote about album the hauntingly mesmerizing album title track “COME CLOSER.” Building upon the attention and momentum of the album’s previously released singles, COME CLOSER‘s latest single begins with AURORA’s otherworldly and ethereal melody and pairs it with a blissed out, relentlessly driving, hyper-futuristic production. The result is a song that sounds as though it could have been beamed from a futuristic interplanetary civilization in the year 4239 while simultaneously intimate, yearning and rousingly anthemic.
“’SOMEWHERE ELSE’ is one of the first songs we ever wrote, as TOMORA. And it opened up a big door for us, into our world,” AURORA says. Tom Rowland adds, “Ever since AURORA sang that melody to me it’s been running around my head brightening my day. We played an early version of the song at Glastonbury Festival and it felt like magic. Now we get to share it, it’s a total joy.”
Continuing their ongoing collaboration with Adam Smith and S T A R T !, the accompanying video for “SOMEWHERE ELSE” begins with AURORA waking up under the pier of a beach, not quite sure how she got there with one shoe missing. The rest of the video we see the Norwegian artist on an afternoon at the amusement park, wandering through a town and other adventures, potentially tripping and/or appearing like a humanoid alien trying to figure out human life.
New Video: BRDN Shares Woozy and Brooding “Unparalleled”
German electronic outfit BRDN (pronounced as “burden”) has quickly established a sound that sees them pair powerful synth structures with smooth vocal sequences and driving rhythms. Their work takes listeners to the more brooding side of introspection with his work thematically touching upon self-doubt and the desperate search for purpose. The result is a fever dream, ripe for interpretation and analysis.
The German outfit’s sophomore EP Maybe in another life is slated for release in June. The EP’s first single, “Unparalleled” is an eerily minimalist tune, featuring glistening synths and skittering beats serving as an uneasy and brooding bed for BRDN’s yearning delivery. Sonically, recalling The Ways We Separate and Escapements-era Beacon, “Unparalleled,” conveys a woozy sense of regret-fueled self-doubt.
Shot at dusk and at night, the accompanying video follows two lonely souls, full of brooding self-doubt and regret.
Throwback: Happy 71st Birthday, Howard Jones!
JOVM’s William Ruben Helms celebrates Howard Jones’ 70th birthday.
Throwback: Happy Black History Month!/Happy 63rd Birthday, Seal!
JOVM’s William Ruben Helms celebrates Seal’s 63rd birthday.
New Video: I WANT POETRY Shares Flirty “No Is A Full Sentence”
German indie electro pop duo I WANT POETRY — Tine von Bergen (vocals) and Till Moritz Moll (keys) — have received attention for crafting music that simultaneously feels cinematic and deeply human, blending emotional depth with luminous pop soundscapes.
While developing a reputation for an immersive live show and striking visuals, the German duo have earned critical acclaim and a nomination at the European Songwriting Awards. The duo have played over 100 shows across their native Germany, Poland, Sweden and elsewhere, while making the run of the European showcase festival circuit. And adding to a growing national and international profile, the duo’s single “Light” landed on iTunes charts in several countries, amassing over 500,000 streams globally — and was selected for the soundtrack for the Canadian film, La mécanique des frontières.
2026 looks to be a breakthrough year for the German indie electro pop duo: Their highly anticipated third album, Future Selves is slated for a May 29, 2026 release. The album is reportedly hopeful and transformative, inspired by a brief moment in time when the future still felt like a promise, channeling the spirit of past dreams of utopia and progress. And as a result, the new album offers a forward-thinking vision shaped by memory, imagination and the will to create what comes next.
Sonically, the album’s material marks an evolution from the reflective tones of Solace + Light, featuring layers of shimming synths and soaring melodies.
Future Selves will include the previously released “Mirrors Of The Sky,” and the album’s latest single the Micheal Vanja, Ghian Wright and The EmU-co-produced “No Is a Full Sentence.” “No Is A Full Sentence” is self-assured, flirty and defiant pop tune, anchored around glistening synth stabs and the duo’s unerring and effortless knack for catchy hooks and sleek, dance floor friendly grooves.
But under the flirty, dance floor friendly vibes is a song that’s a one-part bold feminist anthem, one-part confidence booster for those who’ve had enough. The song says that it’s perfectly normal to stand up for yourself, to go out there and get what you want, no matter what anyone else.
The accompanying video features the duo, strutting and vamping it up in a modern metropolis — mostly at night. But it emphasizes the playful, confidence boosting nature of the song.
New Audio: Michael Berman Shares Giorgio Moroder-like “A Masquerade Called Life”
Michael Berman is a Moscow-born, Israeli-based poet, novelist, songwriter and musician. Berman’s creative career began in earnest back in 1998 when he started to get stories, poems and plays in his native Russian published in different newspapers, literary and humor magazines, as well as humor sites.
Between 2005 and 2006, Berman published two books Masquerade of Missing Jokes and a collection of poems, Poems on the Wall — both in his native Russian.
By 2010, Berman had shifted to music and over the course of the next two years, he wrote and recoded somewhere been 25-30 albums across different genres and styles, including instrumentals. electronic music and experiential music.
In 2020, Berman published two collections of English language stories Sad Eyes and Drunk Happiness, a collection of plays 8 plays and a collection of obscene poetry, which he has dubbed literary punk.
By 2023, Berman returned to music, this time dabbling in jazz, bossa nova and electronica.
The Russian-Israeli artist’s latest single “Masquerade Called Life” is a sleek, slickly produced, seamless synthesis of Europop, Quiet Storm R&B and sophisitipop that showcases Berman’s ability to craft an incredible catchy hook paired with a sultry female vocal. Dueling boy-girl vocals appear for the song’s hook. Channeling Giorgio Moroder, “Masquerade Called Life,” Berman’s new single strikes a balance between slick production and thoughtful craftsmanship, club friendliness and grown and sexy lounge friendliness.
New Video: TOMORA Shares Mesmerizing “COME CLOSER”
TOMORA is a new collaborative project featuring:
- The Chemical Brothers‘ Tom Rowlands: As one-half of The Chemical Brothers, Rowlands has produced and recorded six widely acclaimed UK #1 albums and won six Grammy Awards.
- Norwegian artist AURORA: AUROR Ahas released four studio albums and has quickly become one of Norway’s most influential and globally recognized contemporary artists. Her single “Runaway” has amassed over one-billion Spotify streams to date.
TOMORA builds upon a creative relationship that can be traced to the recording sessions for The Chemical Brothers’ 2019 album No Geography. AURORA contributed vocals to three tracks, including “Eve of Destruction.” Rowlands then went on to contribute to AURORA’s 2024 effort, What Happened to the Heart?, which landed on the UK Top 10.
Initially, speculation was rife as to who — or what — the then-mysterious TOMORA was or could be, after the name appeared on Coachella’s 2026 Festival lineup post without any additional information last year. Last December, the duo released their debut single “Ring The Alarm,” which received praise from Spin, BrooklynVegan, Stereogum and DJ Mag. “Ring The Alarm” also received DJ support from Erol Alkan, ¥ØU$UK€ ¥UK1MAT$U and a long list of others.
The duo’s TOMORA debut single was then released on a very limited and collectible white label vinyl, alongside B-side “The Thing,” which showcase a glimpse of the tender and hauntingly beautiful downtempo tracks that will appear on the duo’s full-length debut, COME CLOSER.
Slated for an April 17, 2026 release through Capitol Records, COME CLOSER was written and produced jointly by Rowlands and AURORA. The 12-song album sees the duo pairing the Norwegian artist’s distinctive vocal with the acclaimed British producer’s unparalleled studio expertise. While the album sees the duo creating their own unique space, somewhere they can produce the kind of magic that comes from flicking through a perfect record collection, flowing from wigged-out 1960s psychedelia to the hyper-futurism of sounds imagined for the 2060s.
Ultimately though, the album is less about two separate and distinct artists finding a fertile middle ground and more the sound of two tenacious individuals connecting in the studio and hitting massive creative peaks together.
“This is our album COME CLOSER, it is everything we dreamt of. We made it without obligation or expectation, just a joy in creation,” the duo says. “It’s the sound where we meet, the landing zone of our musical escape pods. It is a special place to us. We hope you dig it as much as we do.”
COME CLOSER‘s latest single, album title track “COME CLOSER” is a haunting, dreamily mesmerizing track featuring AURORA’s achingly yearning delivery ethereally floating over droning synths. But just under the hypnotizing surface is a sense of unease, perhaps even menace. As a YouTuber commented “I think this is how sirens in Greek mythology were supposed to sound — alluring and hypnotising at first, but once you listen long enough, you can hear the nightmare hiding behind the voice.” I wholeheartedly agree with that.
Produced and directed by Adam Smith and S T A R T !, the accompanying video for “COME CLOSER,” employs a relatively simple concept: Shot in a cinematic black and white, with eerie strobe lights, we see AURORA singing the song. Her appearance is simultaneously full of desperate yearning but also emphasizes the subtle sense of unsettling menace and unease.
New Audio: Moulod Shares Sparse, Hook-Driven “Socialites”
Moulod is an emerging Stockholm-born artist. And for the Swedish artist, his music typically begins with lyrics. He writes constantly, using his lyrics as a way to strip down experiencers and uncover what’s real. Only the rare songs that carry honesty are released, for him about 10% of anything he writes, with each carrying his raw vocal delivery at the center. His words are paired with productions that run the gamut from lo-fi, hip-hop, R&B, indie rock and blues — or whatever best carries the story and song forward.
The Swedish artist’s latest single “Socialites” feat. Rûn is a sparse tune that’s simultaneously menacing and sultry, warmly introspective yet chilly and evasive. And while showcasing an artist, who cab pair unflinchingly honest lyrics with sleek production and incredibly catchy hook.
At its core, “Socialites” feat. Rûn conveys the uneasy contrasts between one’s public image and private life, and the demands and sacrifices that public image requires.
Throwback: Happy Black History Month: Sudan Archives
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New Audio: Nation of Language Shares Tom Sharkett Rework of “Inept Apollo”
Last year was a big year for acclaimed Brooklyn-based synth pop trio and JOVM mainstays Nation of Language. The trio — Ian Richard Devaney (vocals, guitar), Aidan Noell (synths) and Alex MacKay (bass) — signed with Sub Pop Records, who released their Nick Milhiser produced and mixed fourth album, Dance Called Memory, continuing an ongoing collaboration that included 2023’s Strange Disciple.“What’s so great about Nick is his ability to make us feel like we don’t need to do what might be expected of us,” says Nation of Language’s Aidan Noell.
Sonically, the album is imbued with a subtly shifted palette: On some tracks percussion is smashed through a synthesizer as a nod to early-2000s electronic music. Chopped-up drum break samples also make appearances.
But ultimately, for the trio, the hope was to weave raw vulnerability and humanity into a synth-heavy album. “There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I’ve been drawn to at different points. I’ve read about how Kraftwerk wanted to remove all of the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human,” Nation of Language’s Ian Richard Devaney says. “As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. In this era quickly being defined by the rise of AI supplanting human creators, I’m focusing more on the human condition, and I need the underlying music to support that… Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy.”
The album features “Inept Apollo,” which continues a remarkable run of nostalgia-inducing 80s New Wave-inspired material that showcases the trio’s unerring knack for crafting slickly produced bops, anchored around earnest lyricism and songwriting.
Recently the JOVM mainstays shared Tom Sharkett‘s bold rework of “Inept Apollo.” Sharkett’s rework retains Devaney’s yearning vocal and some of the original’s New Wave/synth pop-inspired feel but noticeably increases the BPM and adds a strutting disco-like bass line. The result is a something that’s earnest, achingly yearning and yet even more dance floor friendly. It’s one-part Madchester-scene, one-part NYC dance club.
“We’re big fans of WH Lung, as well as Tom’s excellent recent LCD Soundsystem rework, so we were super excited when he reached out saying he wanted to take a crack at a new mix of ‘Inept Apollo,'” Devaney says. ” Our initial enthusiasm only grew when we received the end product a couple months later and were able to test it out in a club environment a few times. Can confidently report it sounds fantastic in a loud and crowded room. Here’s hoping it sees its way to a few dance floors in 2026.”
“I had an affinity with Nation of Language as soon as I heard their music,” Tom Sharkett says. “It felt like it came from the same place as the music I was making myself and with W. H. Lung, and the more of their music I heard, the more I felt it. It was hard initially to find a way in with remixing ‘Inept Apollo,’ as I loved the original so much. I knew I wanted to nod to the connection between NYC and Manchester started by the artists and DJs I feel we both love, without even having to name check them. It had to be wonky, and it had to be loose and lively. Hope you enjoy!”
Throwback: Happy 40th Birthday, Kevin Parker!
JOVM’s William Ruben Helms celebrates Tame Impala mastermind Kevin Parker’s 40th birthday.