Category: Heavy Metal

Throwback: Van Halen’s “Hot For Teacher”/Happy First Day of School!

Today is the first day of school for New York City Public School students. I’ve already seen some photos of friends’ kids that have made me feel very old. In two instances, I remember when […]

New Video: London’s The Fire Belows Share Bruising “Too Far To Reach”

London-based metal outfit The Fires Below — Smithy (vocals, guitar), Si (bass), Del (drums) and Sam (guitar) formed back in 2021. The band quickly established a sound that draws from punk rock, metal, stoner rock, desert rock and djent, a sub-genre of progressive metal named after the onomatopoeia of the guitar sound that characterizes it. 

The London-based quartet’s debut EP, last year’s Masquerade was released last year to critical acclaim and received quite a bit of radio airplay. Building upon a growing profile in the British metal scene and elsewhere, The Fires Below released their highly-anticipated sophomore EP Thorns last month. The five-song EP sees the British quartet firmly establishing a melodic and punishing sound rooted in their penchant for blending punk, desert rock, alt-metal and djent. “With more experience, we’ve pushed ourselves creatively,” The Fire Below’s Smithy explains. “This EP really plays to our strengths that we discovered playing live. We mix elements of punk, desert rock, alt-metal and djent for an intense yet melodic cocktail of riffs and emotion. Blast it as loud as you can until the neighbours complain!

The EP’s first single “Too Far To Reach” is a bruising and grimy ripper that sees the band seamlessly — and effortlessly — meshing elements of metal, stoner rock, desert rock and punk anchored around pummeling drumming, scorching riffage and howled vocals in a way that will bring Songs for the Deaf-era Queens of the Stone Age, Kyuss and others to mind.

Directed by David Smith, the accompanying video for “Too Far To Reach” is shot in black and white, and features the band performing the song in front of a projections of gorgeous natural phenomena, interspersed with the brutality of the human world. The video channels the fiery hellscape of our contemporary moment.

New Audio: Autumns Eyes Shares Brooding and Pummeling “Betwixt Wind & Water”

New England-based multi-instrumentalist and singer/songwriter Daniel Mitchell is the creative mastermind behind Autumns Eyes, a goth metal solo project inspired by a range of dark and goth-like sources ranging from Tim Burton to Type O Negative. Since starting the project back in 1999, Mitchell has released 12 albums of Halloween-themed and inspired material that reminds those who love the darkness that it can be fun to live in the shadows. 

Earlier this year, I wrote about the ear drum shattering, early Metallica-meets Bauhaus-like, mosh pit friendly “Faith In Cycles,” which featured pummeling Headbanger’s Ball-like riffage, thundering drumming, Mitchell alternating between crooned-vocals for the verses and howling for the choruses and a scorching guitar solo. Play loud — and open up that pit!

Continuing to cement his reputation for being remarkably prolific, Mitchell recently released his 13th album Grimoire of Oak & Shadow. The album’s latest single “Betwixt Wind & Water” is a slickly produced ripper that sonically and thematically nods at Headbanger’s Ball-era metal and Tool — but with a cinematic quality.

New Video: LohArano Shares a Punchy Math Rock-like Ripper

Over the past couple of years, the Antananarivo, Madagascar-based JOVM mainstays LohArano — Mahalia Ravoajanahary (vocals, guitar), Michael Raveloson (bass, vocals) and Natiana Randrianasoloson (drums, vocals) — have received attention nationally and internationally for a unique, boundary pushing sound that blends elements of popular and beloved Malagasy musical styles like like Tsapiky  and Salegy with heavy metal. 

The Malagasy JOVM mainstays latest EP, the recently released DEVL features six explosive songs that sees the band ranging sonically and stylistically from metal to pop punk. The EP’s latest single, EP title track “DEVL” is a punchy and frenetic System of a Down-meets-Cinemechanica-like ripper, anchored around down-tuned bass, scorching riffage, and off-kilter Math rock rhythms paired with Ravoajanahary’s punchy and defiant delivery. Much like their previously released work, “DEVL” continues a run of material that frankly and boldly comments on the sociopolitical concerns of their homeland with a sharp incisiveness — while telling the listener what’s its like to a rocker in a country where rock is still subversive.

The accompanying video features the band’s Ravoajanahary as the devil, tempting others to do drugs, drink, party — and to mosh the fuck out. I don’t know about you, but it seems like a helluva lot of fun to me. Can I join?