Category: Indie Pop

Video by William Ruben Helms

New Video: Toronto’s Rapport Shares a Cinematic Visual For Shimmering 80s-Inspired “Can’t Get It To Last”

After a decade of playing in a number of local bands, performing with other artists and stints with Moon King and Born Ruffians, Toronto-born and-based singer/songwriter and musician Maddy Wilde’s long-felt imposter syndrome gave way to a desire to create music that she felt was largely unexplored in the Toronto scene — earnest, heart-worn-on-sleeve pop with her latest band Rapport. Around the same time, her bandmates Kurt Marble and Mike Pereira, who have played in Twist, Ducks, Ltd. and Most People had experienced a similar urge to create earnest pop, despite their professional backgrounds in garage rock, punk rock and glam rock.

With their recently released debut EP Floating Through The Wonderwave, the Toronto-based trio have embarked on an exploration of crafted and breezy pop rooted in Wilde’s intuitive sense of harmony and slick hooks paired with a desire to sincerely capture the essence of sentimentality. But just under the surface, the EP’s material possesses a dark, melancholy quality.

Thematically, the EP touches upon jealous, neuroses and self-doubt while Wilde’s narrators also explore the delicate and uneasy balance between artistic creation and self-promotion. “I had to uninstall social media apps on my phone when I realized they were a major source of anxiety and a hugely addictive waste of time which I could have spent making music,” Wilde says. “My creative practice was suffering as a result. But without these tools, how are artists meant to share their work?”

The recently released EP’s third and latest single “Can’t Get It To Last” is a shimmering bit of 80s inspired pop featuring atmospheric synths, Pereira’s percussive and chugging bass lines, Marble’s 80s rock-like guitar lines and soloing and Wilde’s achingly delicate vocal delivery paired with a soaring hook. While sounding as though it were a seamless mesh of the Stranger Things soundtrack and Brothers in Arms-era Dire Straits, the song on one level could be read as a prototypical broken heart-fueled ballad. But as the band’s Maddie Wilde explains, “On the surface, this probably sounds like your average love song. But it’s really about friendships and growing apart. Close friendships take different shapes- for example, friends who do everything together but have never actually been vulnerable with one another. It’s like maintaining a light and fluffy connection that has never really progressed further than a casual relationship. Friendships like this can go on for ages, and they are valuable, but they don’t seem to last as long.”

“Adrienne McLaren brought to life my vision of creating a music video mood similar to that scene in Grease where Danny walks around the drive-in singing about Sandy,” Wilde adds. “For the drive-in movie, we made an experimental film not unlike one that would be submitted as an art class assignment. To get even more meta, we displayed the drive-in music video itself playing on a small Panasonic TV in various locations around the city. A video within a video within a video.”

Single Review by William Ruben Helms

PEACH FUZZ is a new indie pop outfit featuring a collection of up-and-coming singer/songwriters including Samia, Raffaella, Sara L’Abriola, and Ryann‘s Victoria Zaro. Their debut EP, the four-song Can Mary Dood the Moon? is slated for a July 22, 2022 release through Psychic Hotline.

Can Mary Dood the Moon?‘s first single, “Hey Dood” is a slickly produced, breezy and flirtatious pop confection centered around a chugging groove and an infectious hook. And at its heart is a universal story — told with a playful, tongue-in-cheek air: the song’s narrator fumbling around and trying to come up with a genuine pick up line to cut through the feeling of being awkward at a party.

You can picture, your even more awkward, shy and goofy teenage self doing the same, and its universality makes the song more true.

Video by William Ruben Helms

New Video: Eldorado Shares a Breezy and Summery Bop

Eldorado (born Doriane Gamba) is an emerging and up-and-coming French singer/songwriter, multi-instrumentalist, and bedroom producer, who can trace the origins of her music career to when she turned six and started playing drums. Inspired by an eclectic array of artists, who have also abided by the DIY ethos including Mac DeMarco, Men I Trust, Yellow Days, Clairo and a list of others, the French singer/songwriter and bedroom producer’s work is inspired by real life, personal experiences, which helps evoke strong emotions. 

Earlier this year, I wrote about Gamba’s Eldorado debut, the neon and heartache-tinge “3 in the morning.” Featuring Gamba’s achingly plaintive vocals, glistening, reverb-drenched guitars and atmospheric synths paired with a soaring hook, “3 in the morning” manages to recall JOVM mainstays St. Lucia and Washed Out, while drawing from a fairly universal experience: wanting to be with someone, who has no interest in you whatsoever.

The French singer/songwriter, musician and producer’s latest single “Another Day” is a breezy and infectious summertime bop centered around glistening synth arpeggios, 80s pop and funk-inspired guitar lines, a sinuous bass line, thumping backbeats paired with Gamba’s easy-going yet self-assured delivery and her seemingly uncanny and unerring knack for infectious hooks.

Underneath the breezy and infectious nature of the song, is a bittersweet and familiar story of trying to move forward from heartbreak and not quite knowing how to go about it. And then you see your ex, who has clearly moved on when you haven’t. But throughout, there’s the tacit understanding that it’s a day-by-day process in which ghosts do linger from time to time.

Continuing an ongoing collaboration with Ambre Tholance, the accompanying video is a nostalgia-inducing dream of long summer days and nights at the beach or the lake. But it also captures Gamba’s playful yet earnest spirit in a way that’s endearing.

Single Review by William Ruben Helms

New Audio: Orlando’s The Lovelines Share Woozy “Steadily”

Orlando-based sibling duo outfit The Lovelines — Tessa D (vocals) and Todd Goings (multi-instrumentalist, songwriting and production) — emerged late last year with their debut single “Strange Kind of Love,” which rose to #1 on SubmitHub’s Popular Charts.

Once you hear “Strange Kind of Love,” you can kind of hear why it took a portion of the blogosphere by storm. “Strange Kind of Love” is a slick synthesis of Amy Winehouse-like blue-eyed soul, jazz standadrs and Dummy-era Portishead-like trip-hop centered around Tessa D’s soulful crooning and a dusty production featuring twinkling Rhodes, wobbly guitars and an infectious, razor sharp hook. 

Their second single “Dark Thoughts About A Pretty Flower” continued in a similar vein as its predecessor: a sultry trip hop-like number with a dusty production featuring twinkling Rhodes, slashing guitars, propulsive polyrhythm paired with Tessa D’s soulful crooning and an infectious hook. “‘Dark Thoughts About A Pretty Flower’ was written to be free for interpretation,” The Lovelines’ Todd Goings explained to me in an email. “Is it a song about love or is it a song about a literal flower? Is it a song about pessimism, or a song about perversion, or is it a song about both?”

The duo have written and recorded their full-length debut and plan to release it single-by-single over the course of 2022-2023. The album will feature the previously released “Dark Thoughts About A Pretty Flower” and their latest single, the woozy “Steadily.” “Steadily” sees the Orlando-based duo firmly cementing their sound, a soulful take on trip hop in which Tessa D’s sultry vocals are paired with Geoff Barrow-like productions — in the case of the new single, strummed acoustic guitar, dusty hip hop-like breakbeats, glistening and twinkling Rhodes, a supple bass line and an infectious hook.

Interestingly, much like its predecessors, the new single feels rooted in lived-in experience: “Steadily is a song about a relationship between an old-fashioned romantic and a modern age lover,” the Orlando-based duo explained to me via email. “The singer knows that the modern age lover doesn’t have the same old fashioned ideals about love as her.”

Video by William Ruben Helms

New Video: Laufey Shares Cinematic and Dream-like Visual for “Fragile”

22 year-old Laufey Lin is a rapidly rising Reykjavik-born, Los Angeles-based, singer/songwriter and multi-instrumentalist, best known as Laufey. Born to a Chinese-born violinist mother and a Icelandic-born, jazz-loving father, Lin grew up immersed in both classical music and jazz — and unsurprisingly both genres are major influences on the rising artist and her work.

By the time Lin turned 15, she performed with the Iceland Symphony Orchestra. But despite her deep and abiding love of the music that has served as her musical foundation, she yearned to express herself by creating music that seamlessly blended her classical and jazz background with much more modern and contemporary influences.

\While attending Berklee College of Music, Lin began collaborating with some of her peers and recorded her debut single “Street By Street,” a blend of jazz melodies with slow-burning R&B grooves. Making the best of the unexpected downtime as a result of the pandemic, Lin decided to release “Street By Street” through social media. The song, along with a collection of covers and originals quickly went viral. Eventually, “Street By Street” hit #1 on the Icelandic charts — and she began to amass a massive following that includes Billie Eilish, Willow Smith, dodie, and others.

Since then, the Icelandic-born, Los Angeles-based artist has been busy: Last year saw the release of her debut EP Typical of Me, which features the aforementioned “Street by Street,” “Best Friend” and “Like the Movies,” which she performed on Jimmy Kimmel Live! earlier this year.

Lin’s highly-anticipated full-length debut Everything I Know About Love is slated for an August 26, 2022 release through AWAL Recordings. The 12-song album will reportedly see Laufey effortlessly blending contemporary song structures and sensibilities with the classic and jazz stylings she learned as a violinist, pianist and guitarist. The end result is an album’s worth of material that translates the intimate feelings, thoughts and observations of a young, modern woman into grand, cinematic moments, seemingly inspired by both the jazz age and Hollywood’s golden age.

Everything I Know About Love‘s latest single “Fragile” features samba-inspired arrangement featuring strummed acoustic guitar and rhythms, twinkling piano paired with Lin’s gorgeous and expressive vocals. But much like Lin’s critically applauded work to date, “Fragile” manages to be deceptively old-timey: while indebted to jazz, the song’s swooningly heartsick narrator talks of falling for someone much older, and not knowing what to do or how to act — with the tacit fear of making a complete fool of yourself.

Directed by Erlendur Sveinsson, the accompanying cinematic video for “Fragile” was shot in some stunningly gorgeous and entrancingly dream-like locations including Iceland’s foggy, rocky shore and an ornate seaside home.

Single Review by William Ruben Helms

Cara Louise is an emerging Nashville-based singer/songwriter. Her David Beeman-produced full-length debut, Wholesome Dread is slated for a September 2022 release through Soul Step Records — and is the follow-up to her debut EP, 2019’s Fragile Heart.

Wholesome Dread reportedly sees the Nashville-based artist making a bold sonic push away from her classic country roots and blurring the lines between indie rock, folk and Americana, while also drawing from the Laurel Canyon folk sound and David Lynch among others.

Wholesome Dread‘s first single, “Empty Me” is a heady mix of classic doo wop, Lynchian eerie vibes and 60s psych pop centered around twinkling keys, atmospheric synths, twangy, reverb-drenched guitar, paired with Cara Louise’s plaintive pop belter-like vocals and an enormous hook. “Empty Me” sonically speaking is the sort of song where you’d sway to yourself or cry into your beer while longing for a past you can’t get back.

But interestingly enough, as the Nashville-based artist explains, the song is rooted in lived-in, universal experience — feeling dissociative and drained from the daily struggles of working to survive and pay bills while maintaining relationships.

Video by William Ruben Helms

New Video: Montréal’s Naomi Shares Another Sultry, Summertime Banger

Naomi is a Montréal-based multi-disciplinary artist, who first after studying theater made a name for herself when she started landing roles on both the small and big screen when she was 14. Because she has long seen art as a continuous means of expression, she went on to study dance at the École de danse contemporaine de Montréal.

As a dancer, Naomi has appeared in and/or choreographed music videos for Rihanna, Marie-Mai, Coeur de Pirate and others, as well as for local dance performances. While she was establishing herself as an actor and dancer, the Montreal-based artist quietly developed a passion for singing — without fully giving herself permission to explore it fully. Interestingly, Coeur de Pirate’s Beátrice Martin saw star potential in the Montreal based multi-disciplinary artist and took her under her wing.

Encouraged by Couer de Pirate’s mentorship and encouragement, Naomi began to realize that she was never far off from making her own music. All that she needed was a little push.

Signed to Bravo Musique, the Montreal-based artist began to write her own material and has taken a bold leap into a career as a pop singer. Naomi’s first two singles “Tout à nous” and “Zéro stress” have received airplay on WKND, Rouge FM, Arsenal, POP, CVKM and several other regional radio stations across Quebec.

The rising Canadian artist also released the club friendly, Rowan Mercille and Naomi co-written “Semblant,” which I wrote about earlier this year. Centered around glistening synth arpeggios, skittering trap-meets-Carribbean beats paired with her sultry delivery and an infectious hook, “Semblant” is a remarkably self-assured summertime banger, that also reveals a bonafide superstar in the making.

“Pas le temps de jouer,” Naomi’s latest single continues a remarkable run of slickly produced and self-assured bangers centered around shuffling reggaeton-meets-trap beats, glistening synth bursts paired with the rising Canadian artist’s sultry delivery and her seemingly unerring knack for crafting a big, razor sharp hook. Much like its immediate predecessor, “Pas le temps de jouer” is an accessible, radio friendly and club friendly track that’s simultaneously a summertime bop and a platform to launch a bonafide superstar into the stratosphere.

Directed by Clare L’heureux-Garcia, the accompanying video follows Naomi and a diverse collection of dancers through a series of brightly colored set ups — including one, where the collection of dancers, are like paintings in a museum.

Video by William Ruben Helms

New Video: Eldorado Shares a Late Night, Shimmering Meditation on Heartache

Eldorado (born Doriane Gamba) is an up-and-coming French singer/songwriter, multi-instrumentalist, and bedroom producer, who can trace the origins of her music career to when she turned six and started playing drums. Inspired by an eclectic array of artists, who have also abided by the DIY ethos including Mac DeMarco, Men I Trust, Yellow Days, Clairo and a list of others, the French singer/songwriter and bedroom producer’s work is inspired by real life, personal experiences, which helps evoke strong emotions. 

Eldorado’s debut single, the neon and heartache-tinged “3 in the morning” is centered around glistening, reverb-drenched guitars, the French artist and producer’s achingly plaintive vocals, skittering beats, atmospheric synths and a soaring hook. Sounding as though it were inspired by JOVM mainstays St. Lucia, Washed Out, and 80s synth pop, “3 in the morning” draws from a heartbreaking, fairly universal experience: wanting to be with someone, who has no interest in you whatsoever. It’s the sort of song, I can imagine heartbroken souls singing to themselves at 3am — or at the club, along with their equally heartbroken cohorts.

Directed by Ambre Tholance, the accompanying video begins with our protagonist — Gamba — in her bed, listening to music on an old walkman. She eats puts on a shirt and tie, eats some cereal and walks out of her apartment with her bike. We then follow our protagonist riding her bike through suburban streets at golden hour. She then stops at a diner, where she has a milkshake and an appetizer, and begins writing the lyrics for “3 in the morning.” The video follows Gamba through an amusement park and elsewhere. While nodding at 80s pop videos, the video or “3 in the morning” emphasizes the late night loneliness at the core of its accompanying song.

Single Review by William Ruben Helms

New Audio: Blake Morgan Returns with a Yearning Ballad

Blake Morgan is a New York-born and-based singer/songwriter, multi-instrumentalist, producer and the founder and President of ECR Music Group. In his role as President of ECR Music Group, Morgan’s ideas, opinions and editorials on music and the music business have been regularly published by a number of major media outlets including The New York Times, Billboard Magazine, CNN, Newsweek, Variety, The Hill, NME, The Huffington Post, and The Guardian. 

As a producer, Morgan has collaborated with a who’s who of music from Lenny Kravitz to Lesley Gore, and a lengthy list of others. Since the release of 2013’s Diamonds in the Dark, Morgan has been extremely busy: he has a remarkable six-year run of sold-out shows at Rockwood Music Hall that often feature guest spots from a number of Grammy and Tony Award-winning artists, who join him for unique, on-stage collaborations; 150,000 miles of touring and sold-out shows on both sides of the Atlantic; and production work on over 20 albums by some serious A-list artists. 

Late last year, the New York-born and-based singer/songwriter, multi-instrumentalist, producer and music biz exec released “Down Below Or Up Above” to praise from the likes of The Aquarian, Post-Punk.com, Culture Catch and my dear friends at Glamglare.

Morgan’s fifth album, Violent Delights was released last week through his ECR Music Group and in the lead-up to the album’s release, I wrote about two of its released singles:

  • “My Love Is Waiting” a rousingly anthemic and brazenly hopeful love song that views love as the important, necessary and powerful force of our world. But underneath its anthemic hooks, the song, which at points nodded at The Police‘s “Every Little Thing She Does Is Magic,” Joe Jackson and JOVM mainstays Palace Winter revealed a penchant for old-timey pop craftsmanship paired with an uncanny knack for a well-placed, razor sharp hook. 
  • “Baby I Would Want You,” a swooning and euphoric guitar pop song that manages continue a remarkable run of brazenly earnest love songs while nodding at Elvis Costello and XTC‘s “Mayor of Simpleton.” While unintentionally referencing — and being fitting for — our current, near apocalyptic moment, the song’s narrator seems to say to his love, “welp, the sink is sinking, the water is rising, and there ain’t much else we can do — but we got each other.”

Violent Delights‘ latest single, album title track “Violent Delights” is a slow-burning, pop ballad featuring angular, reverb-drenched guitar and angular bass lines, and bursts of twinkling keys paired with Morgan’s plaintive delivery and his unerring knack for sharp, rousingly anthemic hooks. Much like its predecessors, “Violent Delights” is a proud, unabashedly earnest love song full of very adult yearning.

Single Review by William Ruben Helms

New Audio: Hummingbird Shares Breezy and Anthemic “Home”

Hummingbird — Felix Lavallard · Vincent Verye · Geoffrey Margain · Timothée Borne — is an emerging yet somewhat mysterious, French indie outfit. Their latest single “Home” is an anthemic and breezy bop featuring strummed acoustic guitar, live drumming, a sinuous bass line, fluttering synths and a rousingly euphoric hook.

While “Home” sonically recalls a slick synthesis of Wolfgang Amadeus Phoenix-era Phoenix and 80s pop, the song is an optimistic yet kind of bittersweet one that suggests that life is ultimately one big, very long, very wild journey.

Single Review by William Ruben Helms

Cloud Cukkoo is an emerging Dutch-born, Berlin-based singer/songwriter and producer. According to the Dutch-born, Berlin-based artist, she “writes, produces and performs songs for blue-tinted nights. Nights of rained upon ashtrays and repressed melancholia; nights that are blinding, deafening and paralyzing; nights that are as comforting as they are disconcerting. It’s the cutting winter cold that feels like an embrace after spending hours in an overloaded club. . .”

The emerging Dutch-born, Berlin-based artist’s latest single, the slow-burning and moody “The Game” pairs Cloud Cukkoo’s soulful vocals, oscillating and atmospheric synths, fluttering electronics, strummed guitar and twinkling keys. While revealing a songwriter who can evoke a brooding, late night melancholy, “The Game” is an earnest, pop confection rooted in what feels like lived-in personal experience: The song’s narrator struggles with being tempted by lust and loneliness, knowing that she will probably get burned — badly.



Video by William Ruben Helms

New Video: Rising Montreal Artist Naomi Shares a Sultry, Club Friendly Bop

Naomi is a Montréal-based multi-disciplinary artist, who first after studying theater made a name for herself when she started landing roles on both the small and big screen when she was 14. Because she has long seen art as a continuous means of expression, she went on to study dance at the École de danse contemporaine de Montréal.

As a dancer, the Montreal-based multi-disciplinary artist has appeared in and/or choreographed music videos for Rihanna, Marie-Mai, Coeur de Pirate and others, as well as for local dance performances.

While she was establishing herself as an actor and dancer, the Montreal-based artist quietly developed a passion for singing — without fully giving herself permission to explore it fully. Interestingly, Coeur de Pirate’s Beátrice Martin saw star potential in the Montreal based multi-disciplinary artist and took her under her wing.

Encouraged by Couer de Pirate’s mentorship and encouragement, naomi began to realize that she was never far off from making her own music. All that she needed was a little push.

Signed to Bravo Music, the Montreal-based artist began to write her own material and has taken a bold leap into a career as a pop singer. Naomi’s first two singles “Tout à nous” and “Zéro stress” have received airplay on WKND, Rouge FM, Arsenal, POP, CVKM and several other regional radio stations across Quebec.

Naomi’s third and latest single is the club friendly, Rowan Mercille and Naomi co-written “Semblant.” Centered around glistening synth arpeggios, skittering trap-meets-Caribbean beats paired with the Montreal-based artist’s sultry delivery and an infectious hook, “Semblant” is a self-assured summertime banger that reveals a bonafide superstar in the making.

The song’s narrator details a sensual encounter in which both parties have developed an inescapable and primal magnetism that draws them into a vicious yet irresistible cycle of sexual need and desire.

Directed by Élise Lussier, the accompanying visual for “Semblant” features a solitary Naomi sultrily dancing by herself — both for herself and for a possibly unseen viewer — while seemingly attempting to resist the irresistible.

Video by William Ruben Helms

New Video: JOVM Mainstay Thaïs Shares a Glistening New Bop

Rising Montreal-based singer/songwriter and JOVM mainstay Thaïs specializes in an atmospheric and delicate take on pop centered around the French Canadian artist’s ethereal vocals. Thematically her work focuses on melancholy, loneliness and dysfunctional, confusing, heartbreaking love.

Last year’s Paradis Artificiels EP featured two tracks I wrote about:

  • “Boreal,” a track inspired by a trip she took to Iceland that evoked the awe-inspiring sense of being in a gorgeous, natural beauty and taking it all in deeply
  • “Sushi Solitude,” an atmospheric and delicate bit of synth pop that brought Washed Out to mind. 

2022 has been a big year for the Montreal-based JOVM mainstay: Earlier this year, Thaïs signed to Bravo Musique, who will be releasing her newest EP Tout est parfait: acte un on May 6, 2022.

Tout est parfait: acte un will feature “Arrête de danser,” a slickly produced bop centered around glistening and atmospheric synth arpeggios and trap beats that saw the rising French Canadian artist alternating between a syncopated trap-like flow for the song’s verses and ethereal cooing for the song’s hook and choruses. And while arguably being one of her most club friendly songs, “Arrête de danser” is a bitter tell-off to an unhealthy, dysfunctional lover that the song’s narrator knows deep down is wrong for her — and yet can’t quite quit.

The EP’s second and latest single, the Coeur de Pirate co-written, Renaud Bastien-produced “Vieux Port,” continues a run of danceable and seemingly upbeat bops featuring wobbling bass synth, glistening and arpeggiated synth melodies, twinkling keys, some brief bursts of industrial clang and clatter and soaring strings paired with Thaïs ethereal cooing. But just underneath the surface is a song that details a relationship that’s seemingly on the ropes while contemplating the passing of time and the desire to turn the clock back — with the knowledge you have now.

Directed by Jeanne Joly, the accompanying video for “Vieux Port” is a stylistically shot visual that features the Montreal-based JOVM in an art covered room creating her own art and dancing expressively.