Category: jazz

Single Review by William Ruben Helms

New Audio: Elena Pinderhughes Teams Up with Immanuel Wilkins on Ethereal and Soulful Debut Single “life goes on”

Raised in the Bay Area’s progressive cultural landscape, Elena Pinderhughes is a groundbreaking composer, flutist and vocalist, who has become known for expanding jazz’s emotional range by crafting music that’s tender and sensual, mysterious and direct and grounded in a feminine creative vision without apology. Her work channels an unguarded, deeply personal voice that few in the genre have dared to show.

Informed by shaping the music of her collaborators, Pinderhughes’ work sees her seamlessly weaving R&B and neo-soul while being rooted in the jazz tradition.

Pinderhughes debut single as a solo artist “life goes on” feat. Immanuel Wilkins follows a decade of being one of the most sought-after collaborators across genres and styles: She has toured with Herbie Hancock and Chief Xian aTunde Audah, played at Coachella with Future and Metro Boomin — and sh has appeared on tracks by Giveon, Victoria Monét, Ambrose Akinmusire, Robert Glasper, Esperanza Spalding, Common and a lengthy list of others.

While marking Pinderhughes’ bold step forward into the spotlight as a solo artist, “life goes on” features two of jazz’s most distinct young voices playing off one another as they trade and weave lyrical flute and saxophone lines over a harmonic piano and a propulsive rhythm section and bursts of Kid A and Amnesiac-like-glitchy electronics. The result is a composition that’s ethereal yet soulful, cinematic yet deeply introspective while effortlessly pushing the boundaries of contemporary jazz.

“I’ve been playing the flute for almost my entire life, and for so much of that time I was searching…learning everything I could, trying different things, and figuring out what actually sounded like me,” Pinderhughes says. “Somewhere along the way, I started to hear a voice emerge that felt like my own. That’s what feels different now. I’m not searching in the same way anymore. I feel like I have a sound I believe in and something of my own to say with this instrument. And now I want to show you what the flute can do. I want people to hear how powerful, beautiful, intimate and alive it can be. ‘life goes on’ feels like the beginning of a much bigger story I want to tell about what the flute can be.”

Video by William Ruben Helms

Throwback: Happy 100th Birthday, John Coltrane!

JOVM’s William Ruben Helms celebrates the 100th anniversary of John Coltrane’s birth.

Single Review by William Ruben Helms

New Audio: Kiefer Teams up with Shibo and Planet Giza on Strutting and Soulful “BusyForYa”

Los Angeles-based acclaimed pianist and producer Kiefer Shackelford, a.k.a. Kiefer was raised in San Diego by parents, who were both aerospace engineers and keen pianists, who both influenced him in their own way: His mother taught him at a very young age how to read music and play piano, starting with simple Bach minuets. His father was a huge jazz head, and a fan big fan of Blue Note Records in particular. who released albums by Sonny Clark and Gene Harris.

Shacklelord would endlessly listen to Kind of Blue and after reading Miles Davis‘ biography when he was 13, he knew that he wanted to become a jazz musician. During high school, he studied jazz piano with a local teacher and went to attend UCLA, where Blue Note recording artist and legendary guitarist Kenny Burrell, who was head of the school’s jazz program, became one of his tutors throughout his studies.

After completing his studies, Shackelford signed to Stones Throw Records, where he quickly established his musical identity and gained attention with a series of releases including 2018’s Happysad, 2021’s Between Days and 2023’s It’s Okay B U. Adding to a growing profile, he has collaborated with Dr. Dre, De La Soul, Pete Rock, Anderson .Paak, Terrace Martin and a growing list of others. He’s also a member of the collective FATHERS with Ben “CARRTOONS” Carr, Nate Smith and producer Kenneth Blume, who released their self-titled debut on Blue Note earlier this year.

2026 is a busy year for the acclaimed pianist: His fourth album, and Blue Note Records debut, the Kiefer, Shibo, and CARRTOONS co-produced Memory Bomb is slated for a September 25, 2026 release. The album will feature guest spots from Tony Stone, Erick The Architect, CARRTOONS, Nate Smith, Walter Smith III, Cisco Swank, Relyae, Rae Khalil, Moonchild‘s Amber Navarn, Planet Giza, and more.

Long considered one of Los Angeles’ best kept musical secrets, Kiefer has been described as a musician, who doesn’t just play keys with his fingers, but his soul. He’s a truly gifted artist, who has actively redefined that sweet spot between jazz improvisation and hip-hop beat making through a distinctive musical style, which he calls “Over The Breaks,” which reaches new heights of creativity on Memory Bomb.

The acclaimed Los Angeles-based artist is a believer in embracing new inferences and new styles through collaboration with others — and that’s where the journey to his first Blue Note bandleader album began. His first priority was to get his two best friends — CARRTOONS and Shibo — to co-produce the album with him, as they completely understood his sound, his harmonic sensibility and both are extremely adept at drum programming. The innovation through collaboration mindset extended to the inclusion of a talented cast of vocalist, rappers and musicians in interesting combinations, The result was something new and exciting while still sounding like a Kiefer-led project.

The album’s title, Memory Bomb is a poetic and metaphoric way of saying a dream. For Keifer, there are three types of dreams/memory bombs, the sort you experience when you sleep, the wishful longing type and the ambitious type — and those themes populate the direction of many of the album’s songs. Throughout the album’s runtime, there is a lyrical feel with the album’s material telling a story. It’s wistful, poetic and groove-driven, centered around the sensation of being in a dreamscape. And because of the material’s improvisational moments, the story changes every time the listener listens to it.

The album will include the previously released “NewLevels NewDevils” feat. Tony Stony, Erick The Architect and CARRTOONS, album title track “Memory Bomb” feat. Walter Smith III, Flanafi, and Shibo,” and the album’s third and latest single “BusyForYa” feat. Planet Giza and Shibo. “BusyForYa” is a soulful blend of neo-soul, R&B and pop and hip-hop built around the acclaimed pianist’s strutting and twinkling keys, a strutting bass line and swaggering hip-hop beats beneath soulful crooning and a thoughtful, conscious verse.

Single Review by William Ruben Helms

New Audio: My Morning Jacket and Preservation Hall Jazz Band Team Up to Tackle Neil Young’s “Like A Hurricane”

https://youtu.be/NzgXx7Ol-Bg?si=D0leDjp8-5V7VLKD

Cinema Music Group and Killphonic Records recently announced that they’ll be releasing Heart of Gold: The Songs of Neil Young, Vol. 2 — Out of the Blue and Vol. 3 — Into the Black on November 6, 2026. Featuring contributions from King Princess, Draco Rosa, Lucinda Williams. Ann Wilson, Peter Frampton, LP, MJ Lendermann, Ben Gibbard, Cold War Kids, Kurt Vile and The Violators, Los Lobos and a lengthy and impressive list of others. these new volumes beautifully blend cherished classics with innovative interpretations that honor Neil Young‘s enduring and towering musical legacy.

Proceeds from the albums will benefit The Bridge School. Founded in 1986 by Neil and Pegi Young, The Bridge School to serve individuals with severe speech and physical impairments, much like their son Ben. The organization was built on a simple but powerful belief” every individual deserves the opportunity to communicate. Over the past 40 years, The Bridge School has helped transform the lives of thousands of individuals with complex communication and physical disabilities while helping shape the fields of augmentative and alternative communication (AAC) and assistive technology (AT) through innovative education, research and professional development.

The Bridge School’s impact extends far beyond its campus. Its education model, professional training. and outreach and research programs have reached professionals, families and individuals around the globe. Through their Bridge to Life program, the organization now provides direct services, consultation, and training for individuals with communication and/or physical disabilities from infancy through adulthood. ensuring that people of all ages have access to th tools and support they need — and deserve — to communicate, participate, and thrive.

As the organization celebrates its 40th anniversary, it continues to advance the belief that communication is a fundaamental human right — and that every voice deserves to be heard.

And to support the international release of the complications. Cinema Music Group and Killiphonic Records partnered with City Slang, who will oversee physical distortion and marketing across the UK, Europe, Australia and New Zealand, expanding the reach of the Heart of Gold project while brining all three volumes to fans through its established retail and distribution networks.

Vol 2. — Out of The Blue’s latest single features My Morning Jacket teaming up with the iconic Preservation Hall Jazz Band to tackle “Like A Hurricane.” The My Morning Jacket and Preservation Hall Jazz Band cover, lovingly retains the drunken, wistful sway and aching longing of the original while adding some subtle NOLA soulfulness to the proceedings, before building up to a passionate frenzy for the song’s coda.

“We were so honored to get to be at several of the Bridge School Benefit concerts in the past, and are so honored to once again be a part of raising funds for this amazing school, with these amazing songs of Neil Young,” My Morning Jacket’s Jim James says. “We felt like teaming up with Preservation Hall Jazz Band would add some magic to this track, so we all got together with producer Ross Hogarth down in New Orleans and recorded it live at Marigny Studios. We hope you enjoy listening to it as much as we enjoyed playing it!”

Throwback by William Ruben Helms

Throwback: John Coltrane’s “A Love Supreme”

The annual JOVM tradition: John Coltrane’s “A Love Supreme” on September 11.

Video by William Ruben Helms

Throwback: Happy 106th Birthday, Charlie Parker!

JOVM’s William Ruben Helms celebrates the 106th anniversary of the birth of Charlie Parker.

Video by William Ruben Helms

Throwback: Happy 57th Birthday, Meshell Ndegeocello!

JOVM’s William Ruben Helms celebrates Meshell Ndegeocello’s 57th birthday.

Video by William Ruben Helms

Throwback: Happy 92nd Birthday, Wayne Shorter!

JOVM’s William Ruben Helms celebrates the 92nd anniversary of the birth of Wayne Shorter.

Single Review by William Ruben Helms

New Audio: Mathis Picard Shares Gorgeous, Soulful “Portrait of Lizzy”

Born in France to a French father and a Malagasy mother, acclaimed composer, bandleader and pianist Mathis Picard began playing piano when he was four and pursued a rigorous musical education across the US, France and the UK. Currently based in New York, Picard is a Juilliard School graduate, an ASCAP Next Generation of Songwriters recipient and a member of the Montreux Jazz Artists Foundation. Adding to a growing profile, the French-born, New York-based artist has performed with Ron Carter, Lillias White, Céceile McLorin Salvant, Wynton Marsalis, Christian McBride and a lengthy list of others, while making a run of the global touring and festival circuit, playing sets at Umbria Jazz Festival, Montreux Jazz Festival and The Jazz Cruise.

Picard’s newest band The Sound Orchestra can trace its origins back to when he was 13: Back then he led a similar ensemble while studying at Chetham’s School of Music in England. The first iteration of his US-based Sound Orchestra bean as a three-horn ensemble performing the French-born composer and musician’s original work, featuring Giveton Gelin and Ruben Fox. The band continued to expand over the years into a full-fledged orchestral unit featuring a saxophone section, electric bass and an expansive percussion section providing the rhythmic foundation for Picard’s genre-bending compositions.

The project’s debut, The Sound Orchestra, which is slated for a November 6, 2026 release through La Reserve Records is the latest chapter in Picard’s career — a career that has seen him emerge as one of the most distinctive young artists and voices in contemporary jazz. Throughout the band’s debut, Picard’s arrangements draw from and musical worlds that have shaped him e rhythms from his mother’s native Madagascar meets Afro-Cuban music, 1970’s Earth, Wind & Fire-like funk, Duke Ellington and Fats Waller. “This is not your traditional Big Band record,” Picard explains. “The goal of the band was always for it to make people dance. Whether it be swing music, house, dubstep, waltz, or even a ballad, I wanted to connect with the audience through dance. Dance for me is this wonderful way to express our bodies, and for us to be together in community.”

The Sound Orchestra‘s first single “Portrait of Lizzy” is a celebration of Picard’s life through a re-imagining of the American standard “Portrait of Jennie.” Released on the couple’s third wedding anniversary, “Portrait of Lizzy” is an old-school, Big Band-styled ballad specifically meant for those deeply in love romantic couples to slow dance, cheek-to-cheek, rooted in some soulful and gorgeous performances.

Mathis and Lizzy were married at Jazz at Lincoln Center’s Dizzy’s Club, an institution with a deep connection to Picard’s career and his time at The Juilliard School. Picard has also performed with The Sound Orchestra at Dizzy’s dance parties, including a night celebrating the legendary music of Earth, Wind & Fire. Continuing his relationship with Lincoln Center, Picard will play a solo set on October 9, 2026 at Lincoln Center’s Kenneth C. Griffin Sidewalk Studio to honor the musical legacy of San Juan Hill.

Single Review by William Ruben Helms

New Audio: Kiefer Shares Dreamlike “Memory Bomb” feat. Walter Smith III, Flanafi, and Shibo

Los Angeles-based acclaimed pianist and producer Kiefer Shackelford, a.k.a. Kiefer was raised in San Diego by parents, who were both aerospace engineers and keen pianists, who both influenced him in their own way: His mother taught him at a very young age how to read music and play piano, starting with simple Bach minuets. His father was a huge jazz head, and a fan big fan of Blue Note Records in particular. who released albums by Sonny Clark and Gene Harris.

Shacklelord would endlessly listen to Kind of Blue and after reading Miles Davis‘ biography when he was 13, he knew that he wanted to become a jazz musician. During high school, he studied jazz piano with a local teacher and went to attend UCLA, where Blue Note recording artist and legendary guitarist Kenny Burrell, who was head of the school’s jazz program, became one of his tutors throughout his studies.

After completing his studies, Shackelford signed to Stones Throw Records, where he quickly established his musical identity and gained attention with a series of releases including 2018’s Happysad, 2021’s Between Days and 2023’s It’s Okay B U. Adding to a growing profile, he has collaborated with Dr. Dre, De La Soul, Pete Rock, Anderson .Paak, Terrace Martin and a growing list of others. He’s also a member of the collective FATHERS with Ben “CARRTOONS” Carr, Nate Smith and producer Kenneth Blume, who released their self-titled debut on Blue Note earlier this year.

2026 will continue to be a busy year for the acclaimed pianist: His fourth album, and Blue Note Records debut, the Kiefer, Shibo, and CARRTOONS co-produced Memory Bomb is slated for a September 25, 2026 release. The album will feature guest spots from Tony Stone, Erick The Architect, CARRTOONS, Nate Smith, Walter Smith III, Cisco Swank, Relyae, Rae Khalil, Moonchild‘s Amber Navarn, Planet Giza, and more.

Long considered one of Los Angeles’ best kept musical secrets, Kiefer has been described as a musician, who doesn’t just play keys with his fingers, but his soul. He’s a truly gifted artist, who has actively redefined that sweet spot between jazz improvisation and hip-hop beat making through a distinctive musical style, which he calls “Over The Breaks,” which reaches new heights of creativity on Memory Bomb.

The acclaimed Los Angeles-based artist is a believer in embracing new inferences and new styles through collaboration with others — and that’s where the journey to his first Blue Note bandleader album began. His first priority was to get his two best friends — CARRTOONS and Shibo — to co-produce the album with him, as they completely understood his sound, his harmonic sensibility and both are extremely adept at drum programming. The innovation through collaboration mindset extended to the inclusion of a talented cast of vocalist, rappers and musicians in interesting combinations, The result was something new and exciting while still sounding like a Kiefer-led project.

The album’s title, Memory Bomb is a poetic and metaphoric way of saying a dream. For Keifer, there are three types of dreams/memory bombs, the sort you experience when you sleep, the wishful longing type and the ambitious type — and those themes populate the direction of many of the album’s songs. Throughout the album’s runtime, there is a lyrical feel with the album’s material telling a story. It’s wistful, poetic and groove-driven, centered around the sensation of being in a dreamscape. And because of the material’s improvisational moments, the story changes every time the listener listens to it.

The album will include the previously released “NewLevels NewDevils” feat. Tony Stony, Erick The Architect and CARRTOONS, and the album’s second single, album title track “Memory Bomb” feat. Walter Smith III, Flanafi, and Shibo. “Memory Bomb” is a meditative, almost wistful blend of bop-era jazz, jazz fusion and beatmaking that’s dreamlike and effortlessly soulful.

Single Review by William Ruben Helms

New Audio: Erica Tucceri Shares Breezy, Dance Floor Friendly “Grazie Ragazzi”

Erica Tucceri (pronounced like “two cherry”) is a Melbourne/Naarm-born, London-based producer, composer and flautist, who first cut her teeth as a prolific collaborator, working with Surprise Chef, ZEFX, Don Glori, Alexander Flood and a list of others from the local jazz scene while amassing a cult following for her signature tonal control and explosive solos.

Tucceri stepped out into the spotlight as a band leader and composer at 2024’s Melbourne International Jazz Festival, where her anticipated “Take Note” composition for 10 piece ensemble with strings was a triumphant sold-out headline debut that also showcased her continuing evolution as an artist.

Since relocating to London, the Aussie-born producer, composer and flautist signed to DeepMatter Records, who will be releasing her highly-anticipated full-length debut. Route 96. The album, which is slated for a November 27, 2026 release is part-diary, part-love letter to Melbourne/Naarm that was conceived during an unlikely stint moonlighting as a tram during during COVID-19 lockdowns. The rhythms and every day patter of the city and city life are translated into a blend of percussive, flute-driven cosmic jazz, informed by psychedelia and the dance floor. “This album is what happens when you leave a moonlighting musician alone in the drivers cabin of a Melbourne tram for a few years,” Tucceri says. “The compositions took shape while I drove. Influenced by the city around me, I’d sing ideas into my phone at the end of my shift, tying the fabric of the music to the sights, sounds and memories of the city. My only rule: if it was catchy enough to have remembered throughout the shift, it was worth capturing.”

Sitting on a growing stockpile of ideas, it wasn’t until the return of longterm friends Lewis Moody (keys, production) and Ziggy Zeitgeist (drums) to Melbourne/Naarm in late 2022 that she realized she actually had an album’s worth of material. Her backing band is rounded out by Matthew Hayes (bass) and Ray Pereira and Javier Fredes, two cross-generational masters of percussion and scene stalwarts, who contribute Cuban and West African-inspired percussion reuniting for their first collaboration together in twenty years.

The album follows upon the critical success of previously released single “Hey Bear” and “Flute Trip,” which received airplay across Australian community radio stations, including PBS FM and Triple R, and broke through onto UK national radio with airplay from Gilles Peterson, Jamz Supernova and BBC 6 Music’s New Music Fix Daily, as well as Jazz FM, Rinse FM and more. And adding to a growing profile, she has toured the world with various projects and has showcased her own music at EFG London Jazz Festival and at Ronnie Scott’s Jazz Club.

Route 96‘s first single “Grazie Ragazzi” is a breezy and strutting bit of disco-tinged jazz funk, anchored around African-inspired percussion, a deep dance floor friendly groove, an incredibly catchy melody and some fiery and passionately improvised solos. Sonically resembling a mix of 70s jazz fusion and contemporaries like Surprise Chef, Mildlife and L’Eclair, the track captures — and evokes — the lingering buzz of joy of freedom, of seeing sweaty bodies moving and grooving and the appreciation of collective experience after a show at Section 8.

“I will never forget the way the energy of the whole room turned. It was heaving,” Tucceri recalls. “Everyone in the space turned to face the stage, the band were on fire and the dance floor went completely nuts, almost as one. I’ve spent many a night at Section 8, but I’ve never seen that again.”

Video by William Ruben Helms

Throwback: Happy 122nd Birthday, Count Basie!

JOVM’s William Ruben Helms celebrates the 122nd anniversary of the birth of Count Basie.

Video by William Ruben Helms

Throwback: Happy 101st Birthday, Oscar Peterson!

JOVM’s William Ruben Helms celebrates the 101st anniversary of the birth of Oscar Peterson.

Video by William Ruben Helms

New Video: Two Lush and Soulful Tunes from Zurich’s Okvsho

Zurich-based sibling duo Okvsho — Georg and Christoph Kiss — will be releasing their fourth album Frozen Flashes on September 18, 2026 through Current Moves. Recorded between Zurich and London, Frozen Flashes reportedly find the […]