Category: music video

New Video: J. Bernardt Returns with Swaggering and Strutting “Love Is On My Mind”

Jinte Deprez is an acclaimed singer/songwriter, multi-instrumentalist, arranger, programmer and producer, best known as being one-half of the songwriting duo behind the acclaimed Belgian JOVM mainstays Balthazar. Over the course of their two-plus decades together, the acclaimed Belgian outfit has played across the global festival circuit with sets at All Points East, British Summer Time, and others — while selling over 600,000 albums globally. And during that same period of time, Deprez has firmly cemented a reputation for being a wildly talented generalist: Along with his songwriting partner and bandmate Maarten Devoldere, Deprez has co-produced three of Balthazar’s five albums to date. 

Deprez is also the creative mastermind behind the acclaimed solo recording project J. Bernardt, With J. Bernardt, Deprez has released two albums, 2016’s self-produced Running Days and 2024’s Tobie Speleman and Deprez co-produced Contigo. His third J. Bernardt album, the Paul Butler-produced Wild Swim is slated for a November 13, 2026 release through Play It Again Sam.

Unlike his previously released work, Deprez chose to step outside of anything familiar in his creative process. He travelled alone to Los Angeles, where he leaned hard into a caricature of himself: a washed-up European musician landing in America to reinvent his life and his carer. He learned so hard into the caricature that it was as though Jinte Deprez didn’t get on the plane; but rather, J. Bernardt.

Recorded at Los Angeles-based 64 Sound Studio, Wild Swim‘s producer Paul Butler created an initiative environment in which Deprez found what may arguably be the most liberated vocal performance of his entire career to date. “On my third solo record, I truly felt for the first time what singing can feel like.” he says. Los Angeles itself also left its mark on both Deprez an the recording sessions. The city’s uncompromising and frenetic energy collided head-on with the acclaimed Belgian artist’s West Flemish instinct for restraint “In the US, there is no time for subtlety. You surrender to your impulses,”

Many of the songs were recorded in fiery one-take performances with Alabama Shakes‘ Lewis Wright (drums), Adele‘s Peter Randall (bass) and Edward Sharpe & The Magnetic Zeros’ Mitchell Yoshida (keys). The result is a more ope and expansive sound that retains the project’s signature but expands into a retro-modernist sound with smoldering rhythms and sprawling melodies. The Motown-like backing vocals of Lex Noblitt, Isabel Whelan and Dasha Chadwick are woven throughout the album’s material, acting as a counterpart to Deprez’s vibrato. And Butler’s kaleidoscopic production makes the album’s material feel as though every window in the Belgian artist’s mind has been thrown open at once. The result is album that’s euphoric and reckless.

Thematically, Wild Swim sees Deprez take a new direction. Whereas his previously released albums were fairly autobiographical, the new album features a more universal perspective, embracing a manic celebration of life’s randomness. The song’s aren’t anchored in reason, but rather in feeling with the album being a balancing act between lust for life and a sort of euphoric nihilism. “After the wreckage of a breakup, eventually you reach the point where you can see the humor in life again,” Deprez says.

Wild Swim will include the previously released “Four In The Morning” and the album’s latest single “Love Is On My Mind.” The new single is a strutting and soulful pop tune that showcases Deprez’s uncanny knack for remarkably catchy hooks — but while arguably being among the most euphoric, playful tunes of his growing catalog.

“’Love Is on My Mind’ is a guitar-driven song I wrote on an old piano, while feeling watched by the stars,” Deprez explains. “It’s about a new, unintentional starting point — ‘I hear it coughing around the corner, ready to cause a scene, how the hell did love get in my mind.’ Who knows when or how, but you always seem to pick yourself back up one day, right when you weren’t paying attention.”

Directed by SJ Spreng, the accompanying video is a cinematically shot GQ-like visual sho tin Los Angeles earlier this year and features the Belgian artist in some snazzy outfits, strutting and vamping in the hills.

New Video: Tokyo Tea Room Returns with Breezy “Hypnotised”

Last year’s full-length debut, No Rush saw the rising Margate, UK-based outfit Tokyo Tea Room — Daniel James Elliot, Beth Dunn, Ben Marshall, Sam Teather and Sam Ewens — quickly establishing a sound and approach that takes listeners on a journey within a tender, comfortable bubble. Their music is inspired by lived-in, human emotions while thematically exploring longing and the ephemeral nature of existence. The album eventually led to millions of monthly listeners across the DSPs and a sold-out North American tour, helping the band amass a rapidly growing global audience.

The Margate-based quintet’s highly anticipated sophomore album, the Daniel James Elliot and Kristofer Harris co-produced Feel Forever is slated for a September 18, 2026 release through Nice Guys. The album, which marks the first time Elliot has worked with a producer, reportedly sees the rising taking a bold step forward with their sound. And while being a decided evolution, the material remains rooted in the emotional depth that they’ve begun to be known for. “We took a yacht rock approach to the recording, taking our time to smooth all the edges and make something that felt more polished than the last record,” Elliot says of Feel Forever‘s recording process. “Both of us spent hours obsessing over the smallest detail, which felt very apt for this album. The result is something that we are all very proud of, it’s a different kind of Tokyo Tea Room that has come out the other side of it, but it feels right and I hope people enjoy listening.”

Feel Forever will include the previously released “Eyes Off You” “Always In The Sun” and album’s fourth and latest single “Hypnotised.” Featuring glistening synth stabs, a sinuous and strutting disco groove beneath Beth Dunn’s yearning, ethereal delivery, “Hypnotised” is a hook-driven and breezy tune that’s seemingly one-part yacht rock, one-part Yumi Zouma — and wholly escapist fantasy of eloping to balmier climates with a lover or love interest. But beneath the laid-back two-step including groove and beach club-meets-lounge vibes, “Hypnotised” captures the woozy and euphoric glee of madly obsessive love.

“‘Hypnotised’ is about that feeling of being completely drawn in, when everything else around you seems to blur,” says the band’s Daniel James Elliot. “It’s the uncertainty and fantasy that contribute to the excitement of something new, and I wanted to reflect that in this song, kinda like a soundtrack to your mind wandering into a daydream.”

Directed and animated by CC Mulligan, the accompanying video for “Hypnotised,” features some mind-bending, brightly colored and downright trippy imagery.

The rising British act will return to North America for a fall tour, supporting their new material. The tour includes two NYC area dates — October 13, 2026 at Music Hall of Williamsburg and October 14, 2026 at Bowery Ballroom. Check out the rest of the tour dates below.

New Video: Julia Jacklin Returns with Anthemic “The Hardest Thing”

Acclaimed Melbourne-based singer/songwriter and musician Julia Jacklin will be releasing her highly-anticipated fourth album, the Robert Muiños and Jacklin co-produced, 10-song album  The Gem through 4AD Records digitally and on CD, cassette and vinyl on September 25, 2026. Exclusive color vinyl editions with retailers will include turquoise, green opal, ruby and rose quartz. Pre-order information can be found here.

The album will include the previously released “Get Away From Me (I Think I’ll Love You),” the album’s closing track ” “I Wish” feat, Aussie folk sibling duo The Maes, and the album’s third single, “The Hardest Thing.” is a proudly heart-worn-on-sleeve anthemic ballad featuring a narrator, whose relationship on the brink, detailing a relationship at a crossroads — or about to peter out to an inevitable conclusion. Lyrically, the song is rooted in small, lived-in details that give the song a personal yet deeply universal touch.

Directed by Danny Cohen, the accompanying video was shot in one lengthy take and filmed from a helicopter winding through Melbourne’s skyline, gradually showcasing the acclaimed artist performing the song on top of skyscraper.

New Video: Sour Widows Share Hypnotic and Urgent “Lucky Star”

Bay Area-based duo Sour Widows — Maia Sinaiko and Susanna Thomson — will be releasing their highly-anticipated Melina Duterte-produced sophomore album Sigil on October 23, 2026 through Julia’s War Recordings.

Not long ago, Sour Widows’ Maia Sinaiko had a nightmare that morphed into an epiphany. While they slept, Sinaiko imagined that the world was ending, that the Earth itself was about to be swallowed by a black hole. From their perch in an old bedroom in a long-ago apartment, Sinaiko saw that physics itself was rupturing — water ran in reverse, doors locked and unlocked without a touch, traffic lights hung upside down. All traces of human civilization would soon be obliterated, our collective efforts lost forever; no one would ever know, Sinaiko realized in their nocturnal terror, about the films their sister had made. Sinaiko cried to their father, who responded to this looming end-of-everything scenario with an unexpected bit of sanguine wisdom: “But it could be amazing.” 

That dream is the premise of the album’s opener a title track “Sigil,” an album that derives its name from a dream that Susanna Thomson had about making an album called Sigil. The album’s material navigates a wasteland of human cruelty, brutality and loss to emerge with a defiant, hard-won hope. Throughout the album’s runtime, terrible things happen: A genocide leaves bodies rotting in the sun. Lovers subjugate their counterparts with empty promises, emotional abuse, and physical dominance. Parents are lost, leaving behind massive chasms emotionally and psychologically that continue to grow. And yet, the conflicts and crises described throughout the album’s songs alternately produce righteous rage, welcome solidarity and revelatory freedom. Thematically, the album touches on growth and persevering through hard shit — as we are right now — and as a result, the songs reportedly feel like deep, personal breakthroughs. In life, an end is always nearby. But what comes after can be fucking amazing.

Sonically, Sigil‘s material curves in unexpected directions and is anchored in a newfound immediacy that feels as though the duo have urgent findings and thoughts to share with the listener, making the album arguably the most magnetic they’ve written and recorded to date.

Sigil‘s latest single “Lucky Star” manages to be a hypnotic yet urgent, searing yet melodic tune that alternates between dreamily melodic verses and noisy, screeching electronics-driven hooks and anthemic, mosh pit friendly choruses — and it’s all underpinned by a shimmering, looping guitar line. The song twists, turns and morphs in odd, prismatic directions. “‘Lucky Star’ is a spell for achieving your dream. Sing the chorus to yourself before bed and maybe it’ll come true,” says Maia Sinaiko.

Directed by the band’s Maia Sinaiko and Susanna Thomson, the accompanying video for “Lucky Star” was shot on VHS tape — and accurately captures 120 Minutes-era MTV alt rock vibes.

New Video: Leon Bridges Shares Strutting and Buoyant “Talk It Over”

Atlanta-born, Fort Worth, TX-raised singer/songwriter and musician Leon Bridges quickly established himself as one of America’s most exciting new artists with 2015’s platinum-certified, Grammy Award-nominated debut Coming Home, which featured breakout singles “Coming Home” and “River.” Bridges followed up with 2018’s critically applauded Good Thing, which saw him expanding upon his sonic panic while earning a Grammy Award-nomination for Best R&B Album and a Grammy Award for Best Traditional R&B Performance for “Bet Ain’t Worth the Hand.”

2021’s Gold-Diggers Sound was the acclaimed Atlanta-born, Fort Worth-based artist’s most adventurous album to date, and the album received critical applause while earning another Grammy Award-nomination for Best R&B Album. His most recent album, 2024’s Lean is an introspective effort inspired by his Texan roots and his artistic evolution.

Along with his solo work. he has collaborated with equally acclaimed act Khraungbin on two albums — 2020’s Texas Sun and 2022’s Texas Moon. Bridges who has earned six Grammy Award-nominations — three for Best R&B Album — and a Grammy Award-win, has also collaborated with an eclectic array of artists, including John Mayer, Kacey Musgraves, Robert Glasper, Terrace Martin, Gunna, The Avanlanches, Gary Clark, Jr. and Shaboozey, all of which showcase a remarkably versatile artist.

Adding to a rapidly growing profile, Bridges has a long-held reputation as a captivating live performer, who has made a run of the global concert and festival circuit, playing an increasing number of the world’s major festivals while making appearances on Saturday Night Live, NPR’s Tiny Desk Concert and Austin City Limits.

Bridges fourth album, the J Lloyd-Watson and Lydia Kitto-produced fifth album, Happiness Anytime is slated for a September 25, 2026 release through Columbia Records. Happiness Anytime reportedly sees the acclaimed Atlanta-born, Fort Worth-based artist returning to the warmth of his 2015 debut but while seeing the members of Jungle and Bridges’ signature sensibilities blending to create something entirely new — an expansive, borderless sound and approach that pushes the Grammy Award-winning artist into band new territory. The material reportedly echoes Fela Kuti, Paul Simon’s 1990 effort The Rhythm of The Saints and Jorge Ben without feeling referential. At its core, the album is reportedly boundary pushing while remaining unmistakably Leon Bridges, rooted in his imitable vocal, effortless charisma and melodic sensibilities.

The album was written and recorded across three fast and furious sessions with Lloyd-Watson and Kitto, a collaboration that can trace its origins to the trio repeatedly crossing paths across the global festival circuit. The trio decided to attempt a low-pressure writing session at Los Angeles-based Chaplin Recording Studios. Four days later, they ha come up with six songs — half of the completed album. Pino Palladino contributed bass during the sessions. The end result is a timeless body work of that feels unfussy and breezy — that they all hope will make the listener feel happiness anytime they play it.

“For me, happiness is not a feeling that you chase,” Bridges says,“I want this album to be something that lingers with people and lingers in people’s bones. There’s this feeling that we have to fix the problems of the world; you feel inadequate or it can be debilitating. My role is to be light. I hope that comes across with this album.” With Happiness Anytime, Bridges actively sets out with a desire to not only find joy but to find movement again.

Early in his career, Bridges was out in front dancing — and that was something that has wanted recently. He wanted to get back to making music to dance to, music to excise the stresses and frustrations of modern life, and to feel grounded in the rhythms of the present. Interestingly, over the summer, he has been introducing audiences to the new album with sets in Paris, Cannes, Los Angeles, Montreux Jazz Festival, London, Chicago and Outside Lands. And as he has being playing the new material live, he has unveiled “Leon Bridges Presents Happiness Anytime,” a reimagined stage production featuring a vinyl DJ, a horn section, three backing vocalists and Bridges out in front dancing and singing. Partly inspired by the communal spirt of Jamaican dancehall culture, the live set mirrors the album’s emphasis on movement — and on dancing your stresses and frustrations away for a bit.

In the meantime, Bridges recently released the second of three, 4-song EPs that will comprise the entire album. The second EP features album title track “Happiness Anytime,” “All Day All Night” feat. Lydia Kitto, “Fly Baby,” and “Talk It Over.” Featuring a strutting and jubilant, dance at the function groove beneath Bridges’ effortless, old-school soul-inspired delivery, “Talk It Over” is an ode to working things out and trying to make it all work that seemingly channels a blend of Al Green’s “Let’s Stay Together,” and The Rhythm of the Saints while showcasing his unerring knack for catchy hooks.

Directed by D+Y and shot in Amsterdam, the accompanying video features Bridges and a multi-racial collection of beautiful dancers performing choreography by the Plue Agency. The video is centered around the album’s inspirations — movement, dancing and ebullient, infectious joy. And honestly, we could all use a lot more joy in our lives.