Category: Soul Music

Throwback: Happy 70th Birthday, Teena Marie!

JOVM’s William Ruben Helms celebrates the 70th anniversary of the birth of Teena Marie.

New Audio: The Womack Sisters Share Defiant “You Went Away Too Long”

Rising Los Angeles-based soul trio The Womack Sisters — Kucha, Zeimani and BG — can trace the origins of their careers to their childhood: The trio were singing before they could even walk. They grew up on stages and in studios across the globe, singing behind their parents, as well as their legendary uncle, Bobby Womack. Adding to The Womack Sisters’ remarkable pedigree, their grandfather was the iconic Sam Cooke.

No matter where they called home at the time — London, Thailand, Amsterdam, Kenya, West Virginia, The Bahamas — music and family were always a constant at the center of their lives. Of course, fas the sisters grew up, each with their own respective journeys, experiences and heartaches, they managed to find their own voices and their own path.

Each member of the trio has their own individual vocal, but they playfully trade leads and effortlessly (and perfectly) blend their harmonies in a way that only siblings can.

Back in 2016, a mutual friend introduced The Womack Sisters to Daptone Records co-owner and producer Gabriel Roth, a.k.a. Bosco Mann, who heard them sing and feel quickly and deeply in love with their voices. Shortly after, they went met at Daptone’s Riverside, CA-based Penrose Studios to record their label debut, “If You Want Me“/”I Just Don’t Want You (To Say Goodbye).”

The trio’s latest single “You Went Away Too Long” opens with a broodingly cinematic introductory section featuring shimmering and quivering Rhodes, regal horns and orchestral chimes before quickly shifting to a tender, classic soul-inspired first verse showcasing an achingly melancholic longing of women, who just haven’t been able to forget or get over a lover, who did them wrong. But by the defiant chorus, it’s obvious that the women have the confidence to refuse to wait too long for their due. Life is short and you can’t delay on living the best life you can possibly live.

“This song holds a deep meaning that’s different for each of us,” the trio explains. “Imagine precious time stolen from your life, slipping away like sand through an hourglass, as your loved ones slowly forget the sound of your laughter. ‘You Went Away Too Long’ is a song about love and life interrupted.”

New Audio: Tiwayo Shares a Soulful and Contented Sigh of Appreciation

Tiwayo is a Paris-born singer/songwriter, who released two critically applauded albums, 2019’s The Gypsy Soul of Tiwayo and 2023’s Desert Dream, which he supported with opening slots for Curtis Harding, Cody ChesnuTT and Marcus Miller among others. Adding to a growing international profile, the Parisian-born artist was celebrated by the likes of Norah Jones, Tony Visconti and Don Was.

As the story goes, Tiwayo, who has been nicknamed “The Young Old” for his timeless vocal, had nearly vanished before the scene when he crossed paths with Grammy Award-winning producer, songwriter and Black Pumas founder Adrian Quesada at Les Eurorockéennes Festival. Quesada heard Tiwayo’s demos and knew he must work with the acclaimed French artist.

Tiwayo’s third album, the Adrian Quesada-produced Outsider, which is slated for an April 10, 2026 release through Record Kicks Records was recorded at Quesada’s Austin-based Electric Deluxe Recorders.

Throughout his career, Tiwayo has refused to play by the genre’s rules. In fact, he stands uniquely apart as a Frenchman in Texas, as a soul singer with a bluesman heart, and a traveler, who is constantly an outsider. And while embracing being an outsider, he eschews the polish and shine of the contemporary soul revival scene for a raw, unvarnished take on the sound that to hm carries the deepest power.

Sonically, Outsider is a genre-bending take on soul that features contributions from Quesada’s Black Pumas bandmates, as well as guest spots from Eric Clapton‘s Doyle Bramhall II and JOVM mainstay Kendra Morris.

Outsider will include the previously released “I’ve Got To Travel Alone,” and “Up For Soul,” which received airplay from KCRW, KEXP, BBC Radio 2, BBC Radio 6, Jazz FM, Radio Eins, Jazz Radio, RAI Radio 1 and others, as well as its third and latest single, “Sunshine Lady.”

Arguably one of the brighter, more buoyant tracks of the album to date, “Sunshine Lady” is a crafted bit of Memphis and Muscle Shoals-inspired soul featuring Jay Mumford (drums) and Terin Moswen Ector (bass) that showcases the French artist’s catchy hooks, a soulful groove and Quesada’s unerring knack for gritty and timeless sounding production with earnest, lived-in lyrics and an effortlessly soulful delivery. At its core “Sunshine Lady” is a contented sigh and an expression of gratefulness for having a romantic partner, who completely and patiently understands you and what makes you tick. This is anchored by the understanding that finding that sort of partner can seem both extraordinarily lucky and rare, which fittingly adds to overall sense of thankfulness within the song.

“Sunshine Lady” was sparked by a comment from a close friendly, who told the French-born artist, “You always write sad songs, why don’t you write something happy to change a little?” Taking that suggestion to heart, Tiwayo wrote the song as a tribute to his partner, a constant source of patience and comfort during intense periods of home studio work.

New Audio: Parlor Greens Return with Slow-Burning “Drop Top”

Organ trio Parlor Greens features a collection of grizzled veterans and incredibly accomplished musicians: 

The trio’s highly-anticipated sophomore album Emeralds is slated a March 27, 2026 release through Colemine Records. Their sophomore album reportedly sees the acclaimed trio upping the ante while capturing the band in top form: tour tight and more confident than ever in who they are and where they’re going. Though the results are stronger than ever, the overall mood of the recording sessions was much different. 

The first time the trio met in Colemine’s Loveland, OH-based Portage Lounge Studio, the meeting was marked by a certain sense of freshness: It was the first time they had all played together. Understandably, it was exciting and unknown territory. But the sessions were underlined by the heaviness each of the individual members were going through at the time. With each member dealing with personal tragedies in their individual lives, the sessions serves as a genuine moment of joy. Just three talented musicians, writing and playing music, now as friends, in a familiar environment. 

Emeralds will feature the previously released, album opening “Eat Your Greens,” a strutting and rollicking groover of a tune, and the album’s latest single “Drop Top.” “Drop Top” is anchored around a slow-burning, sultry Quiet Storm-like strut of a tune completed by Scone’s shimmering bass organ and James’ bluesy guitar melody. While arguably being one of the more mellow soul jazz compositions of their growing catalog together, “Drop Top” continues to showcase both their seemingly effortless simpatico and their unerring knack for pairing tight groove with improvisation and old-fashioned songcraft.