Comprised of the Ann Arbor, MI-born, Los Angeles, CA-based soul singer/songwriter Mayer Hawthorne, arguably one of the most unheralded vocalists and singer/songwriters of the past decade; and Jake One, a Seattle, WA-born and based, Grammy nominated producer and artist, who was best known as part of the G-Unit, production team The Money Management Group, for collaborating with Brother Ali, Young Buck, De La Soul, M.O.P., Freeway, M.F. Doom, Atmosphere‘s Slug, Keak da Sneak and others, and for contributing tracks to the soundtracks of major motion pictures such as Get Rich or Die Tryin,’ The Fast and the Furious: Tokyo Drift and Gone Baby Gone, the electro funk act Tuxedo can trace its origins to around 2006 when Hawthorne and Jake One began exchanging mixtapes, which revealed that they had a mutual appreciation and love of classic funk and soul. The duo quickly worked on and released three singles while both were working on separate solo projects — and those singles wound up on the duo’s 2015 self-titled debut, an effort, which I think was one of that year’s best party records.
Now, it’s been some time since I’ve last written about them — and that shouldn’t be surprising, as Hawthrone released his fourth, full-length effort Man About Town last year and opened for Hall and Oates during the duo’s U.S. tour and Jake One released the #prayerhandsemoji mixtape; but speaking for myself, I’m always in the need of some funk in my life and thankfully, the duo have returned with a three song EP, titled Fux with the Tux.. “Fux with the Tux,” the EP’s title track and opening track pairs Hawthrone’s vocals with a late 70s and early 80s synth funk production featuring squiggly arpeggio synth blasts, propulsive drum programming, a wobbling and tumbling low bass line, a chant-worthy and anthemic hook and a brief braggadocio-filled guest spot from Snoop Dogg. And while sounding as though it drew a some influence from Heatwave‘s “The Groove Line” – 12″ Disco Version, Cherelle‘s “Saturday Love” feat. Alexander O’Neal and others. “Special” clearly continues on a similar vein as it’s incredibly dance floor friendly, while being a sultry come on. It’s the sort of song you’d want to play while dancing with that pretty young thing, you’ve wanted to get with for an entire summer or however long it’s been for you. Completing the three song set, “July” is a slow-burning and silky smooth, Quiet Storm-like track about unexpectedly, stupidly and desperately in love and that love changing the narrator’s life for the better — and of course, its underpinned by Hawthorne expressing a vulnerable, urgent and plaintive need that gives the song an irresistible sensuality.
If there’s one thing that listeners will instantly gleam from this new EP is that Hawthorne and Jake One have further cemented their reputation for crafting dance floor friendly, two-step, 80s-inspired synth funk and sexy, slow-burning ballads with a subtly modern take.