New Audio: All-Star Shoegazer Band Return with Anthemic, Brit Pop-Leaning Single

Currently comprised of founding members and primary songwriters Slowdive‘s Christian Savil  (guitar, bass, keys, and vocals), Sean Hewson (guitar, bass, keys, and vocals), along with Air Formation’s James Harrison (drums) and Slowdive’s Nick Chaplin (bass),  shoegazer act Monster Movie can trace their origins to Savil and Hewson playing in number of bands together going back to the late 80s — including a band called Eternal, which released the “Breathe” single on Sarah Records that featured dreamy, fuzzy guitars and soaring pop melodies that Savil gradually began to become known for. Shortly after the release of “Breathe,”Savil left Eternal to join renowned and influential shoegazer act Slowdive. About a decade later, Savil and Hewson started Monster Movie initially as an attempt to write and record something more Krautrock-leaning; however, their first EP only managed to possessed a few seconds of Krautrock while being primarily shoegazer rock.

During the period of 2002-2010, Savil and Hewson released four full-length albums, a mini album and a few EPs mostly through Graveface Records. Unsurprisingly,  the band had been on a bit of a hiatus as Savil and Hewson had been involved with Slowdive’s highly-anticipated reunion and subsequent touring; however Savil and Hewson’s involvement in Slowdive was instrumental in helping the band’s primary songwriters and founding members realize that they needed to move from being a purely studio project, to become a proper band.

Produced by Graveface Records’ founder and head Ryan Graveface and recorded with Martin Nichols at Weston-super-Mare, the band’s fifth album Keep The Voices Distant is slated for a March 31, 2017 release through Graveface Records — and while marking the first release in over 5 years; however, as you’ll hear on Keep The Voices Distant‘s first single “Shouldn’t Stay From The Shadows,” the single will further cement the band’s reputation for crafting material with soaring and anthemic hooks paired with fuzzy shoegazer and Brit Pop power chords, thundering drumming and a subtly pop power leaning sensibility.