Earlier this year, I wrote about the up-and-coming indie electro pop/neo-soul act Seba Kaapstad, and as you may recall, the act which is comprised of founding members Sebastian “Seba” Schuster, Zoe Modiga and Ndumiso Manana along with their newest member, Philip “Pheel” Scheibel is split between Cape Town, South Africa and Stuttgart, Germany, and can trace its origins to when Schuster landed in Cape Town back in 2013. While studying at the University of Cape Town, Schuster met Modiga and Manana and began working together in an informal setting, in which they jammed playing standards and rearranged songs of their choice. And as they continued working together, the trio recognized a deeper chemistry within their work.
As the story goes, before Schuster returned to Germany, he asked his future bandmates if they’d be interested in recording back in his homeland — and over the next few months, he spent time writing and organizing sessions with the focus on what would eventually become Seba Kaapstad. After a series of phone calls, emails and trips back and forth to Cape Town, the act’s founding trio had written the material that would eventually comprise their full-length debut, 2016’s Tagore.
Thina, Seba Kaapstad’s highly-anticipated full-length sophomore album is slated for a May 17, 2019 release through Mello Music Group, and the album finds the act further expanding on a genre-mashing, globalist sound that draws from neo-soul, hip-hop, jazz, electro pop and Afro pop — while adding a new member Philip “Pheel” Scheibel. Album single “Africa” was centered around a slick and mind-melting production that features elements of smoky jazz, swaggering hip hop, soul and Pan African vibes that brings Soul II Soul, Erykah Badu, theeSatisfaction, The Roots and Flying Lotus to mind.
The album’s latest single “Bye” is centered around an atmospheric and cosmically shimmering production featuring a sinuous bass line, fluttering synths, thumping beats while Manana and Modiga’s ethereal boy-girl melodies and harmonies describe the self-doubt, anxiety and uncertainty filled moments of attraction at first blush. Splitting between the male and female perspective, the song’s central story should feel familiar: it’s the internal monologue many of us have had when we’ve encountered a new potential love interest.