Tag: Flying Lotus

New Audio: Philly’s brushstroke Releases a Wobbly and Expansive New Single

Eoin Murphy is a Philadelphia-based singer/songwriter, multi-instrumentalist and creative mastermind behind the emerging solo recording project brushstroke, a project influenced by neo-soul, psych pop and alternative R&B.

Late last year, I wrote about the slow-burning “Freeze,” a single that reminded me quite a bit of JOVM mainstays Nick Hakim and Tame Impala as it was centered around a dusty, lo-fi production shimmering guitars, twinkling keys, blown-out beats, Murphy’s plaintive and soulful falsetto and a radio friendly hook. Building upon a growing profile, the Philadelphia-based singer/songwriter released his latest single “Lucid,” which finds him further establishing and expanding upon his wobbly, lo-fi sound complete with blown-out beats and shimmering, reverb-drenched guitars, soulful vocals paired with neo-soul crooning and shoegazey guitars and vibes. But unlike its immediate predecessor, “Lucid” possesses a hip-hop-inspired swagger that fully manifests itself with hard hitting boom-bap beats and a skittering J. Dilla meets Flying Lotus-like coda. And underneath all of that is all of the profound and uneasy feelings of the past year or so of most of our lives — that feeling of being adrift and isolated, of frustration and boredom, of anger over increasing injustice and shitty behavior, and so on.

“The concept of the track really just stems from a lot of stress and anger that myself and I’m sure lots of other people we’re feeling throughout 2020.”

Live Footage: JOVM Mainstay Thundercat Performs “Them Changes” at Adult Swim Festival with Ariana Grande, JD Beck, and DOMi

Throughout the course of this site’s decade-plus history, I’ve mangled to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a cornerstone of the Brainfeeder Records universe, releasing an incredibly prolific amount of critically applauded material including 2011’s Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP, 2017’s Drunk and this year’s It Is What It Is. Along with that, Bruner has established himself as a highly sought-after collaborator, contributing to Kamasi Washington’s aptly titled, critically applauded 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. He also worked with Flying Lotus to compose an original score for a 2018 episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Because of the pandemic, concerts and festivals as we remember and love them aren’t possible -and as a result, this year’s Adult Swim Festival was a virtual event — but still chock full of awesome music, comedians and never-before-seen Adult Swim exclusives. Recently, the critically acclaimed JOVM mainstay played a stomping and strutting rendition of one of my favorite songs off 2015’s The Beyond/Where Giants Roam EP “Them Changes” with Ariana Grande, and JD Beck and DOMi that also features an extensive acid jazz fusion break.

“It feels like Ariana and I are forever connected through Mac [Miller] and this is part of the healing process,” Thundercat says.

Thundercat · Dragonball Durag (Remix) [feat. Guapdad 4000 & Smino]

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is was released earlier this year through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

It Is What It Is‘ second single, “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

Thundercat’s fourth album was released to widespread critical applause earlier this year and continuing the momentum as best as he could in light of pandemic-related lockdowns, the JOVM recently released a remix of “Dragonball Durag,” that features St. Louis emcee and vocalist Smino and Los Angeles-based emcee, vocalist, creative and like-minded anime fanatic Guapdad 4000. Smino is the co-founder of the Zero Fatigue collective, which features Bari, Monte Booker, Jay2 and Rayvn Layne — and he’s a member of of Ghetto Sage with Saba and Noname. Gaupdad 4000 and Smino are also members of hip-hop supergroup Zoink Gang with JID and Buddy. So all of these brothers are insanely busy. As far as the remix, it’s a straightforward take on the song that with the addition of Guapdad and Smino’s verses, add a new and ridiculous context to the song.  The swag is more, the fuckboi assholery is more and it’s fucking hilarious.

 

 

 

Andries is an emerging  Oak View, CA-based electronic music artist, electronic music producer and sound designer for film and television. The Oak View-based artist and sound designer began making music while studying Media Arts at Chico State University. Initially starting out by making hip-hop beats, he eventually veered out towards more progressive electronic productions, inspired by Bonobo, Air, and Amon Tobin.

Upon graduation, Andries spent some time in Tokyo, gravitating towards sound design in TV and film. He’s spent the past decade working as a sound effects editor for a number of   shows, including Den of ThievesUp in the AirLost in Space and a growing list of others. His music was sidelined for much of that decade, as he focused his energy on his profession; however, interestingly enough, his experience as a sound effects engineer has become an important part of his approach to arranging and mixing his own original work, work that has been influenced by Dan Deacon, Flying Lotus, Lindstrøm, Boards of Canada, Jean-Michael Jarre, and video game music of the ’80s and ’90s.

The Oak View-based electronic music artist, producer and sound designer’s latest single “Bird of Paradise”  balances a cinematic sweep with a club friendly thump in an ambitious yet incredibly accessible fashion. Centered around an expansive song structure featuring shifting moods and textures, the song is held together by layers of shimmering synth arpeggios, a soaring hook and a motorik-like groove, the song sonically speaking recall a synthesis of John Carpenter soundtracks, Kraftwerk, and Between Two Selves-era Octo Octa — but with an almost painterly attention to gradation and shading.

 

 

New Video: JOVM Mainstays Shabazz Palaces Return with a Lysergic and Hypnotic Visuals for Futuristic “Chocolate Soufflé

Since the release of their critically applauded full-length debut, 2011’s Black Up, the Seattle-based act Shabazz Palaces — emcee and producer Ishmael “Butterfly” Butler and multi-instrumentalist Tendai “Baba” Maraire — have managed to continue Butler’s relentless desire to reimagine what hip hop should and could sound like while boldly proving that they’re the heirs to the astral imaginations of Sun Ra, George Clinton, Octavia Butler and Alice Coltrane. Interestingly, as a result, Butler has collaborated with an eclectic collection of like-minded, critically applauded and forward-thinking experimentalist including Flying Lotus, Thundercat, Battles, Animal Collective, Clipping. and others — and he has toured with the likes of Radiohead and Lauryn Hill.

Now. as you may recall, the act’s forthcoming Don of Diamond Dreams is slated for an April 17, 2020 release through Sub Pop Records, and the album is reportedly a sort of futuristic manifestation of ancient myth, featuring robotic and vocodered vocals, warped auto-tune and alien-like synthesizers while drums speak the universal language. The end result is material that meshes and blurs the lines between hip-hop, dub, soul, funk, Afro-pop, experimental and ambient music and even pop. And although their forthcoming album continues a prolific run of meticulously constructed albums, its creation and creative process was centered around improvisation and instinct, balancing the cerebral with the automatic: Butler would jot down phrases and ideas on his phone and eventually started to shape them into amorphous, abstract and expressionistic verses. 

Some of the album’s material is shaped by Butler’s reflection on being a parent and watching his son Jazz receive international renown as the rapidly rising artist Lil Tracy. There’s  interplay between father and son, with Butler absorbing the sound of today but filtered through his own unique, fractured lens, freestyling with the wisdom and experience of age — and the passion of someone, who believes (and knows) that he still has something to prove to those youngins. And while as self-assured and as confident as ever, the album captures an act boldly attempting something new.

Earlier this month, I wrote about “Fast Learner,” the album’s glittering and thumping first single. Featuring a prominent guest spot from Purple Tape Nate, the track was centered around shimmering synth arpeggios, tweeter and woofer rocking beats, wobbling and tumbling bass lines and heavily vocodered and reverb-drenched vocals, the track is a lysergic-tinged and semi-retrofuturistic take on trap that’s continues the duo’s forward-thinking 37th century hanging out around Juptier’s rings in a badass spaceship take on hip-hop. “Chocolate Soufflé,” Don of Diamond Dreams’ second and latest single is another lysergic and 37th century take on synth funk and trap centered around shuffling beats, glistening and wobbling synths paired with Butler’s wildly inventive and complex wordplay. 

Directed by David Shields and James Nugent, the equally lysergic and retro-futuristic visuals for “Chocolate Soufflé” features a series of trippy video collages created by David Shields, James Nugent and Ishmael Butler, Snapchat and Instagram-filtered footage of Butler. Much like the accompanying track, the visuals take you into a different universe — one full of wild possibilities. 

New Video: Shabazz Palaces’ Gorgeous and Hallucinogenic Visual for “Fast Learner”

Since the release of their critically applauded full-length debut, 2011’s Black Up, the Seattle-based act Shabazz Palaces — emcee and producer Ishmael “Butterfly” Butler and multi-instrumentalist Tendai “Baba” Maraire — have managed to boldly continue Butler’s relentless desire to reimagine hip-hop and to boldly expand the possibilities of sound while proving that they’re the heirs to the astral imaginations of Sun Ra, George Clinton, Octavia Butler and Alice Coltrane. As a result Butler has collaborated with like-minded, critically applauded experimentalists including Flying Lotus, Thundercat, Battles, Animal Collective, Clipping and others — and he has toured with the likes of Radiohead and Lauryn Hill.

Slated for an April 17, 2020 release through Sub Pop Records, Shabazz Palaces’ forthcoming album Don of Diamond Dreams is reportedly a sort of futuristic manifestation of ancient myth, featuring robotic and vocodered vocals, warped auto-tune, alien-like synthesizers — but with drums speaking a universal language, as the material’s overall sound meshes and blurs the lines between hip-hop, dub, soul, funk, African, experimental and occasionally even pop.

Although their fifth album continues a prolific run of meticulously constructed albums, its creation was centered around instinct and improvisation, being both cerebral and automatic with Butler jotting down phrases and ideas in his phone and eventually shaping them into amorphous, abstract and expressionistic verses. Interestingly, some of the material is shaped by Butler’s reflections on being a parent and watching his son, Jazz become internationally renowned as the rapidly rising artist Lil Tracy. There’s interplay between father as son, with Butler absorbing the sounds of today’s youth, but filtering it through his own fractured lens, spitting complex rhyme schemes with wild cadences and wordplay, freestyling with the wisdom and experience of age and the passion of someone, who believes that he has something to prove. And while as self-assured and as confident as ever, the album captures an act boldly attempting something new.

Don of Diamond Dreams‘ first single is the glittering and thumping “Fast Learner.” Featuring a prominent guest spot from Purple Tape Nate, the track is centered around shimmering synth arpeggios, tweeter and woofer rocking beats, wobbling and tumbling bass lines and heavily vocodered and reverb-drenched vocals, the track is a lysergic-tinged and semi-retrofuturistic take on trap that’s one-part slow-burning and atmospheric R&B, one-part surrealistic, art pop, one part golden era hip-hop. And while sounding unlike anything else in their growing catalog, the song does manage to further cement the duo’s forward-thinking, 37th century hanging out around Jupiter’s rings in a badass spaceship take on hip-hop.

Directed by Stephan Gray, the recently released video for “Fast Leaner” is a gorgeously shot, hallucinogenic-fueled take on the prototypical hip-hop video that’s one part Italian art film, one part trap shit, one part street shit, shot at dusk and at night in various locations, including the desert, the studio, the streets, artist-like lofts. If this the sound and look  of our soon-to-be dystopian future in which our society collapses, the poor get sick and the rich get richer, then it fucking slaps. 

Since the release of their critically applauded full-length debut, 2011’s Black Up, the Seattle-based act Shabazz Palaces — emcee and producer Ishmael “Butterfly” Butler and multi-instrumentalist Tendai “Baba” Maraire — have managed to boldly continue Butler’s relentless desire to reimagine hip-hop and to boldly expand the possibilities of sound while proving that they’re the heirs to the astral imaginations of Sun Ra, George Clinton, Octavia Butler and Alice Coltrane. As a result Butler has collaborated with like-minded, critically applauded experimentalists including Flying Lotus, Thundercat, Battles, Animal Collective, Clipping and others — and he has toured with the likes of Radiohead and Lauryn Hill.

Slated for an April 17, 2020 release through Sub Pop Records, Shabazz Palaces’ forthcoming album Don of Diamond Dreams is reportedly a sort of futuristic manifestation of ancient myth, featuring robotic and vocodered vocals, warped auto-tune, alien-like synthesizers — but with drums speaking a universal language, as the material’s overall sound meshes and blurs the lines between hip-hop, dub, soul, funk, African, experimental and occasionally even pop.

Although their fifth album continues a prolific run of meticulously constructed albums, its creation was centered around instinct and improvisation, being both cerebral and automatic with Butler jotting down phrases and ideas in his phone and eventually shaping them into amorphous, abstract and expressionistic verses. Interestingly, some of the material is shaped by Butler’s reflections on being a parent and watching his son, Jazz become internationally renowned as the rapidly rising artist Lil Tracy. There’s interplay between father as son, with Butler absorbing the sounds of today’s youth, but filtering it through his own fractured lens, spitting complex rhyme schemes with wild cadences and wordplay, freestyling with the wisdom and experience of age and the passion of someone, who believes that he has something to prove. And while as self-assured and as confident as ever, the album captures an act boldly attempting something new.

Don of Diamond Dreams‘ first single is the glittering and thumping “Fast Learner.” Featuring a prominent guest spot from Purple Tape Nate, the track is centered around shimmering synth arpeggios, tweeter and woofer rocking beats, wobbling and tumbling bass lines and heavily vocodered and reverb-drenched vocals, the track is a lysergic-tinged and semi-retrofuturistic take on trap that’s one-part slow-burning and atmospheric R&B, one-part surrealistic, art pop, one part golden era hip-hop. And while sounding unlike anything else in their growing catalog, the song does manage to further cement the duo’s forward-thinking, 37th century hanging out around Jupiter’s rings in a badass spaceship take on hip-hop.

New Video: JOVM Mainstay Thundercat Releases a Hilarious Visual for Shimmering and Funky Jam “Dragonball Durag”

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globeand Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Earlier this year, I wrote about “Black Qualls,” It Is What It Is‘ first single, which found Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s sinuous bass lines, four-on-the-floor drumming and an infectious hook. The end result is a song that manages to be classic Thundercat while sounding as though it could have been on Slave’s Just a Touch of Love. The album’s second and latest single “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

Directed by Zack Fox, the recently released video features cameos from HAIM, Kali Uchis, and Quinta Brunson and stars Bruner, as a desperate and impossibly horny loser, who stumbles upon the titular durag, and when he puts it on, he unleashes his newfound mojo and attempts to charms the ladies in a hilariously awkward and creepy fashion. And although he constantly gets rejected, he never lets it dull his spirit or his hopes.  

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Earlier this year, I wrote about “Black Qualls,” It Is What It Is‘ first single, which found Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s sinuous bass lines, four-on-the-floor drumming and an infectious hook. The end result is a song that manages to be classic Thundercat while sounding as though it could have been on Slave’s Just a Touch of Love. The album’s second and latest single “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

The JOVM mainstay will be embarking on a lengthy international tour that includes a March 24, 2020 stop at Webster Hall. Check out the tour dates below. 

Tour Dates:

2/28     Vancouver, BC – Vogue Theatre

2/29     Portland, OR – PDX Jazz Festival 

3/02     Seattle, WA – Showbox SoDo

3/03     Arcata, CA – Van Duzer Theatre

3/04     Chico, CA – Senator Theatre

3/06     Oakland, CA – Fox Theater

3/07     Los Angeles, CA – The Wiltern

3/08     Santa Ana, CA – The Observatory North Park

3/10     Phoenix, AZ – The Van Buren

3/12     Denver, CO – Ogden Theatre

3/13     Omaha, NE – Slowdown

3/14     Minneapolis, MN – The Fillmore

3/15     Chicago, IL – Riviera Theatre

3/17     Detroit, MI – Majestic Theatre

3/18     Toronto, ON – Queen Elizabeth Theatre

3/19     Montreal, QC – Corona Theatre

3/21     Boston, MA – House of Blues

3/22     Philadelphia, PA – The Fillmore

3/24     New York, NY – Webster Hall

3/28     Silver Spring, MD – The Fillmore Silver Spring

3/29     Knoxville, TN – Big Ears Festival

3/31     Nashville, TN – Marathon Music Works

4/1       Asheville, NC – The Orange Peel

4/2       Atlanta, GA – Variety Playhouse

4/9       London, UK – Roundhouse

4/11     Manchester, UK – Academy

4/14     Amsterdam, NL – Paradiso

4/15     Paris, FR – Elysée Montmartre

4/17     Berlin, DE – Astra