Tomorrow’s Child is a High Wycombe, UK-born, Cornwall, UK-based multi-instrumentalist and electronic music producer, whose work draws from a broad spectrum of music, surroundings and experiences — in particular, the ugly concrete buildings and garages of his hometown, the sense of failed potential and lost futures it all evoked, and the dystopian themes of a number of 1980s films and TV shows.
His full-length debut, Beach Ghosts thematically touches upon the death of his father in 2015 and his relocation to Cornwall. Going on to study popular music, Tomorrow’s Child evolved from a singer/songwriter and guitarist to electronic music, which provided a much-needed outlet for him to express his grief and to process the major life changes he just went through.
Last month, I wrote about the album’s first single, the cinematic and brooding “Great Western Railway.” Informed by his father, who was a stream-train enthusiast, who grew up with the Great Western Railway trains passing his classroom windows, “Great Western Railway” simultaneously brought John Carpenter soundtracks and Trans Europe Express-era Kraftwerk to mind: Thumping, industrial clang and clatter paired with train whistle-like synth lines help to evoke a train roaring down the tracks to an unknown destination.
Beach Ghosts‘ latest single “Ruination” is an haunting and ambient composition that brings Brian Eno and Autobahn-era Kraftwerk to mind as its centered around atmospheric synths and skittering beats before closing out in a slow fadeout. According to the British multi-instrumentalist and producer the composition reflects “the journey of Cornish mines from once thriving places of industry to ghostly monuments to the past haunting the landscape.”