JOVM’s William Ruben Helms belatedly celebrates the 75h anniversary of Thin Lizzy frontman Phil Lynott’s birth.
Portraits: New Colossus Festival, Super Bock and 18th Ward Brewing Presents Summer Saturdays at 18th Ward Brewing 8/17/24: Warm Body
Portraits: New Colossus Festival, 18th Ward Brewing and Super Bock Presents Summer Saturdays at 18th Ward Brewing 8/17/24: Project Diem
Portraits: New Colossus Festival, Super Bock and 18th Ward Presents Summer Saturdays at 18th Ward Brewing 8/17/24: Flowers For The Dead
Throwback: Happy 76th Birthday, Robert Plant!
JOVM’s WIlliam Ruben Helms celebrates Led Zeppelin frontman Robert Plant’s 76th birthday.
Throwback: Happy 59th Birthday, KRS One!
JOVM’s William Ruben Helms celebrates KRS One’s 59th birthday.
Throwback: Happy 82nd Birthday, Isaac Hayes!
JOVM’s WIlliam Ruben Helms celebrates Isaac Hayes’ 82nd birthday.
New Audio: Ravdawg Returns with Euphoric Banger “The Way You Get”
Ravdawg is a mysterious and emerging Chicago based electronic music producer, DJ and JOVM mainstay, who generally specializes in tech house and bass. Over the past few months, the Chicago-based producer and DJ has released a handful of tracks, that include:
- The Larry Levan-like “U Know U Know,” which I wrote about earlier this month.
- “Your Body,” a deep house banger, built around glistening synths oscillations, a fluttering flute, skittering hi-hats, tweeter and woofer rattling beats paired with a pitched-up, soulful vocal sample that manages to remind me a bit of Octo Octa and others.
- “Believe in Me,” a euphoric and club friendly bit of house music built around skittering hi hats, glistening synth arpeggios, tweeter and woofer rattling thump, and a pitched and chopped up vocal sample.
Ravdawg’s latest single “The Way You Get” is a euphoric club banger anchored around dusty skittering beats, twinkling synth arpeggios, a glistening guitar solo and a pitchy yet soulful vocal sample paired with the JOVM mainstay’s uncanny knack for a catchy, euphoric hook.
New Audio: Mister Sunshine Shares Meditative Rock Ballad on Aging
Ben Whetsell is a New York-based producer, singer/songwriter, musician and former lawyer, who has dabbled in music for over 30 years. In the wake of the pandemic, Whetsell decided to go all-in music, starting his solo recording project Mister Sunshine.
Whetsell’s latest single, “Day’s Half Gone” was written and recorded, on-and-off over the course of 10 months at Berklee NYC, where he completed his Masters studies. The song is a slow-burning and meditative anthem, anchored around twangy, country-meets-southern fried guitars and ukulele, big rousingly anthemic hooks and choruses and shifting meters paired with Whetsell’s dreamily plaintive delivery.
“Day’s Half Gone” describes Ben’s difficulties as a developing songwriter. “The parts about aging – feeling like I let music get away from me – are some of the first things I wrote in the program, but that’s a dead end: it isn’t a healthy headspace, and it definitely doesn’t make for a good song,” Ben said. ”Getting loud and getting over it is a lot more interesting.”
Throwback: Happy 54th Birthday, Fat Joe!
JOVM’s William Ruben Helms celebrates Fat Joe’s 54th birthday.
Throwback: Happy 55th Birthday, Nate Dogg!
JOVM’s William Ruben Helms celebrates the 55th anniversary of the birth of Nate Dogg.
Throwback: Happy Belated 66th Birthday, Belinda Carlisle!
JOVM’s William Ruben Helms belatedly celebrates Belinda Carlisle’s 66th birthday.
Throwback: Happy Belated 26th Birthday, Genesis Owusu!
JOVM’s William Ruben Helms belatedly celebrates Genesis Owusu’s 26th birthday.
Throwback: Happy 71st Birthday, Marvin Isley!
JOVM’s William Ruben Helms celebrates the 71st anniversary of the birth of The Isley Brothers’ Marvin Isley.
New Audio: John Finbury and Bruna Black Share Swooning Ballad “Uma Noite Com Voce”
Andover, MA-based Grammy and Latin Grammy-nominated drummer, composer and JOVM mainstay John Finbury collaborated with rising São Paulo-based singer/songwriter Bruna Black on his latest album Vã Revelação, which was released earlier this year.
Vã Revelação presents a broad array of subgenres under the large umbrella of Brazilian jazz. So there are the beloved and classic bossa nova and samba tunes. But there are also Baião, Partido, Alto, Forró and Afoxê among other styles.
Over the past handful of months, I’ve written about four album singles:
- “Chão De Nuvem,” a soulful year breezy tune featuring an arrangement of fluttering accordion, a supple bass line, shuffling percussion. The song gorgeously — and effortlessly — meshes elements of samba, jazz fusion and pop while being a perfect vehicle for Bruna Black’s languorous yet soulful delivery.
- “Será,” a song built around a gorgeous arrangement of shimmering acoustic guitar by Chico Pinheiro, a supple and sinuous bass line from John Pattiucci that’s roomy enough for Black’s expressive vocal. Fittingly released at the end of last year, the song is a meditation on the passing of time, the choices and plans we make that work out and the ones that fail — with the understanding that all of it influences who we are, and who we will become.
- Album title track “Vã Revelação,” a breathtakingly gorgeous yet bittersweet tune, anchored around the classic shuffle and sway of bossa nova featuring shimmering, strummed guitar, a supple bass line, twinkling and expressive bursts of piano serving as a lush bed for Black’s stunning vocal turn. Much like its predecessors, “Vã Revelação” is meditative yet breezy, a blast of summer — but full of the recognition of the passing of time, and of regrets, hopes dashed and hopes to be had again.
- “Para Me Entender,” a much jazzier take on Bossa nova than its predecessor, anchored around a loose, swinging arrangement that displays each musician’s chops with a self-assured swagger. But the true star of the affair is Bruna Black, who reveals herself as a stylistic chameleon, whose voice can shift in colors, registers and expression within the turn of a phrase.
Vã Revelação‘s fifth and latest single, “Uma Noite Com Voce” features a gently swaying, jazz standard-tinged, Bossa nova ballad composition written by Finbury performed by Vitor Gonçalves (guitar), John Patitucci (piano, Rhodes), Daduka Da Fonseca (bass), Rogério Boccato (percussion) paired with gorgeous lyrics written by Vitor Ramil Chico Pinheiro. And much like its predecessors, “Uma Noite Com Voce,” continues to showcase Bruna Black as a remarkably talented vocalist, who can effortlessly tackle any style with a self-assured yet earnest, lived-in take.
