Comprised of Sebastien Bui (keys), Eli Ghersinu (dino bass), Stefan Lilov (broken wah guitar), Yavor Lilov (kicker’s delight/endless kick/bronto kick), Quentin Pilet (bongos), Alain Sandri (congas) and DJ Laxxiste (440 FX), the Geneva, Switzerland-based instrumental act L’Eclair describe their sound in a number of different ways on their Facebook page, including “as if Booker T and the MGs came from Eastern Europe,” an obscure 70s movie soundtrack and as “kraut-exo-soul, brutal funk and Turkish groove.”

The Geneva, Switzerland-based instrumental act’s forthcoming sophomore album Sauropoda is slated for a May 24, 2019 release through Beyond Beyond Is Beyond Records — and the album, which was recorded over the course of two days last October in an undisclosed mountainous location is comprised of deep jams the band road-testing following the recording and release of last year’s breakthrough debut album Polymood. Recorded live and with few overdubs, Sauropoda‘s compositions are reportedly much more organic and capturing the band’s live sound much more accurately than its predecessor.  Interestingly, the album’s trippy and cinematic first single “Endless Dave” it’s a wild yet seamless synthesis of Expensive Shit/He Miss Road-era Fela Kuti, Return to Forever-like jazz fusion, prog rock, dub and spaced out psychedelic and 70s soul that sounds both familiar and unlike anything I’ve heard this year.

 

Advertisements

New Audio: The Budos Band Release a Funky and Cinematic New Single

I’ve written and photographed the acclaimed Staten Island-based instrumental act The Budos Band a number of times over the years, and as you may recall the which is comprised of Jared Tankel (baritone sax), Tom Brenneck (guitar), John Carbonella (congas, drums), Mike Deller (organ), Daniel Folder (bass), Andrew Greene (trumpet), Rob Lombardo (bongos, congas), Brian Profilio (drums) and Dame Rodriguez (percussion) initially developed a reputation for a sound that they described as “Afro Soul,” which draws from Ethiopian music with a soul undercurrent, and some sound of the sounds of the 60s; however, with the band’s most recent releases, they’ve moved towards what they’ve referred to as “70s Psychedelic Instrumental Music.” 

The acclaimed instrumental act’s fifth album, aptly titled V is slated for an April 12, 2019 release through their longtime label home Daptone Records, and as the band’s Tom Brenneck says in press notes, the band’s forthcoming album feels like the truest sonic representation of the band as the material possesses the rock ‘n’ roll/heavy metal elements off of 2014’s Burnt Offering, as well as songs that could have easily been found on their first three albums.  The album’s latest single, the cinematic  “Arcane Rambler” is centered around a looping and whirring guitar line, boom bap-like percussion, an enormous horn line and a propulsive and incredibly tight groove — and interestingly enough, the composition, which nods at hip-hop, 70s funk and psych rock finds the members of the collective at arguably their loosest and trippiest.

 

Born Julia van der Torn, the up-and-coming singer/songwriter Julia Zahra was born in Indianapolis and raised in The Netherlands. In 2013, Zahra auditioned for the fourth season of The Voice of Holland with an acoustic cover of Britney Spears‘ “Oops I Did It Again” that has since amassed over 6 million steams of Spotify; as a result of the popularity of her cover, an 18 year-old Zahra became one of the show’s youngest winners to date.

After winning The Voice of Holland, Zahra released her full-length debut. The following year, Zahra competed in the Dutch TV singing competition show, The Best Singers of The Netherlands, a show in which each artist performs covers of each competing artist’s material — and she wound up winning that show. “Just an Illusion,” which she sang on the show shot up the Dutch iTunes charts in 2015, and by 2016 the song was picked up in Fiji, where it’s still a Top 10 song, and eventually across much of the Pacific. Recently, the song was played on radio stations in Los Angeles, San Francisco and parts of Canada, amassing over 4 million Spotify streams. Building upon a growing international profile. Zahra spent 2 months touring the Pacific including Fiji’s Vodafone Arena and a sold-out Club Royalz show in Auckland, New Zealand.

Last year, the American-born, Dutch-based singer/songwriter released the Something New EP, a collection of stripped down, acoustic versions of her previously released material. And since the release of Something New, Zahra has been busy playing sold-out live dates across Holland while gearing up to release new material, including her latest single, the empowered, “I ain’t taking your shit anymore” anthem “Do You.” Centered around a slick production that pairs looping acoustic guitar with thumping electro pop, a rousing hook and Zahra’s emotional, pop belter-like vocals, the song is about recognizing when you can’t trust someone you’ve been involved with, trusting your own instincts and doing what’s necessary to move on.

 

 

 

Live Footage: Sam Fender Performs “Hypersonic Missiles” on “Jimmy Kimmel Live”

Newcastle, UK-based singer/songwriter and guitarist Sam Fender has received attention both nationally and internationally over the past couple of years for crafting rousingly anthemic, arena rock-like material that broadly focuses on hard-hitting social issues and draws from his own experiences growing up in Northeastern England.

Last year was a big year for the Newcastle-based Fender, as she was featured on BBC Sound of 2018‘s shortlist, which he promptly followed up with a sold-out headlining UK tour. Building upon a rapidly growing profile, Fender ended 2018 with the release of the Dead Boys EP, an effort that featured the attention-grabbing “That Sound,” a power chord-based arena rock friendly track that featured enormous raise-your-beer-in-the-air-and-shout-along worth hooks, soulful vocals and a bluesy vibe that brought  The Black Keys, Slaves, Royal Blood and others to mind — and “Play God,” a politically-charged song that openly talked about how special interests and the 1% really control the world as we know it, paired with an self-assured, ambitious bit of songwriting.

Interestingly, the rousing, Springsteen meets Modern English‘s “Melt With You“-like “Hypersonic Missiles” is the JOVM mainstay’s first bit of original music this year, and while centered around arena rock and classic rock-inspired hooks, reverb-drenched power chords, thunderous drumming and Fender’s urgent and impassioned vocals, the song is an unconventional love song about two star-crossed lovers making the best of whatever time they have left while the world burns down — and an incisive commentary on our apathy and confusion in the face of our self-destruction that cries to the listener “hey man, wake the fuck up and do something!”

“This song started out when I saw the term ‘Hypersonic Missiles’ in a newspaper. It’s a newly developed Russian missile that travels at something like nine times the speed of sound, which is essentially unstoppable,” Fender explains in press notes about the song’s inspiration. “America currently has no defence against such a weapon, they would be helpless in the wake of an attack, as you have roughly six minutes from the time it is launched to the time it strikes.

“In many ways, Hypersonic Missiles is an unorthodox love song. It’s main focus is on the world around the narrator, who is a complete tin foil hatter. They are convinced the world is on its last legs; they know that it is rife with injustice but feel completely helpless and lacking the necessary intelligence to change it while remaining hopelessly addicted to the fruits of consumerism.

“Amongst all the chaos is love and celebration, there is this glimmer of hope that runs through the song, a little notion that no matter what happens, these two people are gonna have a fucking good time regardless of the tyrants that run their world, and regardless of the imminent doom from these ‘Hypersonic Missiles.’”

2019 looks to be a breakthrough year for the Newcastle-based singer/songwriter and guitarist — he recently made his US network TV debut, performing “Hypersonic Missiles” on Jimmy Kimmel Live! and he will be playing his first North American headline shows with stops in Toronto, Los Angeles — and a sold out Rough Trade show on March 20, 2019.  (You can check out tour dates below.) Fender will also be playing several sets at this year’s SXSW, which I’m sure will catch quite a bit of attention across the blogosphere.