New Video: Sharon Jones and the Dap Kings Release New Single from Posthumous Album/Dap Kings Pay a Moving Tribute to Sharon Jones

Throughout the course of this site’s almost eight year history, I’ve spilled a lot of virtual ink writing about a great deal of the artists on Daptone Records, including JOVM mainstays Sharon Jones and the Dap Kings and Charles Bradley.  Now, as you may recall, we lost Sharon last year after her three-year battle with pancreatic cancer and earlier this year, we lost Charles after his two-year battle with stomach cancer. Naturally they’ve been sorely missed by everyone who’s known them or worked with them in any capacity, as well as to their legions of fans across the world, who they brought joy, wisdom, hope and love to every single night.

Interestingly enough, Jones and her Dap Kings managed to spent the better part of her last few months writing and recording what turned out to be the band’s final, full-length studio album together, Soul of a Woman last month, almost a year to the date of her death.  Recorded on eight-track tape at Daptone Records’ famed, Bushwick, Brooklyn-based House of Soul Studios, and the album finds the band and their beloved frontwoman pushing the limits of their songwriting while being among the most direct, honest and sophisticated material they’ve written together.  In fact, Soul of a Woman’s first single “Matter of Time,” was a lush and moody meditation on the nature of time that brought to mind Ecclesiastes and The Byrds’ legendary cover of Pete Seeger’s “Turn, Turn, Turn,” while the album’s second single, the Jones’ penned “Call on God” focused on how faith can sustain you and guide you in the most desperate and uneasy times of your life while featuring some of her dearest and oldest friends adding backing vocals to the song — just how Sharon would have wanted it.

“Sail On!,” Soul of a Woman’s third and latest single, features the Dap Kings horn section, arguably one of the world’s best horn sections, blowing the doors down while a confident and brassy Sharon signs about a tale about the dangers of revenge — in terms of the song, it suggests that it winds up backfiring. So the song’s narrator suggests actually forgiving and even helping an old friend, who did her dirty; but underneath that theme of forgiveness is a very human and very honest bit of schadenfreude in which the song’s narrator kind of says “You’re coming back to me now? Serves your dumbass right,” before rolling her sleeves up to do the dirty work.

The recently released video was filmed at House of Soul during the recording sessions for the album and the song, capturing the band and Sharon at some of their most intimate moments.

Recently, the members of the Dap Kings were on The Tonight Show with Jimmy Fallon, where they performed a medley of album singles “Sail On!” and “Searching for a New Day” to pay a profoundly moving tribute to their beloved leader, and to celebrate the official release of their final album together. 

Comprised of New York-born, Los Angeles, CA-based duo Miles Garber, who’s best known prominent male model and Dave Gagliardi, who’s best known as a member of renowned punk act Trash Talk, Swimsuit Issue can trace their origins to when the duo met outside of an art show on the Bowery back in 2014. And instead of quickly rushing to put out material, the duo spent the next two years honing and refining their sound with the end result being their anthemic, 120 Minutes-era MTV meets contemporary indie rock- like debut single “Look Now,” complete with jangling and fuzzy power chords, a propulsive backbeat paired with Garber’s crooning vocals, in a song that manages to balance earnest emotionality with a deliberate attention to craft.

 

 

Live Footage: The Telescopes Perform “You Can’t Reach What You Hunger” and “Something In My Brain” at Tapetown Studios

Currently comprised of founding member Stephen Lawrie and featuring members of One Unique Signal as the live performing band, the Burton upon Trent, Staffordshire, UK-based psych rock/noise rock band The Telescopes originally formed back in 1987 and while inspired by the likes of Suicide, The Velvet Underground and 13th Floor Elevators — and over the course of a number of singles and nine full-length albums, including 1989’s Taste, 1992’s self-tiled album, 2002’s Third Wave, 2005’s #4, 2006’s Hungry Audio Tapes, 2008’s Infinite Suns, 2013’s HARM, 2015’s Hidden Fields and this year’s As Light Returns, the British band has developed a reputation for being arguably one of the more influential noise rock/psych rock bands of their era, seemingly influencing the work of the likes of A Place to Bury Strangers with whom they released a split 7 inch released through Fuzz Club Records, Chain of Flowers, Bambara and others. 

Now, if you’ve been frequenting this site over the past few months, you’d recall that the Aarhus, Denmark-based recording studio  Tapetown Studios  along with Sound of Aarhus have developed a live video series in which they invite national, regional and internationally recognized touring bands to come into their studio during their free time to record a live session. Over the past year, Tapetown Studios and Sound of Aarhus have invited British indie rockers Ulrika Spacek, Gothenburg, Sweden-based trio Pale Honey, and the Bay Area-based JOVM mainstay Tim Cohen and his primary project The Fresh & Onlys. Stephen Lawrie and the members of the touring band were invited to Tapetown to record a session that featured the slow-burning, murky, feedback driven dirge “You Can’t Reach What You Hunger” a song that builds upon a tightly restrained tension until its scorching conclusion; and the forceful and stormy “Something In My Brain.” 

New Video: Up-and-Coming, Swedish-born Producer SQRD Releases Swooning and Nostalgic Visuals for New Single “Would Run Wild”

With the release of his critically acclaimed 2016 EP Gold, the up-and-coming Swedish-born, electronic music producer and electronic music artist SQRD, who splits his time between Berlin and Stockholm received attention across Scandinavia and elsewhere for a sound that effortlessly blended lo-fi, analog electronics within textured and nuanced compositions. Interestingly, over the past few years, the up-and-coming producer has spent his time honing and refining his sound, and his latest single “Would Run Wild” finds the Swedish-born producer leaning towards an industrial-leaning production as layers of propulsive, arpeggiated synths, thumping beats and metallic clang and clatter and razor sharp yet infectious hook are paired with heavily vocodered vocals. While simultaneously nodding at classic, 80s synth pop (i.e., Depeche Mode), early hip-hop, and contemporary electro pop (i.e., Summer Heart, Washed Out and others), the song swoons with a nostalgic yearning for a past just out of reach. 

Directed by Kevin Vinh Doan, the trippy and gorgeously shot,recently released video for “Would Run Wild” follows a young woman, who’s longing for an urgent and passionate love, which ends with the presumed overdose of her lover. And throughout the video, she encounters lingering ghosts and memories within every single step. 

New Video: The Mischievous and Surreal Visuals for Sigrid’s Club Banging, New Single “Strangers”

Sigrid is a 21 year-old, Ålesund, Norway-born, Bergen, Norway-based pop artist, who with the release of her acclaimed debut EP Don’t Kill My Vibe earlier this year, has quickly become an international pop sensation — her EP has amassed more than 100 million streams globally, and as a result she’s played a number of major festivals, including Glastonbury, Latitude, SXSW, Life is Beauriful, Lollapalooza and Pitchfork Paris. Adding to a growing profile, the Norwegian pop artist was chosen as Apple’s Up Next Artist.

The Norwegian pop sensation ends 2017 with the Martin Sjolie-produced single “Strangers” and the track pairs a slick, club-banging yet radio-friendly production featuring layers upon layers of arpeggiated synths,  tweeter and woofer-rocking beats and a soaring hook, paired with Sigrid’s gossamer vocals. Lyrically, the song looks at a a relationship and its inevitable end with a stark and startlingly mature honesty, as the song’s narrator recognizes that love in real life, is never like the movies — that it can be fumbling, awkward and ambivalent, leaving you with more unanswered questions than you ever expected; and that worst yet, despite the connection you may have had with that person, once that relationship is over, you’ve become strangers, much like when you first met that person.

Directed by Ivana Bobic, the recently released video follows the young Norwegian pop artist as she performs the song on a stark yet surrealist set, which spirals and reforms with completely different and strange scenery throughout the video. As Sigrid explained to i-D about the video.”It was a joy making it. We wanted to take the feeling of seeing differently to what they really are. The one thing that is realistic is me dancing around in my usual way.”
 

New Video: Sego Returns with an Ambitious and Anthemic, Guitar Pop Single Paired with Slick and Mischievous Visuals

If you’ve been frequenting this site over the past couple of years of its almost eight year history, you’ve likely come across a couple of posts featuring the Mapleton, UT-born, Los Angeles, CA-based duo Sego.  And as you may recall the duo, which is comprised of Spencer Peterson and Thomas Carroll, relocated to Los Angeles to seriously pursue careers in music, where they quickly developed a reputation for a sound that at the time, employed contemporary production techniques while maintaining an eccentric and human touch; in fact, a single like “Townland,” found the duo adopting a sound that was reminiscent of  Talking Heads and Superhuman Happiness, while it’s follow up, “Obscene Dream” off their full-length debut, Once Was Lost Now Just Hanging Out was reminiscent of Sound of Silver-era LCD Soundystem. 

Now, it’s been some time since I’ve personally written about them but interestingly enough, the duo’s latest single “Sucker/Saint” finds the duo adopting a jangling, hook-driven, 90s grunge rock-inspired sound, reminiscent of Pixies, The Posies and others — and much like the sources that they song seems to draw from, Sego’s latest manages to balance an easy going, garage rock jam feel with some of ambitious songwriting that finds the duo nodding at psych rock, krautrock and guitar pop. 

Directed by Jared Clark Gay, the slick accompanying video for “Sucker/Saint” finds the duo in a   studio with their backing band, performing the song but it employs the use of multi-split screens, in which at points you’ll see the song’s lyrics, while quickly switching back and forth between color, black and white and wild psychedelia within a turn of a phrase. 

Live Footage: Wolf Alice Performs “Sadboy” on “Late Night with Stephen Colbert”

Currently comprised of founding members Ellie Roswell (vocals, guitar) and Jeff Oddie (guitar, vocals), with Theo Ellis (bass) and Joel Amey (drums, vocals), the London-based indie rock quartet Wolf Alice can trace they origins to when its founding members began the act back in 2010 as an acoustic act. After a period of time, the band’s founding duo decided to add more electric elements to their sound, and they recruited Roswell’s childhood friend Sadie Cleary (bass) and Oddie’s friend George Barlett (drums) to join the band. With the original lineup, the quartet released their self-titled EP, which featured singles “Every Cloud,” “Wednesday,” and “Destroy Me,” and they released a video for “Wednesday.”

2012 saw massive lineup changes for the band — Barlett broke his wrist in 2012 with Joel Amey initially joining as temporary member, who later became a permanent member. Also that year, Cleary left the band to focus on her studies, and the band recruited Theo Ellis to replace her. Despite the lineup changes, the band released “Leaving You,” which wound becoming a viral hit, as it received airplay on BBC Radio 1 and was featured in NME‘s Radar section. Building upon the buzz they received nationally, the quartet toured with Peace, and they began the following year with a session for Huw Stephens’ BBC Radio 1 show.
Since then the quartet have released two EP’s 2013’s Blush and 2014’s Creature Song and two full-length albums — 2015’s critically applauded and commercially successful My Love Is Cool, which featured the Grammy Nominated-single “Moaning Lisa Smile,” a track that peaked at #9 on Billboard‘s Alternative Songs Chart, and their sophomore effort Visions of a Life, which was released earlier this year, and as you may recall I wrote about album single “Heavenward,” a lush, shoegazer single that reminded me of A Storm in Heaven-era The Verve.

The British indie rock quartet are about to embark on a short North American tour, which will feature a December 4, 2017 date at Brooklyn Steel, but before that they made an appearance on Late Night with Stephen Colbert, where they performed the jangling and anthemic album single “Sadboy,” with a swaggering self-assuredness while finding the band gently expanding upon the sound that has won them international attention — the song still nods at A Storm in Heaven-era The Verve; however, to my ears, there’s a subtle hint at Siouxsie and the Banshees and others. 

New Video: Amsterdam’s The Tibbs Release Film Noir-like Visuals for New Single “Lies”

Comprised of Elsa Bekman (vocals), Henk Kemkes (guitar), Michael Willemsen (bass), Bas de Vries (drums), Paul Jonker (Hammond), Berd Ruttenberg (baritone sax), Coen de Vries (tenor sax) and Siebe Posthuma de Boer (trumpet), the Amsterdam, The Netherlands-based soul act The Tibbs formed in 2012 and within their first couple of years together, they developed a reputation nationally as one of their country’s finest soul acts; in fact, they self-released an attention grabbing demo, which was followed by a 45rpm vinyl release through German funk label Tramp Records, and their full-length debut Takin’ Over, which was released by Italian soul and funk label, Record Kicks Records, the label home of Hannah Williams and the Affirmations and Marta Ren and the Groovelets among others. Adding to a growing profile, the band has played the North Sea Jazz Club and have a live performance on Dutch national Radio 6 (since renamed NPO Soul and Jazz). 

“Lies,” the Dutch soul act’s latest single was officially released today as a 45rpm vinyl and digital download through Record Kicks, and the single will further cement Record Kicks Records as purveyors of the some of the Europe’s — if not the world’s — finest soul acts. And naturally, the single prominently features Bekman’s incredibly soulful, pop star belter vocals paired with a backing band, much like the aforementioned Affirmations could give the Daptone crew a run for their money. Thematically and lyrically, the song is  a classic soul-inspired torch burner that focuses on a narrator, who is desperate to break out of an oppressive and deeply frustrating routine, and recognizing that in order to do so, requires an almost superhuman resolve, strength and sense of independence; and that worse yet, that while necessary for her, it’ll be painfully lonely. 

Look for the Dutch act’s highly-anticipated sophomore effort, which will include “Lies” sometime in 2018 — but in the meantime, the recently released film noir-like video, directed by the band’s Ekman, features her as a bored and dissatisfied wife, who recognizes that if she doesn’t break out of a dreadful, soul sucking routine, she’ll die doing the same exact thing as she’s always done; and from the moment the performance sequences begin Ekman goes from meek and compliant to a stomping, force of nature that demands your attention.