Throwback: Happy 54th Birthday, Ed Kowalczyk!

JOVM’s William Ruben Helms celebrates Live frontman Ed Kowalczyk’s 54th birthday.

New Video: JOVM Mainstays Friendship Commanders Share Two Fierce, Earnest Anthems

Nashville-based duo and JOVM mainstays Friendship CommandersBuick Audra (vocals, guitar) and Jerry Roe (drums, bass) — will be releasing their fourth album BEAR on October 10 through their new label home Magnetic Eye Records.

Co-produced by the band’s members and longtime collaborator Kurt Ballou, who also tracked the instrumental performances and mixed the material, BEAR’s songs are unified in a theme that runs throughout in various ways: the ever-elusive idea of belonging, where it occurs and where it absolutely doesn’t.

Written around the realization that she had essentially been kicked out of womanhood, Friendship Commanders’ Buick Audra wrote BEAR‘s material as a way to document her awarenesses while cataloging other areas of human connection: art, outsider culture, and dark rock venues — all places where empathy and creativity grow wild. She and her bandmate Jerry Roe arranged and performed the album specifically to have two sides to it musically: heavy and light. Salt and sugar. Fire and air. Lost and found.

The JOVM mainstays have excitedly shared two album tracks from the forthcoming album: “MELT,” is a breakneck, yet bold, heart-worn-on-sleeve anthem that showcases the duo’s unerring knack for paring arena rock-like bombast, complete with enormous riffs and thunderous drumming, with earnest, deeply lived-in lyricism and songwriting. “MELT” features what may arguably be among the most syrupy sweet melodies they’ve recorded of their growing catalog while expressing a sense of betrayal, confusion and heartache, a sort of et tu Brute? moment for the song’s narrator.

Directed by the band’s Jerry Roe with cinematography by Roe and Jarad Clement, the accompanying video for “MELT” was shot at Nashville’s DRKMTTR, where the band has built their own community and features familiar faces and friends from their music scene. It captures the sweaty joy of going to a show and bonding with both new and old friends over your love of a band; of that shared sense of a band or a musician singing songs that seem to speak about you and your life, the things you’ve felt and the things you’ve seen.

“KEEPING SCORE,” will further cement the JOVM mainstays heart-worn-on-sleeve ethos but while being a breakneck and defiant, war cry of an adult, who has learned how to parent and protect her childhood self, and is willing and able to defend young girls, who remind her of herself when she was their age from the insults and ill-treatment she received.

The accompanying video for “KEEPING SCORE” was directed and edited by the band’s Jerry Roe and features cinematography from Roe and Jarad Clement. Shot at Franklin, TN-based Westlight Studios, the video features the duo performing the song in a cinematic black and white, with stylish lighting.

“‘KEEPING SCORE’ was the first song written for BEAR. I think of it as the mother of the album,” Audra says. “When I was a kid, the mother of my best friend, a boy, singled me out as a problem for her son and all the other boys in our skateboarding crew. She was afraid I was corrupting them somehow. She called around and spread non-truths about me to the other parents, some of whom I’d never met. It was devastating, humiliating beyond words. Years later, I realized women in my own generation were doing the same thing to little girls who knew their sons. Little girls! Age seven, eight! Being called ‘hussies’ by grown women! Color me horrified. Color me involved. Now that I can speak for myself, I will also speak for girls like me. Someone should. The propulsive riff on this song is my war cry.”

“‘MELT’ is about realizing I’ve never really fit with my own kind, something I’ve only come to terms with in the last two years or so,” the Friendship Commanders frontperson continues. “I’ve spent so much time and energy trying to be a woman among women, but at the end of the day, I’m just always over here being too loud. Too much. And yet, somehow also not enough. It’s a stunning paradox. Musically, the song has a sugary quality to it, which is also referenced in the line, ‘that’s how they punch you, sugar over fists.’ This track beats me up because it’s so painfully true, but it’s also a delight to play.”

“These songs were so exciting to hear when Buick played them for me for the first time – pretty unlike anything we’d ever done up to this point in terms of energy and propulsion,” the band’s Jerry Roe adds. “Our music has tended to move either fast or slow while somehow feeling heavy at all times, and these songs lean and move forward in a way that’s much brighter and quite joyful, even through the subject matter. To play them almost feels like being flown through the air towards a gigantic bullseye made of fiery confetti! I can’t wait to play this new album live.”

You can preorder the forthcoming album here.

New Audio: The Charlatans UK Share Anthemic “We Are Love”

The Charlatans UKTim Burgess (vocals), Martin Blunt (bass), Mark Collins (guitar), Tony Rogers (keys) and The Verve co-founder Pete Salisbury (drums) — are arguably one of the best-loved and commercially British bands of the past 40 years or so. Over the course of their lengthy run, the band has released 13 albums, 3 of which earned #1 on the UK Albums Charts with 22 Top 40 UK singles, including “The Only One I Know,” “North Country Boy” and “One to Another.”

The acclaimed British outfit’s long awaited, highly anticipated 14th album, the Dev Hynes, Fred Macpherson and Stephen Street co-produced We Are Love is slated for an October 31, 2025 release through BMG. The first album from the acclaimed outfit in eight years, the longest gap in their history, was a result of the COVID-19 pandemic, the individual members’ solo projects and side projects, life’s twists, turns and complexities and the fact that each of the band’s individual members live scattered across Europe. With all of that going on, it took longer than usual to figure out schedules; for the stars to align; and for the right vibe and right time.

Recoded at two places that are almost apocryphal in the band’s history — Wales-based Rockfield Studios and the band’s Middlewich, Chesire-based Big Mushroom, We Are Love reportedly sees the band launching into a bold new era, one that finds them at peace with their past while looking forward to the future. The band’s Tim Burgess cites hauntology and psychogeography as two major concepts that swirled in his head as the band worked on the album.

The band returned to Rockfield Studs for the first time since the recording sessions for the fifth album, 1997’s Tellin’ Stories. As a band, they hadn’t been there since keyboardist Rob Collins’ death, in the middle of that album’s sessions, in a car accident at the bottom of the track leading to the farm surrounding the studio. Reportedly throughout the album, you can hear the band’s awareness of the things that made them — the highs and lows the desire to honor their own legacy, while not being deeply defined by it; and a career-long drive to be innovative and progressive. “The whole idea of hauntology and psychogeography is represented by us going back to Rockfield, where so much history has happened for The Charlatans,” the band’s Tim Burgess says. “That was important as a way of honoring every member who’s played in the band. So we’re honouring ourselves, our past, feeling that energy and reincarnating it, doing something fresh, brand new.” 

The album’s introspective creative process, brought home the fact that love has been the glue that has held the band together for so long, and ultimately that’s reflected on the album’s 11, forward-thinking, future-facing songs.

We Are Love‘s first single, album title track “We Are Love” is a defiantly upbeat, road trip-meets-big venue/festival anthem, anchored by a propulsive, motorik groove and rousingly anthemic hooks and choruses. Tim Burgess describes it as “like an open-top car ride in the credits of your favorite movie, driving along the coast to somewhere amazing.”

One of the first tracks to emerge as they were writing material, “We Are Love” became a pathfinder for the record as the band’s Mark Collins explains: Early on, we thought it felt right. And it turned out that way: first single, title track, second song on the album. And things started forming around ‘We Are Love.’ There was a certain energy to it that drove us forward.”

New Audio: Augu Shares Brooding “Silence”

Augu is a mysterious and emerging Lithuanian electronic music producer, who caught my attention with “Foreigner,” and “Line.

The Lithuanian producer’s latest single “Silence” is a brooding, club friendly track that seemingly channels Depeche Mode and Blanck Mass while showcasing an unerring knack for crafting forward-thinking material that’s anchored around remarkably catchy hooks.