Tag: 6lack

New Video: Up-and-Coming Canadian Duo Always Never Releases Dark and Seductive Visuals for “Wylin'”

Always Never is an up-and-coming Toronto, Ontario, Canada-based electro pop production and artist duo, comprised of Patrick Kirschner (vocals) and Dean Guilbault (production) — and with the release of “Millions,” “No Good,” “Morgan Freeman” and “Dangerous,” off their recently released self-titled debut, the Canadian duo have been compared to the likes of Majid Jordan, Miguel and The Weeknd among others — although with the attention grabbing single “Wylin,” the duo’s sound strikes me as bearing a closer resemblance to For Now and The Ways We Separate-era Beacon, as Kirschner’s soulful yet tender vocals are paired with gauzy, atmospheric and yet super modern productions featuring stuttering beats, tweeter and woofer rocking low end and infectious hooks; in fact, much like Beacon, the duo’s sound possesses a pensive, late night vibe, full of regret, confusion and longing.

Directed by Kid Studio, best known for his work on videos for The Weeknd, Big Sean and 6LACK, the recently released video is dark, murky, and dramatic — and features illicit drug use, overdosing, late night seduction and murder, but centered around a trippy and mind-altering series of flashbacks that further evoke the song’s regret, confusion and longing. 

 

Arieh Berl is an Oakland, CA-born and raised singer/songwriter and multi-instrumentalist, producer and creative mastermind behind psych pop act Pink Skies. Interestingly, Berl has a lengthy history playing in a number of Bay Area-based punk and indie rock bands and while writing for one of those bands, it became clear to him that the material he had been writing were meant for a completely different project, as he began writing songs that drew from psych rock, pop, R&B, 70s AM rock and chillwave — or as Berl describes his sound in press notes, “Escapism Pop.” Although he initially didn’t intend on releasing his personal, home recordings made in Oakland, Boston and Los Angeles, Berl decided to release the material after attending a creative retreat in the Berkley Hills.

Last year was a big year for Berl as he released his first Pink Skies single “Start.End,” played guitar on BOSCO‘s b and released a re-interpreation of 6LACK‘s “Gettin’ Old.” Adding to a growing profile. Berl signed to Huh What & Where Recordings, the label home of KAYTRANADA, Fwdslxsh, Pomo and others. Building upon his big 2017, Berl’s latest Pink Skies single is the decidedly Tame Impala-like “Just To Get By,” a song that Berl recall was written “when I had been in Silver Lake for a little bit, and was feeling pretty lost. I was kind of in a zone where every time I tried to take a step forward, I fell two steps back. I was feeling like an outsider, being in a new place with no real direction to go.  I just eventually holed away in my room for a couple months, and really isolated myself unintentionally. This song really consumed me in an obsessive and passionate way. Sometimes the pain comes from life, and music is the place to exercise that out of your body. That’s what I did with this song.”

 

Belovedx is a mysterious Toronto, ON-based electro pop act, that specializes in a sound that they described to me as dark, melodic pop/electro pop with an alternative edge, along the lines of Banks, The Neighbourhood, Travis Scott, 6lack, Deftones and Marilyn Manson among others — and with “Higher,” off their latest effort, Love x Songs, the act’s sound manages to reveal both a slick and contemporary electronic production featuring slick, yet rousing hooks paired with boom-bap drum beats,  cascading layers of shimmering synths, plaintive vocals. But just underneath the surface is a swooning Romanticism.