Tag: ACTORS It Will Come To You

New Video: JOVM Mainstays ACTORS Release a Horror Movie-Inspired Visual for Slow-burning “Obsession”

With the release of 2018’s full-length debut It Will Come To You, the acclaimed Vancouver-based JOVM mainstay act ACTORS — currently Jason Corbett (vocals, guitar), Shannon Hemmett (synth, vocals), Kendall Wooding (bass) and Adam Fink (drums) — quickly established a brooding yet anthemic post-punk sound centered around icy synths, angular bass lines, squiggling guitars and Corbett’s reverb-drenched croon. 

Since the release of their full-length debut, the Canadian post-punk outfit had been busy: Until pandemic-related lockdowns and restrictions put touring on pause, ACTORS had been on a relentless touring schedule to support the album, including a stop at the long-shuttered Brooklyn Bazaar for a headlining set at 2018’s A Murder of Crows Festival. Interestingly, during that same period of time, ACTORS’ frontman Jason Corbett has become an in-demand producer, who has worked with the likes of BootblacksUltrviolence, SPECTRES, and a growing list of post punk acts.

The Canadian post-punk outfit’s highly-anticipated sophomore album Acts of Worship was released earlier this year through Artoffact Records. Recorded and produced at Corbett’s Jacknife Studio, the album finds the members of the JOVM mainstay act pushing their synth-driven sound in a more dance floor friendly direction, while retaining the brooding melancholy and massive hooks that have won them attention across the international post-punk scene. 

I’ve managed to write about three of the album’s singles so far:

  • Love U More,” a single that can trace its origins to the band being on the road: While traveling the Autobahn at 190km per hour (about 120 mph), the song’s opening synth melody looped through Jason Corbett’s head. The song itself is centered around shimmering synth arpeggios, angular and reverb-drenched bursts of guitar and a relentless motorik groove in one of the act’s more sensual songs to date. 
  • “Only Lonely,” Acts of Worship‘s second single, a song that Corbett explains is indebted to Roxy Music — in particular “The Space Between” “Dance Away” and “Love Is The Drug.” And much like the sources that inspired it, “Only Lonely” manages to express a similar yearning and vulnerability. 
  • Cold Eyes,” a leather, lace and light night come on, centered around buzzing bass synths, twinkling synth arpeggios and a relentless motorik groove.

Acts of Worship‘s fourth and latest single “Obsession” is a slow-burning yet sultry song centered around a propulsive bass line, glistening synth arpeggios, Corbett’s achingly tender crooning and the band’s unerring knack for an enormous hook. Sonically, the song — to my ears, at least — reminds me of The CarsDrive” and Avalon era Roxy Music with a subtle nod to classic soul but while tackling loneliness and obsession gone dangerously wrong.

The recently released video for “Obsession’ is split between sequences of the band playing the song in a dark, strobe lit room and a masked killer, who stalks a punk rock couple, hanging out in a parked van.

New Video: JOVM Mainstays ACTORS Release a Oliver Stone-Inspired Visual for Dance Floor Friendly “Only Lonely”

With the release of 2018’s full-length debut It Will Come To You, the acclaimed Vancouver-based JOVM mainstay act ACTORS — currently Jason Corbett (vocals, guitar), Shannon Hemmett (synth, vocals), Kendall Wooding (bass) and Adam Fink (drums) — found the band quickly establishing an anthemic yet brooding post-punk sound centered around icy synths, angular bass lines, squiggling guitars and Corbett’s reverb-drenched croon.

ainstays have been busy: Until the pandemic put touring on pause, the band had been on an extensive touring schedule to support the album, including at stop at the long-shuttered Brooklyn Bazaar for a headlining set at 2018’s A Murder of Crows Festival. Simultaneously, Corbett has been busy as an in-demand producer working with a number of post-punk acts including fellow JOVM mainstays Bootblacks and Ultrviolence.

ober 1, 2021 release through Artoffact Records. Recorded and produced at Corbett’s Jacknife Studio, the album reportedly finds the Vancouver-based pushing their synth-driven post-punk sound in a much more dance floor friendly direction while retaining the brooding melancholy and massive hooks that have won them attention.

Late last year, I wrote about “Love U More,” a single that can trace its origins to the band being on the road: While traveling the Autobahn at 190km per hour (about 120 mph), the song’s opening synth melody looped through Jason Corbett’s head. The song itself is centered around shimmering synth arpeggios, angular and reverb-drenched bursts of guitar and a relentless motorik groove in one of the act’s more sensual songs to date. The band’s Shannon Hemmett describes the song’s atmosphere as “standing alone on a shadowy street. I see the flash of a cat’s eyes in the dark. I am hunting and hunted, recognizing that tension that lives inside me, and all of us. This track embraces the bittersweet moments of loss with the ancipatoon of new possibilities.” 

“Only Lonely,” Acts of Worship’s second and latest single is a brooding yet sensual song featuring glistening synths, a disco inspired baseline, metronomic four-on-the-floor, rousingly anthemic hooks and Corbett’s plaintive delivery expressing aching yearning and vulnerability. Arguably one of the Vancouver-based act’s most dance floor friendly songs, the song as Corbett explains is indebted to Roxy Music — in particular “The Space Between” “Dance Away” and “Love Is The Drug” come to my mind as reference points.

“‘Only Lonely’ pumps with a bass grind that harkens back to top tier Roxy Music. It finishes with a flourish of arpeggiated synths that’s the icing on the cake. Dance floor approved,” Corbett says.

The recently released video is indebted to Oliver Stone’s Natural Born Killers and continues a run of visuals that sees the video’s obsessed and deranged anti-heroes drive across surreal landscapes to find the members of ACTORS, brutally torture them while dancing around the room. It’s disturbing much like the source that inspired it.

New Video: JOVM Mainstays ACTORS Release a Creepy Halloween Themed Visual for “Love U More”

With the release of 2018’s full-length debut It Will Come To You, the acclaimed Vancouver-based JOVM mainstay act ACTORS — Jason Corbett (vocals, guitar), Shannon Hemmett (synth, vocals), Jahmell Russell (bass, vocals) and Adam Fink (drums) — developed and honed a sleek, hook-driven, 4AD Records-era inspired post-punk sound.

The past two years have been a whirlwind for the Canadian post punk quartet: During most of that period, the members of ACTORS have been on tour to support their debut, a tour that included a headlining set at A Murder of Crows Festival at the now-shuttered Brooklyn Bazaar. Along with that the band’s Jason Corbett has been an in-demand producer, collaborating with fellow JOVM mainstays Bootblacks, Ultrviolence and a number of post punk acts.

“Love U More,” the band’s latest single is the first bit of new material from the band since the release of It Will Come For You. Interestingly, the single can trace it origins to the road: The track first came to life as the band was traveling the Autobahn at 190 kilometers per hour (about 120 mph) — and the song’s opening synth line melody looped through Jason Corbett’s head. Centered around shimmering synth arpeggios, angular and reverb-drenched guitar blasts, and a motorik groove, “Love U More” finds the act crafting a brooding yet sensual song that evokes the feeling of being both watched and being watcher, of hunter and pray.

The band’s Shannon Hemmett describes the song’s atmosphere as “standing alone on a shadowy street. I see the flash of a cat’s eyes in the dark. I am hunting and hunted, recognizing that tension that lives inside me, and all of us. This track embraces the bittersweet moments of loss with the ancipatoon of new possibilities.”

Directed by Juno Award-winning and Leo Award-winning director Peter Ricq, the recently released video for “Love U More” the cinematically shot visual is set in a Vancouver that has just gone through a zombie apocalypse — and we follow, our undead protagonist as she travels the streets of Vancouver to an empty theater, where she delivers an unsettling performance.

New Video: ACTORS Release Eerie and Murky Visuals for “Slaves”

Vancouver, British Columbia, Canada-based post punk act ACTORS, comprised of Jason Corbett (vocals, guitar), Shannon Hemmett (synth, vocals), Jahmell Russell (bass, vocals) and Adam Fink (drums) have developed a reputation fora  modern take on post-punk that some critics have compared favorably to the likes of The Soft Moon, Cold Cave and others.

Building upon the growing buzz surrounding the Canadian post punk act, they released their full-length debut It Will Come To You earlier this year through Artifact Records, and the album’s second single  “Slaves,” may arguably be the most direct and anthemic tracks  on the album as its centered around a propulsive bass line, slashing guitar lines, shimmering synths and an infectious hook — and much like its predecessor, it’s an urgent and forceful track. 

Directed by Shannon Hemmett, the recently released video for “Slaves” is incredibly stylistic as it features grainy VHS-like footage, edited stock footage, and high definition footage of masked character in a seedy, late night parking lot, further emphasizing the murky vibes of the song. 

Comprised of Jason Corbett (vocals, guitar), Shannon Hemmett (synth, vocals), Jahmell Russell (bass, vocals) and Adam Fink (drums), the Vancouver, British Columbia, Canada-based post punk act ACTORS have developed a reputation for a decidedly modern take on the familiar post-punk sound, in a way that some critics have compared to The Soft Moon, Cold Cave and others.

Building upon a growing amount of buzz surrounding the band, their forthcoming full-length debut It Will Come To You, is slated for a March 9, 2018 through Artoffact Records, and from album singles “L’appel du Vide,” and “Slaves,” the band reveals an album featuring slickly, produced, hook-driven material that’s reminiscent from  4AD Records-era post-punk and New Wave with an urgent yet cinematic bent. The album’s third and latest “Face Comes To Glass” will further cement the band’s growing reputation for hook-driven, cinematic and moody post punk; however, the track finds the band employing atmospheric and shimmering synths along with angular bass and guitar chords, which makes the song subtly nod at John Carpenter soundtracks.

The Canadian post-punk act will be touring throughout their native Canada, the States and Europe throughout 2018. Check out tour dates below.

Feb 1 – Vancouver, BC @ Astoria
Mar 10 – Vancouver, BC @ Rickshaw (It Will Come to You album release show)
Mar 22 – Seattle, WA @ The Crocodile
Mar 23 – Boise, ID @ Vista Bar
Mar 28 – Sacramento, CA @ LowBrau
Mar 29 – Oakland, CA @ Golden Bull
Mar 30 – Los Angeles, CA @ La Cita (Part Time Punks)
Apr 2 – Eugene, OR @ Old Nicks
Apr 3 – Olympia, WA @ Crytatropa
Apr 4 – Everett, WA @ Obscurus
Apr 6 – Portland, OR @ Tonic Lounge (Out from the Shadows Festival)
Apr 12 – Vancouver, BC @ Astoria (Verboden Festival)
May 10 – Paris, FR @ Le Supersonic
May 11 – Lille, FR @ Le Bobble Cafe
May 17 – Stockholm, SE @ Debaser Strand
May 18 – Copenhagen, DK @ Stengade
May 19 – Hamburg, DE @ Gruner Jager
May 20 – Leipzig, DE @ Wave Gotik Treffen Festival

Comprised of Jason Corbett (vocals, guitar), Shannon Hemmett (synth, vocals), Jahmell Russell (bass, vocals) and Adam Fink (drums), the Vancouver, British Columbia, Canada-based post punk act ACTORS have developed a reputation for a modern take on the familiar post-punk sound, in a way that some critics have compared to The Soft Moon, Cold Cave and others.

Building upon a growing amount of buzz surrounding the band, their forthcoming full-length debut It Will Come To You, which is slated for a March 9, 2018 release through Artoffact Records, the album reportedly finds the band crafting slickly produced, hook-driven material. In fact, album single “L’appel du Vide,” features angular and razor sharp guitar chords played through gentle amounts of reverb, a motorik groove, shimmering arpeggiated synths paired with propulsive drumming and a rousingly anthemic hook — and while drawing from 4AD Records-era post-punk and New Wave, the single will further cement their growing reputation for crafting urgent yet cinematic material. The album’s second single “Slaves,” features a propulsive bass line, slashing guitar chords, soaring synths and industrial clang and clatter, and while as urgent as its predecessor, it also manages to be the most direct and anthemic track of the two from the new album.

The Canadian post-punk act will be touring throughout their native Canada, the States and Europe throughout 2018. Check out tour dates below. 

Feb 1 – Vancouver, BC @ Astoria
Mar 10 – Vancouver, BC @ Rickshaw (It Will Come to You album release show)
Mar 22 – Seattle, WA @ The Crocodile
Mar 23 – Boise, ID @ Vista Bar
Mar 28 – Sacramento, CA @ LowBrau
Mar 29 – Oakland, CA @ Golden Bull
Mar 30 – Los Angeles, CA @ La Cita (Part Time Punks)
Apr 2 – Eugene, OR @ Old Nicks
Apr 3 – Olympia, WA @ Crytatropa
Apr 4 – Everett, WA @ Obscurus
Apr 6 – Portland, OR @ Tonic Lounge (Out from the Shadows Festival)
Apr 12 – Vancouver, BC @ Astoria (Verboden Festival)
May 10 – Paris, FR @ Le Supersonic
May 11 – Lille, FR @ Le Bobble Cafe
May 17 – Stockholm, SE @ Debaser Strand
May 18 – Copenhagen, DK @ Stengade
May 19 – Hamburg, DE @ Gruner Jager
May 20 – Leipzig, DE @ Wave Gotik Treffen Festival