Tag: AfrotoniX

Doubleheader is a collaborative project between Arthur Comeau, a musician and producer, who has released material as Radio Radio, Nom de Plume and under his own name — and multi-instrumentalist, producer and arranger Jean Massicotte, who has worked with Patrick WilsonJean LeloupLhasaArthur HAlejandra Ribera and a lengthy list of others. Interestingly, Doubleheader finds the acclaimed musicians and producers blending a wild mix of ideas, genres and sounds, including beatmaking, DJing, hip-hop, worldbeat, pop and others — as a way of showing the world what pop music can feel and sound like in the 2020s and beyond, continuing a larger push towards a genre-less world. Importantly, the duo’s sound and approach is specifically crafted to be a reflection of the world we should be aspiring to right now — a multicultural world that celebrates diversity in all of its forms.

The Montreal-based act’s 10 song, full-length debut Slim Wall finds the duo collaborating with an equally accomplished collection of Canadian vocalists including 2020 Juno Award-winning artist Dominque Fils-Aimé, 2019 AFRIMA Award-winning artist AfrotroniX, 2020 Juno Award-winner Djely TapaSamito, EIDHZ, Quentin Hatfield and TEKE: TEKE’s Maya Kuroki to create material that eschews genre and language constraints in an interesting yet accessible fashion.

Late last year, I wrote about “Djanto,” which featured achingly plaintive and evocative vocals from acclaimed Malian-Canadian artist Djely Tapa artist over shimmering acoustic guitar, skittering beats, twinkling synth arpeggios and a soaring hook to create a club-banging track with elements of reggaeton and Afropop.  Underneath the euphoric, club friendliness though, the song is actually centered by a thoughtful and much-needed message: we have to take care of our only home — and that taking care of nature involves protecting both animal and human life.

Slim Wall‘s latest single “Criddora,” is a strutting and laid back, sun-kissed jam centered around skittering beats, reggae-like riddims, shimmering and reverb-drenched squiggling guitar blasts paired with Samito’s achingly plaintive vocals, which to my ears, manage to evoke longing and desperate loneliness within a turn of a phrase. Because of our forced confinement and isolation, the song’s ache feels so deeply familiar to me — as it should to you.

“‘Criadora’ is a reggaeton with a deep luso blues flavour and laid back beats and guitars,” the rising Montreal-based duo explain in press notes. “The song tells the story of a tortured man in a state of near-madness searching for relief. Exploring social isolation and stereotyping, Samito offers insight into the perceived discrepancy between what is said about him and what he believes is true.”

Doubleheader is a new collaborative project between Arthur Comeau, a musician and producer, who has released material as Radio Radio, Nom de Plume and under his own name — and multi-instrumentalist, producer and arranger Jean Massicotte, who has worked with Patrick Wilson, Jean Leloup, Lhasa, Arthur H, Alejandra Ribera and a lengthy list of others. Doubleheader finds the acclaimed musicians and producers blending a wild mix of ideas, genres and sounds — including beatmaking, DJinng, hip-hop, worldbeat, pop and others — as aa way of showing the world what pop music can feel and sound like in the 2020s and beyond, continuing artist’s push towards a genre-defying and genre-less world. But more Importantly, their sound and approach is specifically crafted to be a reflection of the world we should be aspiring to — a multicultural world that celebrates diversity in all of its forms.

The Montreal-based act’s 10 song, full-length debut Slim Wall finds the duo collaborating with an equally accomplished collection of Canadian vocalists including 2020 Juno Award-winning artist Dominque Fils-Aimé, 2019 AFRIMA Award-winning artist AfrotroniX, 2020 Juno Award-winner Djely Tapa, Samito, EIDHZ, Quentin Hatfield and TEKE: TEKE’s Maya Kuroki to create material that eschews genre and language constraints in an interesting yet accessible fashion.

Acclaimed Malian-Canadian artist Djely Tapa contributes achingly plaintive and evocative vocals to Slim Wall single “Djanto,’ a track which pairs shimmering acoustic guitar with skittering beats, twinkling synth arpeggios and a soaring hook in a slickly produced club banger that finds the members of Doubleheader meshing elements of reggaeton and Afro pop. But underneath the club friendly, tweeter and woofer rocking thump, the song is centered by a thoughtful and important message: taking care of nature involves protecting both animal and human life.