La Femme — currently, founding members Sacha Got and Marlon Magnée, along with Sam Lefévre, Noé Delmas, Cleémence Quélennec, Clara Luiciani, Jane Peynot, Marilou Chollet and Lucas Nunez Ritter — was founded back in 2010, and the-then unknown band managed to hoodwink the French music industry by lining up a DY Stateside tour with only $3,000 euros and their debut EP, Le Podium #1.
After playing 20 gigs across the States, the members of the La Femme returned back to their native France with immense interest from the Parisian music scene. “The industry was like, ‘What the fuck? They have an EP out and they are touring in the US and we don’t know them?” Marlon Magnée told The Guardian. “So the buzz began to start. When we came back to France, it was red carpet. Fucking DIY.”
2013’s full-length debut Psycho Tropical Berlin was a critical and and commercial success, which won a Victoires de la Musique Award while completely reinventing the sound that began to win them attention. Building upon a rapidly growing internationally recognized profile. La Femme’s sophomore album, 2016’s Mystére was released to praise by Sound Opinions, The Line of Best Fit, The Guardian, AllMusic, BrooklynVegan and a lengthy list of others.
Earlier this year, the acclaimed French act released their first bit of new material in four years with the critically applauded single “Paradigme,” They promptly followed up with “Cool Colorado,” the second single off their forthcoming third album, which will be released through the band’s Disque Pointu and distributed through IDOL.“This album does not correspond to one specific period of our lives,” the band explains. “We have always composed songs all along the journey of the band. Therefore, this album is composed with temporality, it has to be seen as a big piece of a puzzle we create. It is an ongoing process, but all this stays in the range of a concept and remains uncertain.”
Featuring a bombastic horn sample, shimmering guitars, blown out beats, insouciantly sung lyrics in French and English and an infectious hook, “Cool Colorado” sounds indebted to Scott Walker and Ennio Morricone soundtracks while being an “ode to the San Francisco of the 70s, which is so rare and precious to us even if we never lived in this period,” and to Colorado, the first state to legalize cannabis.
The members of La Femme closed out 2020 with “Disconnexion,” the third single off their forthcoming third album — and arguably, the oddest and most difficult to pigeonhole track I’ve come across all year,. Centered around a pulsating, motorik groove reminiscent of Giorgio Moroder’s heyday, a fiery banjo solo, atmospheric electronics, twinkling synth arpeggios, a philosophic soliloquy delivered in a dry, academic French and trippy operatic caterwauling “Disconnexion” is a vivid and surreal fever dream of a song that’s full of “what the fuck” and yet completely danceable.
Speaking of what the fuck, the recently released video for “Disconnexion” continues the surreal and mysterious universe of the preceding videos: initially taking place on a Laugh-In meets Top of the Pops and American Bandstand sort of show, the video quickly morphs into a wild parody of an intellectual TV debate that features a bald and pretentious philosopher type who delivers the song’s wild soliloquy before walking into a phantasmagorical orgy, compete with a hellish clown playing the banjo like he was in a Charlie Daniels tune and a lysergic opera singer wailing away. It’s wild and follows a universe that’s wilder and perhaps more interesting than our own.