Tag: AvicII Waiting for Love

Interview: A Q&A with Rising Swedish Pop Duo Vargas & Lagola

Choosing the band name Vargas & Lagola because they thought the names sounded like characters in a Quentin Tarantino movie, the Swedish songwriting, production and pop artist act comprised of Swedish Grammy-winning duo Salem Al Fakir and Vincent Pontare features two of their homeland’s most accomplished contemporary songwriters and producers: the pair have had successful solo careers before teaming up to write hits for a who’s who list of electro pop and pop that includes MadonnaAviciiSwedish House MafiaDavid GuettaAxwell /\ IngrossoKaty PerryGhost, and Sia.

Founded back in 2017, the duo’s collaboration is a decided change in sonic direction from their previous output as the project finds the Swedish songwriters and producers experimenting with their own unique take on melodic alt-pop, which meshes elements of 70s Americana and Nordic melancholia. Coincidentally, as they started their own attention-grabbing project, the duo received accolades for co-writing Avicii’s “Without You” and “Waiting for Love,” which led to a Swedish Grammy Award win for Composer of the Year. Adding to a growing profile across the international electro pop scene, Al Fakir and Pontare performed their co-written hit “More Than You Know” with Axwell /\ Ingrosso at Coachella — and they played a key role in finishing Avicci’s posthumously released album TIM, contributing on three of the album’s songs.

Last year, I wrote about “Forgot To Be Your Lover,” a carefully crafted pop song that balanced easygoing AM rock, yacht rock breeziness and achingly melancholic nostalgia while sonically the track was centered around atmospheric synths, lush layers of shimmering and twangy, country-styled guitar lines. In some way, the song – to my ears at least – reminded me of Danish JOVM mainstays Palace Winter, but with an ambitious, arena rock feel.

The acclaimed and commercially successful Swedish pop duo’s highly anticipated full-length debut is slated for release at the end of the month. Building upon the growing buzz surrounding them, the duo’s latest single “Someone That Understands Me” continues a run of ambitious, arena rock-like pop. Centered around shimmering acoustic guitar, achingly plaintive vocals, enormous hooks, thunderous drumming and a scorching, Purple Rain-era Prince-like guitar solo from Ludwig Goransson, the song is the contented sigh of a world-weary person, who has stumbled upon one of life’s rare gifts – finding someone like-minded, who truly understands and accepts you for you.

I recently spoke to the duo via email about the new single, which officially drops today, their soon-to-be released album and more. Check out new single and the Q&A below.

V&L_somebodythatunderstandsme_artwork

 ____

WRH: How did you get into music?

Vincent Pontare: My father is a singer, so I got my first guitar from him when I was seven years- old.

Salem Al Fakir: I started to play violin and piano when I was three.

WRH: Who are your influences?

VP and SAF: We love all types of music! We have our roots in hip-hop/reggae/70s/60s but get most of the inspiration for VARGAS & LAGOLA from 70s Americana.

WRH: How would you describe your sound to someone completely unfamiliar with you and your work?

VP and SAF: Imagine if Fleetwood Mac and Jimi Hendrix had a kid that listened to Wu-Tang and loves to go to Burning Man, that’s us.

WRH: Who are you currently listening to?

VP and SAF: Khruangbin, Chet Baker, and Watain.

WRH: Can you name a couple of Swedish acts that should be getting love outside of Sweden but haven’t yet? And why should we know about them?

VP and SAF: VARGAS & LAGOLA. We feel that our type music is unrepresented out in the world at the moment.

WRH: The band is comprised of two, highly accomplished and incredibly successful solo songwriters and producers. What brought the two of you together to collaborate? And how has working together changed your creative process?

VP and SAF: We had met before through mutual friends and had the same booking agency and later on we shared the same studio for a month and then one day we said: we should try to write a song together!?

And the rest is history. . .

It’s a blessing to be two and in the same boat! When the other one is out of ideas or need a break the other one jumps in

WRH: Both of you have managed to write material for an impressive list of globally known pop artists. Has that work influenced or changed your creative process?

VP and SAF: I think success affects [sic] your compass for what works or not in a good way, you trust your gut feel[ing] and that’s the most important tool we have.

WRH: Your latest single “Somebody That Understands Me” features a guest spot from Ludwig Goransson. How did that come about?

VP and SAF:  You might think we already knew him cause we all are Swedes, but we didn’t’! We just fanboyed him up on Instagram and said, “Would you be up for trying a guitar solo on our upcoming single?” And he said “Yes.”

WRH: Speaking of “Somebody That Understands Me,” the track is one of those big, arena rock-friendly sentimental pop tunes with the sort of hook that I haven’t been able to get out of my head. In some way, the song kind of reminds me of Purple Rain and 1999-era Prince. So who and what influenced the song? Is it influenced by personal experience?

VP and SAF: We both have a soft spot for 90s arena rock, so we wanted to please ourselves for a second. Who doesn’t love a 12-string guitar riff!???

The song is about the beauty in finding like-minded people and a homage to thinking outside of the box in life in general. All types of music or genres we’ve been obsessed of comes from an underdog or rebellious perspective. So we wanted to get a little bit of that feeling into the lyrics and the production

WRH: Your highly anticipated full-length debut is slated for release at the end of the month. What should we expect from the album? 

VP and SAF: We want to give our fans a more nuanced palette of our musical landscape, so The Butterfly Effect is a piece in that puzzle.

WRH: What’s next for you?

VP and SAF: Promotion, touring and writing more music.

Choosing the band name Vargas & Lagola because they thought the names sounded like characters in a Quentin Tarantino movie, the Swedish songwriting, production and pop artist act comprised of Swedish Grammy-winning duo Salem Al Fakir and Vincent Pontare features two of their homeland’s most accomplished contemporary songwriters and producers: the pair have had successful solo careers before teaming up to write hits for a who’s who list of electro pop and pop that includes Madonna, Avicii, Swedish House Mafia, David Guetta, Axwell /\ Ingrosso, Katy Perry, Ghost, and Sia.

Founded back in 2017, the duo’s collaboration is a decided change in sonic direction from their previous output as the project finds the Swedish songwriters and producers experimenting with their own unique take on melodic alt-pop, which meshes elements of 70s Americana and Nordic melancholia. Coincidentally, as they started their own attention-grabbing project, the duo received accolades for co-writing Avicii’s “Without You” and “Waiting for Love,” which led to a Swedish Grammy Award win for Composer of the Year. Adding to a growing profile across the international electro pop scene, Al Fakir and Pontare performed their co-written hit “More Than You Know” with Axwell /\ Ingrosso at Coachella — and they played a key role in finishing Avicci’s posthumously released album  TIM, which they contributed on three of the album’s songs.

The duo’s latest single “Forgot To Be Your Lover” is a carefully crafted pop song that finds the duo balancing an easy-going AM rock meets yacht rock breeziness with an achingly melancholic nostalgia. Sonically, the track is centered around atmospheric synths and lush layers of shimmering and twangy, country-styled guitar lines — and in some way, the track reminds me of Danish JOVM mainstays Palace Winter, complete with an soaring and infectious hook.

“It’s a story of neglected love, as well as reflection of what love really means if one person drags the other one down in the gutter,” the duo explain in press notes. “We wrote it while searching for a melancholic piece in Vargas & Lagola’s musical puzzle. With it, we created our own space to experiment with and express what’s on our minds.”