Tag: Baby’s All Right

Saskatoon, Saskatchewan, Canada-born, Seattle, WA-based Jordan Cook (vocals, guitar) can trace the origins of his music career to when he was 15, playing with a blues rock trio, which performed at Montreux Jazz Festival. After recording a full-length album under his own name, Seven Deadly Sins, Cook began recording in Memphis with Matt Chamberlain and Soundgarden‘s Ben Shepherd; but around 2012 Cook relocated to Seattle, where he adopted the moniker Reignwolf. When Cook played his first official show as Reignwolf, he was accompanied by Joseph Braley (drums) and S. J. Kardash (bass).
Since their formation, the band has developed a reputation for a raw sound paired with a high energy live show that has earned them a devoted following, as well as appearances at Coachella, Lollapalooza, Austin City Limits, Glastonbury and Download and opening slots for the likes of Black Sabbath and Pixies. Following on the heels of a 34 date Fall 2018 North American tour, the Seattle-based trio’s long-awaited and highly-anticipated full-length debut Hear Me Out is slated for a March 1, 2019 release.

Hear Me Out‘s first single is the swaggering “Black and Red.” Co-written by Jordan Cook and Aqualung’s Matt Hales, the song is centered around enormous, arena rock friendly blues power chords, thundering drums, an alternating quiet, loud, quiet song structure and rousingly anthemic hooks. The song reveals (and captures) a band that’s ready to kick ass, take names, wreck stages and destroy eardrums.

The band will be touring throughout March and the tour includes two New York area dates — March 9, 2019 at Mercury Lounge and March 10, 2019 at Baby’s All Right. Check out the rest of the tour dates below.

Tour Dates

FRIDAY, MARCH 1ST – SEATTLE, WA @ THE SUNSET

MONDAY, MARCH 4TH – LOS ANGELES @ MOROCCAN LOUNGE

THURSDAY, MARCH 7TH – CHICAGO, IL @ COBRA LOUNGE

SATURDAY, MARCH 9TH – NEW YORK, NY @ MERCURY LOUNGE

SUNDAY, MARCH 10TH – BROOKLYN, NY @ BABY’S ALL RIGHT

TUESDAY, MARCH 12TH – TORONTO, ON @ DRAKE UNDERGROUND

THURSDAY, MARCH 14TH – SATURDAY, MARCH 16TH – AUSTIN, TX @ SXSW

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New Video: Anemone Releases Breezily Bittersweet Album Single “Memory Lane”

Throughout the course of last year, I wrote quite a bit about the Montreal-indie pop/dream pop act Anemone, and as you may recall, the act which is led by Chloe Soldevila (keys, vocals) and featuring Miles Dupire-Gagnon (drums), Gabriel Lambert (guitar), Samuel Gemme (bass) and Zachary Irving (guitar) specializes in a breezy and nostalgic take on dream pop.

Early last year, the Canadian dream pop quartet released their attention-grabbing debut EP, which they supported with a series of critically applauded SXSW shows, and some relentless touring across North America; in fact, I was first introduced to Anemone when they opened for HAERTS at Baby’s All Right.. Building upon a growing profile, the members of Anemone will be releasing their highly-anticipated full-length debut Beat My Distance on February 15, 2019 through Luminelle Records. I’ve written about two album singles so far — the breezy and sunny “Sunshine (Back To The Start)” which was built around jangling and chiming guitar lines, a propulsive, disco-influenced bass line, a steady backbeat and Soldevilla’s plaintive, ethereal vocals. But ironically, the song is centered around the hope of a brighter day after experiencing painful heartache. “She’s The One” continued in a similar vein, as it was a shimmering and ethereal track that possessed a subtly bittersweet undertone. That shouldn’t be surprising as the song focuses on two paradoxical tendencies/patterns in relationships and how they frequently work against each other: the infatuation and idealization of someone, thinking they must be “the one” until you really get to know them — and the tendency to protect yourself and stay independent, at almost all costs with the result of closing yourself off from having a profound connection with another. 

“Memory Lane,” Beat My Distance’s latest single finds the Canadian dream pop act effortlessly meshing psych pop with 70s AM rock, complete with twinkling keys, a propulsive bass line, twangy guitar and trippy layers of percussion — over which Soldevilla’s ethereal vocals sing ruminative vocals. As Anemone’s Soldevilla says in press notes, “‘Memory Lane’ is reminiscent of one’s unrepairable distance from another – the other not giving enough care to a mutual romance in an opportune time, causing both people to move on in separate directions. The outro of the song acts as a lullaby; a soothing, melodic repetition that breaths a fantasy of slowly building the inner-strength to accept that those memories can no longer be the future. Passionate events that once seemed stronger than anything slowly fade away as your inner strength grows ~ it is a powerful feeling.”

Directed by Laura-Lynn Petrick, the recently released video for “Memory Lane” was shot with grainy Super 8 Film and features the members of Anemone goofing off and enjoying a summer day at the lake and at a local farm. Some of the footage is shot with a prism just over the lens, which creates a trippy kaleidoscopic effect to the proceedings — and unsurprisingly, it looks like early promotional music videos from the late 60s and early 70s. 

 

With the release of their slow-burning, genre-bending debut single “Just Wanna See,” the Washington, DC-based indie electro pop trio SHAED, comprised of multi-instrumentalists, production duo and twin brothers Max and Spencer Ernest and Chelsea Lee (vocals) quickly received attention for a sound that has been favorably compared to Florence & The Machine, Sia, Justin Timberlake and Sylvan Esso. However, “Trampoline,” which appears on their latest EP, 2018’s Melt has been their breakout hit, as it recently made a prominent appearance in Apple’s ad campaign for the new MacBook Air — and once you hear the song, it shouldn’t be surprising as to why it was chosen: Lee’s sultry vocals float ethereally over a slick, hyper-modern yet chilly production centered around wobbling and arpeggiated synths, finger snaps, a distorted backing vocal sampled and a soaring hook.  And while bearing an uncanny resemblance to JOVM mainstays Sylvan Esso, the track is infectious and radio friendly.

Building upon a growing profile, the members of the Washington, DC-based indie electro pop trio will be making appearances at Firefly Music Festival and Electric Forest, as part of a headlining national tour that includes a February 22, 2019 stop at Baby’s All Right. Check out the tour dates below.

Tour Dates
2/22 @ The Rec Room (WLKK) in Buffalo, NY #
2/13 @ The Camden Assembly Pub in London, UK #
2/24 @ Subterranean in Chicago, IL #
2/26 @ Great Scott in Allston, MA #
2/27 @Baby’s All Right in New York, NY #
3/1 @ Boot & Saddle in Philadelphia, PA #
3/2 @ U Street Music Hall in Washington, DC #
3/6 @ The Drake Underground in Toronto, CA #
3/7 @ The Hollow (WEQX) in Albany, NY #
3/9 @ Steadfast Festival in Columbus, OH
3/12 @ Pub Rock (ALT AZ) in Phoenix, AZ #
3/13 @ Moroccan Lounge in Los Angeles, CA #
3/15 @ Popscene in San Francisco, CA #
6/21-23 @ Firefly Music Festival in Dover, DE
6/27-30 @ Electric Forest in Rothbury, MI

 

# Headline

Now, if you’ve been frequenting this site throughout the course of this year, you’d probably recall that earlier this year, I caught the Montreal-indie pop/dream pop act Anemone open for the acclaimed indie pop act HAERTS at Baby’s All Right. Led by Chloe Soldevila (keys, vocals) and featuring Miles Dupire-Gagnon (drums), Gabriel Lambert (guitar), Samuel Gemme (bass) and Zachary Irving (guitar), the Canadian quartet specializes in a breezy take on dream pop that hints at both psych pop and to In Ghost Colours-era Cut Copy and Painted Palms.

The Canadian act released their attention-grabbing debut EP earlier this year, which they’ve supported with a series of critically applauded SXSW shows, and some relentless touring across North America. And although they’ve been rather busy, over the past couple of months, they also announced that their highly-anticipated full-length debut Beat My Distance will be released early next year through Luminelle Records. Album single “Sunshine (Back To The Start)” is a breezy and sunny track built around jangling and chiming guitar lines, a propulsive, disco-influenced bass line, a steady backbeat and Soldevilla’s plaintive, ethereal vocals — and while sunny, the song is centered on the hope of a brighter day after experiencing something shitty and painful. “She’s The One” continues in a similar vein as the track is a shimmering and ethereal track centered around Sodevilla’s ethereal crooning and an upbeat, almost Afro pop-like sense of percussion — and much like its predecessor, it possesses a subtly bittersweet undertone. As Soldevilla explains in press notes, “She’s The One’ is about two paradoxical tendencies/patterns in relationships and how they work against each other. The first one is where you become infatuated and idealize someone, thinking they are ”the one” until you really get to know them; the other tendency is to protect yourself and stay independent. Closing yourself off from getting to know someone and potentially missing out on a great connection. ‘She’s The One’ is the prequel to ‘Bout de toi’ although it’s being released after. The mood of it, the percussions; ‘She’s The One’ came together very quickly in the studio, as we had a strong desire for an upbeat, dancy [sic] song. It brought a new energy to our set which has really shaped our live show.”

 

New Audio: Montreal’s Anemone Returns with a Deceptively Breezy and Sunny Take on Pop

Earlier this year, I caught the Montreal-indie pop/dream pop act Anemone open for the acclaimed indie pop act HAERTS at Baby’s All Right, and the act led by Chloe Soldevila (keys, vocals) and featuring Miles Dupire-Gagnon (drums), Gabriel Lambert (guitar), Samuel Gemme (bass) and Zachary Irving (guitar) specializes in a breezy and dreamy pop sound that hints at psych pop — and at points to In Ghost Colours-era Cut Copy and Forever and Horizon-era Painted Palms. The Canadian act released their attention-grabbing debut EP earlier this year, which they’ve supported with a series of critically applauded SXSW shows, and some relentless touring across North America. Now, as you may recall, “Daffodils,” off the band’s debut EP was a breezy bit of synth-led dream pop centered around arpeggiated, analog synths, an ethereal melody, reverb drenched drums, shimmering guitar lines and a sinuous bass line within a gently unfolding, expansive song structure — and interestingly, the song recalls Pavo Pavo’s gorgeous, retro-futurstic dream Young Narrator on the Breakers. 

Recently, the Montreal-based band announced that their full-length debut Beat My Distance will be released early next year through Luminelle Records, and the album’s first single “Sunshine (Back To The Start)” is a breezy and sunshine-filled track built around a jangling and chiming guitar lines, a propulsive, disco-influenced bass line, a steady back beat and Soldevilla’s plaintive and ethereal vocals — but the song’s brightness is a bit deceptive as it focuses on the hope of a brighter day, after dealing with something shitty. As Soldevilla explains in press notes that the song is about “Overcoming the pattern of falling i love with someone who is unworthy, but that you still believed it could work. I called it ‘Sunshine’ because this song should resonate positively — it’s about focusing on the bright side and coming out stronger person; daydreaming of better, sunnier days.”  (I should note that sonically speaking, the song features one of the best guitar solos I’ve heard in about a good month or so.) 

New Video: Introducing the Slick Yet Heartfelt and Radio Friendly Sounds of Toronto’s RALPH

Raffa Weyman is a Toronto, Ontario, Canada-born and-based singer/songwriter, and with her solo recording project RALPH, Weyman quickly emerged into the national and international pop scene with the 2015 release of her debut single “Trouble,” which […]